are you worried
About what? But yeah
noise dept.
$LAYYYTER

Kaledo Art
dirt enthusiast
Today's Document
Xuebing Du

#extradirty

Andulka
Cosmic Funnies

ellievsbear
"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH
Monterey Bay Aquarium
No title available

❣ Chile in a Photography ❣
DEAR READER
🪼

JBB: An Artblog!
wallacepolsom
almost home

seen from United States
seen from Germany

seen from Poland
seen from Singapore
seen from France

seen from United States

seen from Canada
seen from Japan
seen from Türkiye

seen from Malaysia

seen from Brunei

seen from China

seen from Malaysia

seen from Malaysia
seen from United States
seen from Singapore
seen from Netherlands

seen from United States
seen from United Kingdom
seen from Indonesia
@winter-leaf
are you worried
About what? But yeah
Long time no see
Life has been changed
People have left people have come
Sauntering around grief
Laying in the wilderness of friendship
One fingertip trailing the edges of a new ship
Kindhearted glorious heartaching ship
Praying the ocean hugs us gently
And swirls us across safely
Awaiting the storm never quite felt so sweet
Languishing in the mellow wait
Not having someone to talk to everyday after your bestie leaves for abroad is making me feel like I am missing a limb.
I feel incomplete.
Bestie, where art thou!
im in so much physical pain i might died
disgusting evil bastard muscle
the stingray
Day 1 at the National film archive of India
Firstly, the aesthetics just slay. Red building, the old wada vibes with the garden and two gates. Absolute slay. Whoever put windows of all sorts in every corner that too with tints, May both sides of your pillow be cold always.
There are handful of people around. I showed up 10 minutes early and as a result had to wait for 40 minutes. Met the peeps, had the tour, met the concerned people. Met the boss, fellow mumbaikar, got pushed into cataloging. Was looking forward to film inspection but ok.
Spent the entire day in the cold library crosschecking excel sheets.
Hmm. Mixed feelings. But the library is nice at least. The smell of books is wallahi
Off to bid farewell. And arrange dabba. Will update tomorrow.
Toodles
Bruh nashta time is overthinking time I don't make the rules
Wondering if turning this blog into something that resembles the pavement that my heady feet walk on will fulfil my wish to be traced as per my wishes.
Nonetheless!
Tis time to embark on a rather personal but shallow in the same measure journey of finding what nooks I can retain and what curves follow.
TAYLOR SWIFT The Eras Tour - Foxborough, MA - May 20th, 2023
this night is flawless, don't you let it go...
gkbc is being terrified that your parents were right and also being terrified that your parents were wrong
.
Kang Ki Young as Jung Myeong Seok Extraordinary Attorney Woo (이상한 변호사 우영우) 2022, dir. Yoo In Shik.
(x)
Recently Viewed: Film, the Living Record of our Memory
Recently, I purchased a ticket for Japan Society’s upcoming screening of Tange Sazen and the Pot Worth a Million Ryo, one of only three features directed by Sadao Yamanaka to have survived World War II. The program boasts that this will be the “longest version” of the movie available—an evocative claim. While it initially appears to be an inconsequential parenthetical note, it suggests a fascinating behind-the-scenes story: a struggle to scavenge and reassemble footage and elements from various disparate sources in order to produce some approximation of the creator’s original artistic vision.
An anecdote about the efforts of those (admittedly hypothetical) archivists would have been right at home in Film, the Living Record of our Memory, a documentary (currently streaming via DOC NYC’s online platform) that explores the delicate craft of film preservation. Through haunting imagery that is guaranteed to horrify and psychologically scar any cinephiles in the audience (burning nitrate, rotting celluloid, canisters filled with nothing but powdery dust), director Inés Toharia illuminates the challenges and emphasizes the importance of protecting humanity’s recorded legacy—not just big-budget Hollywood fare, but also international productions, and even amateur home videos.
Fortunately, there are glimpses of hope amidst the rubble and decay—the promise that lost treasures may yet someday be rediscovered, resurrected, and reintroduced to new generations of fans. I was completely unaware, for example, of the existence of a silent-era adaptation of Journey to the West, nor had I ever considered the notion that such trailblazers as Georges Méliès might have borrowed techniques and technological innovations from older media. Indeed, thanks to the tireless and valiant work of professional “cine-anthropologists,” the “accepted history" of this relatively young industry (i.e., literally everything that I learned in college) is constantly being recontextualized, reevaluated, and rewritten.
And for enthusiasts like myself, that should be a tantalizing prospect.
"لا تهزأ بجرح لمّ تذقهُ". Do not mock a pain you haven’t endured.
People someday will not have a box of photos of their childhood because smartphones.
I wanted to slap every single character in The Secret History, but with If We Were Villains, all I wanted to do was hug everyone.