[wired-up-writer]

Forfeiture 1/6

What kind of benevolent God would 

allow me to wake up to a light lucent in the sky

but not immersed in your eyes?

What kind of benevolent God would

allow me to remember the words to a song i  deeply despise 

and not your broad, dulcet, hearty voice

that i’m sure i adored once upon a time?

What kind of benevolent God would

allow me to see you as a hazy picture in my head

but not prudently propped on the mantelpiece in a frame or perched by my bed?

What kind of benevolent God would

allow you to suffer in the worst type of pain

and leave me here

with it to be reborn in my name?

[wired-up-writer]

[wired-up-writer]

[wired-up-writer]

People always have been and always will be the real problem

          After a report released today stating that graphic content is damaging our young generation, my strong views on this subject appeared to be fired up again. Nowadays, all we hear about in the media is about the things which gravely effect people and their mentality, like: magazines promoting an ideal body image, the ban of certain pornographic images online as they promote sexual violence; graphic lyrics in rap music promoting sex and drugs and -now more than ever -the negative effects of social networking and video games desensitizing our young ones. Is there anything that isn’t harmful to anyone nowadays? It appears not.

           However, when I think about it I always return to the same theory: these mediums are only harmful if accessed in the wrong way or by the wrong people. An example of this is that drugs are only detrimental when taken and only have dreadful effects on someone-and those around them- should they have little restraint over their use and little knowledge about the very drug they are taking. I believe it’s similar with video games. Admittedly, they do feature graphic content but the games are, at present, age restricted so this should be a sufficient guideline for those playing them and those with children who are. I deem the graphic content only becomes perilous when it’s in front of those who aren’t capable of processing the content, grasping that the game isn’t genuine and that that type of behaviour expressed is immoral. Those who go on to commit crimes because they think they are living in a virtual gaming world obviously were not completely stable and healthy in the first place; you could therefore go on to say that games are a trigger - but you could say that for a lot of things.

           Additionally, people all around the world are bombarded with images of emaciated, slender women and muscular, brawny men and a high percentage are led to believe this is what we should all strive to look like-perfect. Only few realise otherwise. Unfortunately, women and men alike are steered down a murky path to eating disorders in order achieve this “ideal” which has been injected into their minds. Something more is these biased images create judgemental individuals who mock those who aren’t these ideals which can further hinder people’s already low self-esteem. Maybe if we weren’t blitzed with these images there wouldn’t be vast amounts of people who are hypnotised into trusting this is what everyone should look like; if magazines featured those who are big, small, medium we wouldn’t project our views onto other people to alter their confidence in themselves. Personally, I don’t take any notice of these images because as long as I’m content with myself I don’t care what other people think. I wish more people would adopt this attitude and realise that they shouldn’t let others rule their lives. Yet again, this demonstrates that magazines aren’t the only problem, but the people who believe the entirety of what they see and read.

           To conclude, the point I’m trying to make is that people cause these problems we hear about often. Video games are nothing but time wasters and hobbies for children; magazines are only printing pictures of thin women to make money. It’s when these things get in the wrong hands that they become dangerous to our mental health and to society as a whole. Rather than blaming games, magazines, music videos and other forms of media for abnormal behaviour and ideologies, think about the people affected and the real reason as to why they were marked by what they saw...

[wired-up-writer]

#GeorgeRoseAwake REVIEW

          George Rose’s single release gig for the single ‘Awake’ was at the Department of Liquor and Social Affairs last Friday; the night was bursting with few of the best bands that Northampton has to offer. When I arrived I was greeted with a smokey, bricked room which served a perfect milieu for the bands playing.

          To begin with was the familiar Naked Spoons who have toned down their heavyweight style from the last time I had seen them, this time their set was powered by brighter, funkier guitar riffs, lurid bass and tough drum beats. Going back to their heavy origins however, they managed to perform a cover of ‘Out of the black’ and with a full band obviously did the songs’ dynamism and quality justice with efficacious vocals and calculated halts in the chorus. Evidently-not just in this song- all drum fills were impeccably accomplished at every opportunity which was satisfying to examine. Not forgetting, I witnessed a rare sight of a bassist moving around! Their bassist regularly moved and did a decent job-along with the other members- of projecting their contentment to the crowd watching.

          We Animals were the second band to play and this gig marked the second time I had seen them play this month, identical to the first time they were immaculate. It still seems hard to conceive how they are not a professional touring band when watching them as everything they perform is so tight. Their guitar riffs glimmer, bass resounds; drums rumble and the vocals are unperturbed and distinctive. However, when viewing them this time, I found them almost tiring to watch as the drummer put his all into the performance as well as the rest of the members. I wish I could fault their set… but I can’t.

          Fox Chapel were admittedly a band I had heard a great deal about but had never seen; from their name I guessed they would be an indie band similar to the rest of the line-up. Yes, they were but they were rough around the edge similar to bands like Seahaven and Brand New; this made them slightly dissimilar to the rest of the bands- they were coarse and had an alternative edge which made them a respectable watch as I saw them unfold as their set progressed. Their nimble, multifarious riffs played by both guitar and bass accompanied the tentative drums and rasping vocals well. It would have been nice to see them show added amusement in their performance but nevertheless that seems to work as their semblance. Saying that I enjoyed their set a lot and will make sure to check out their music online.

          Lastly-of course- was George Rose and his band. Right from the start their ambition and eagerness got the crowd singing and dancing creating an enthralling watch from start to finish. It was apparent that this is what their hard work -writing the single ‘Awake’- had boiled down to as they put everything into the performance and relentlessly looked as if they were having a great time which exuded around the room to everyone watching. Everything was clean cut, right down to the vocals to the precise timing of the drums; if there were any mistakes they were inconsequential. Additionally, they created a great revelry atmosphere as they used confetti cannons, a bubble machine and unleashed a piñata; it was these simple and effective things which made this a stand out gig for me (What can I say… I love piñatas!) I wish I had more to say, or things to criticize, but really there is nothing more I can ruminate to declare … the gig was eccentric and an enormous achievement for a diminutive local band and had an animated aether to match.

          George Rose managed to perform all songs like their recordings and performed ‘Awake’ with considerable quantities of momentum which made an obvious good concluding song to the set. All three operated well jointly with their catchy charisma and dexterous aptitudes excelled- hopefully they will keep this up for gigs to come (and their tour they hinted at)

[wired-up-writer]

Future Sound Northampton #7 REVIEW

          Future Sound Northampton is a platform for those constructing music and visual art. It’s held in the petite, unassuming NN Café in Northampton town centre and the small scale venue allows for an intimate experience viewing both the bands and acoustic acts performing, and the art that is displayed between each act. Future Sound Northampton is dissimilar to any other music event held in Northampton and is one of the most enjoyable. When I first arrived I was greeted by the pungent smell of coffee and a small room bursting with vintage décor where people were ready for a night of music so it was clear I was in for a good night all-round.

           The first act of the night was George Rose who was flying solo armed with just his acoustic guitar and, as usual, heaps of charisma- it was a first for me seeing him perform unaided. A particular highlight was at the beginning when he pulled a dazzling mash up out of the bag which included songs like: Superstitious, Get Lucky and I Bet That You Look Good On The Dancefloor, all of which were songs from contrasting artists and he managed to do each one justice to his own eccentric, imitable, intelligent panache. Additionally, added scopes were added to his songs by using remarkable, intricate techniques on his guitar resulting in his songs sounding complete and not commodious in the slightest. George was increasingly adventurous too whilst he played an instrumental cover of ‘Old Pine’ by Ben Howard which was captivating to watch and listen to sparkle along the way. Like always his set was gratifying to view.

           Latasha Martini was the next acoustic act of the night who played simple chords to accompany her expressive and distinctive vocals; she also played an unexpected mash up which was convincing enough to believe that these were her own songs. Moreover, it was interesting to hear how she altered them marginally to make them her own and unalike from the originals. In the songs she had written herself, Latasha showed flagrant flair for writing lyrics which she incorporated ingenuity through the few rapped segments which added disarming variability. To conclude her set she performed ‘Where is the love?’ alongside a friend who played a bongo drum whilst she sat back and sang without the worry of playing guitar. Although, this was something inventive and eccentric- I admire that- it could have benefited by having supplementary present bongo drums. This would have occupied the space, but also if they were played confidently with added command and technique it would have enhanced the song a lot more too making the cover as powerful as the original.

           Ivory Yardsale were my favourite act of the night. Whilst using samples underneath the bright guitar and dexterous drums they proved that they were tentative and distinctive; the indie aura they carried made them sound like a superior version of Mac Demarco with further phlegmatic sensations. Ivory Yardsale featured just two members but still accomplished enough noise to sound like a full band who were harmonious and prevailing. The vocals were imperturbable, the guitar was perfectly played frivolously and the drums were hit with full pelt and proficiency. I really enjoyed them and I hope that they play a gig in Northampton soon so I can see them again now I have listened to their EP I found online after researching them.

           Last on was “the coolest cats in town” as they like to be known- The Incidents. All members were dressed in leather jackets which made me feel like the Sex Pistols had been reborn right before me. Their set was crammed with chunky guitar, dense bass, coarse vocals and dominant drums. The Incidents performed like a professional band and it was outward they knew this and came across as very self-assured in doing so. Although they weren’t my cup of tea they still performed well on the modest stage and exuded a significant amount of aptitude. Additionally, it was ostensive they were well practiced because they worked well supporting each other during the songs and looked as though they were having fun too. The Incidents were a good band, but were not well suited to the venue which catered for the calmer of acts therefore it would be great to see them in a different setting and see how I prefer them then.

           Future Sound Northampton provided a great night of entertainment, it was marvellous to see new and familiar faces performing and watching the acts. The night gave me the opportunity to view  Northampton acts that I hadn’t seen before and I left the NN Café impressed by who I had seen. This is definitely an event I will consider going to again!

[wired-up-writer]

We Animals EP Release @ The Charles Bradlaugh 6th March ‘15 REVIEW

          Last Friday I had the opportunity to review We Animals’ EP Release gig at The Charles Bradlaugh. They were joined by three support acts: acoustic act Jordan Mackampa and two bands Knees and The Supersonics. I hadn’t had the opportunity to see any of the acts before so I went into the gig not knowing what to expect from any of them which was an thrilling prospect.

           Upon arrival the sound system wasn’t working which gave me a chance to chat to two members of We Animals: lead singer/guitarist Maxx and guitarist Ryan. However, I wasn’t armed with questions for an interview- only a pen, paper and camera- so I had to pluck questions from my vacant mind and surprisingly with these questions I learnt quite a lot about the pair. One: they were comical characters and two: Ryan specified that one sentence to describe We Animals was “magical” … consequently giving me high anticipations for their live show which was soon upon us.  

          We spoke about the Northampton music scene and how the metal existence have died down over the years, but how despite this it was still bursting with talent- partly because they were involved (obviously) Moreover, I made sure to find out more of their influences which conjured up a range of diverse bands whose sound may be recognisable in their EP, some of them being: The Libertines, Mike Skinner, Oasis, Royal Blood and the outlandish Dream Theatre. However, we can rest assured knowing that We Animals will not be making a dubstep/trance album anytime soon because both established that Dubstep and Trance music is too “weird”. Equipped with additional information about the band, I had to leave them to set up and have their pre-gig cigarette and beer to ensure they were prepared.

           The first act of the night was Jordan Mackampa who sang with soul and power which worked incredibly well with the indulgent, delicate acoustic guitar. His original songs were incredibly infective and authentic alike to Ed Sheeran’s early work- only heaps better. Jordan executed all of his set effortlessly whilst striking all the high and low notes along the way certainly leaving me in awe of his talent. Even whilst singing the severe words “I know your secret…you’re just a bitch” he managed to sounded slick and spellbinding! He only performed for a diminutive time but proved he could bring as much dynamism and enjoyment as the full bands that the rest of the night had to offer.

           Next on was the band Knees who were almost as weird as their name. From the get go they were fuelled with masses of energy and exhilaration; after a relatively quiet start, it was good to see a whole new type of endowment take to the stage. Their songs were wild and lively with an added keyboard generating an extra dimension to the tough, forceful electric guitar and drums that were already existing; they were stimulating to listen to and observe as all members darted around the stage in such a way I wished I was up there with them. Although, half way through the set the lead guitarist broke a string to which he recovered well and continued to play to the same high standard he had done beforehand. But also, despite the fact the vocals were drowned out by the other members, Knees’ set was thoroughly amusing and set the bar high for We Animals.

          The last of the support acts was The Supersonics. Their brit-pop tunes juxtaposed with the laid back nature of all members which made those viewing feel at ease. Most noticeably the vocals were sharp and gritty; guitarists and drummer alike were skilful and resounding and played every solo soundly. Initially, they started off rather bashful but it was rewarding to watch their confidence grow as they progressed through the set and showed more flair. I discerned that they didn’t ever look as if they were having fun- even I knew they probably were- so I would have loved for them to have moved a little more to get the crowd doing the same.

           Finally, it was time for We Animals to take to the stage and I had high expectations after listening to the EP and meeting the members beforehand. I had promised to write kind words so I was hopeful that they would impress me and those words would come easy. As soon as the first word was sung by frontman Max I knew I was in for the treat because his vocals, as well as the rest of the band, exuded considerable more verve than was present on the EP. It was pleasant to see all members working collectively and having a good time because this positive energy was reassigned to the audience watching. Even whilst messing around slightly, they held the songs together which proved Maxx was correct when he earlier said the band were proficient and well-rehearsed. Furthermore, it was interesting to perceive a diverse range of songs which were all played dexterously; it meant every member could demonstrate their high capacities in different ways in the various songs. At times, it was charming to hear the vocals flourish whilst in others it was significant to see the vibrant melodies shine from the guitars and bass -which also worked with the commanding drums perfectly.

          As a whole, the set flowed effortlessly and each song was perfectly crafted into place where it would show off each of their talents idiomatically. A particular acme was the dynamic, controlled changes that were implemented during ‘Lucy ‘, consequently sounding perfect for a live performance. And yet another highlight was obviously when they played my favourite song on their EP –The Fall- leaving the crowd enthusiastically dancing along which worthwhile to witness since this was warranted after all the apparent hard work they put into making the EP and performing it. To be truthful, We Animals surprised me with their set; I enjoyed their EP but I didn’t expect to enjoy their live performance as much as I did which makes me content to see them in a few weeks’ for the second time.

[wired-up-writer]

‘Awake’ - George Rose REVIEW

          GeorgeRose is a man of many talents-and bands. If you are familiar with the Northampton music scene you will recognise him from bands like: Arc Noir, Celebrities, Solar Roads and solo projects like his current one. Ahead of reviewing the release show for the single ‘Awake’, I was able to listen to and review the single itself.

           Alike to the rest of George’s work, ‘Awake’ is entrancing. The flair and ingenuity that weaves its way into the song is carefree and hallucinating as he clearly carves his own style into the already existing indie genre. It’s invigorating to hear something unalike to anything else being produced by a Northampton artist; more often than not I hear identical things being churned out by different bands and it gets tedious after a while. Despite this, George Rose continues to uphold a certain edge and uplifting, energetic feel which I haven’t heard in a similar band around town and ‘Awake’ proves that very individualism.

           ‘Awake’ is crammed full of catchy, rhythmic melodies played immaculately on guitar which as the song advances don’t become lacklustre. Additionally, the bass is discernible and is played with clarity and groove that, combined with the guitar, is incredibly infectious. The drums are identical to the bass: skilful, marvellous and manage to keep the song thriving. Something interesting is when various sections are introduced where things are altered to allow for theme and variation and the complexity to sparkle. The intricacy created by each instrument reflects a lot of work has gone into making this song which is pleasing to hear. Throughout, every instrument gets an opportunity to gloat, subsequently making the song as a whole boundless, vivacious and exuberant. To contrast this, the lyrics are modest and don't take themselves too seriously- simple but effective- and the instrumental made up for any fault there may have been here, even if there wasn't an unequivocal story or message featured which – I shall admit- I do enjoy in a song. 

          Overall, for an early release ‘Awake’ is miraculous and decently produced with a number of other electronic effects added in to enlarge the present layers of music. I can’t wait to hear it performed live where I have no doubt it will be bursting with vigour (who knows I may sing along)

LIKE GEORGE ROSE ON FACEBOOK 

BUY TICKETS TO 'AWAKE' RELEASE PARTY 20/04/15

[wired-up-writer]

The Fall EP – We Animals REVIEW

          WeAnimals are a four piece indie band from Northampton with influences from thelikes of Oasis, The Vaccines and Arctic Monkeys- a good mixture of prodigious, respectable bands! ‘The Fall’ is We Animals’ debut EP-with four fresh tracks on- that I was fortunate enough to receive prior to its release before I review them at their EP release party next week. I was eager to hear what the EP would entail since I had not ever seen We Animals around at any local gigs I had attended; consequently I didn’t know what to expect to hear other than a band with very successful influences, so I questioned if their charms would transfer into the songs performed in the EP.

           First I listened to the title track of the EP, ‘The Fall’, to give me a good idea of what would follow and I wasn’t dissatisfied with what I heard. In the typical indie style, the song is both relaxed and crammed with energy from the outset. Moreover, the vocals echo indie “vibes” with a certain unique, gritty and husky quality. Although I am not a drummer myself -and don’t know a great deal about them-the drums are very noticeable in this song: the use of the catchy high hat and bass drum pulse in the first verse varies slightly in the second verse adding a superfluous dimension before the charming chorus. It’s beguiling and features the accusing lyrics “you don’t know how it feels to fall head over heels” which with the faint harmonies gives the chorus and vocals another added stratum, again conforming to the indie genre they home themselves in. In the chorus I would have liked to hear more variation from the vocals themselves; having power behind them would have highlighted the lyrics and made the words stand out further.  

           The next song on the EP is titled ‘Lucy’ which initially sounds very similar to ‘The Wild Youth’ by Daughter due to the -what seems like- arpeggiated chords which dominate the verses creating an almost ominous feel. In particular, the drums compliment the guitar and give a potential fist bump opportunity to be used at gigs. Despite the verse’s similarity to another song, the chorus features no vocals which allows for a crescendo from all instruments which contrasts well to the soft verse earlier. Overall, this is a handsome little song which isn’t anything unusual.

          The latter two songs are ‘Papercut’ and ‘Undone’; ‘Papercut’ tells a tale of a night out which is something their young audience can relate to and appreciate hearing about in an appealing song. But again like the previous song, ‘Papercut’ sounds parallel to another song; this time it was ‘Sidewinder’ by Catfish and The Bottlemen. Perhaps it’s because both intros use comparable melodies but despite this it’s still a decent song. Alike to all of their songs, there is a fresh and fledgling ambiance present making the tune even more memorable to sing along to. To further progress, it would have been beneficial to hear more disparity or development in the instruments or vocals to counterpart the emotion being crooned in the lyrics. Following, ‘Undone’ features a pleasantly crafted intermission where there was yet another interesting guitar riff accompanied by a bass riff which excelled. This fragment allows all members to finally show off their talents with high vitality… I wish this energy could have accumulated to end the song on a rousing high though.

         As a whole, the EP is pleasant and something to certainly be celebrated; I definitely am excited to see it be performed live at the release party looming. I can only imagine how they will perform it live and I hope that all the congenial features will be in the live performance. ‘The Fall’ is not too shabby or messy like I would have anticipated from a band with the name implying the members were animals…

CLICK HERE TO BOOK TICKETS TO 'THE FALL' EP RELEASE PARTY @ THE CHARLES BRADLAUGH 6/03/15

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 LIKE 'WE ANIMALS' ON FACEBOOK

[wired-up-writer]

Who gon’ stop me thinking Kanye West is actually Kanye Best?

           On sight Kanye West doesn’t look like much, but from a young age Kanye was bound 2 be a star. Born June 8th 1977 in Georgia, Kanye was brought up in a humble milieu where he had to work to achieve his high aspirations; he has worked vigorously to gain a career in the music business, whether that be producing music or rapping it, his lengthy career  has lasted over ten years and still continues be stronger than ever. Not to mention, recently he has brought out his own brand of Adidas Originals, calling them Yeezy, near the time of also announcing the release date of his latest album. He’s not just talented but tactical too. Is there anything this man can’t do?

           To attain money, power and fame Kanye worked for it and certainly isn’t a one hit wonder manufactured from a talent contest on TV. Unlike most artists nowadays, he deserves to be where he is because he earned it. It’s almost unheard of nowadays but believe me, he didn’t just click his fingers and score success suddenly. As a young person considering a career in the music industry later in life, this is a trait I admire in someone I look up to because I personally feel perseverance, enthusiasm and hard work is key- how else will you learn to treasure your triumphs if you don’t work to get them? Applying that question to Kanye’s infamous ‘attitude’, you can pardon his egotism and blithe approach (at least I can)

           More on his character: although it has got him into misfortune over the years, it is something that I most respect about him. Most forget -or don’t even know- that he is extremely intelligent. It is notable whilst listening to some of his songs that he has awareness for current social and political matters in the world. He is not fearful of the prospect of voicing his honest opinion, and to me that is an admirable quality. Too many people nowadays-famous or not- are too afraid to voice their opinions and undeniably Kanye isn’t; if that’s an opinion on something on a grand scale like the government or small scale like who should have won a VMA Award… he will verbalize his thoughts knowing he has a right to disagree. Moreover, his haughtiness is something that makes him unique and for some a likeable, witty character. It can be justified why he is this way because, like mentioned before, he has tirelessly toiled to get where he is now. Allow him to worship himself and his existence because I’m almost certain anyone in a similar position would be the same deep down!

           Not forgetting his music. He produces, raps, sings and writes songs verifying he is not a one trick pony. The lyrics in his songs don’t just feature the usual sex, drugs and thriving lifestyle but real sentiment and anecdotes from his youth which un cover a side to him some aren’t accustomed to. The youth of today can relate to the youth of his day that he illuminates in his songs and can be relished by the older generation of people who appreciated his music when he initially started out. Notably, every song he creates is inimitable, charming and riveting. Especially, the songs he is joined by other current artists; he has collaborated with the oddest and most fitting people. From Nicki Minaj to Bon Iver; Jay Z to Mr Hudson; Rihanna to Paul McCartney, Kanye can make the weird and wonderful work in his songs and ultimately this is one of my much-loved things about his music. His songs can feature any singer from any genre and still hum implausible sounds. I can’t think of any other RnB rapper who could do the same. For this, it is not surprising that he is one of the most famous rappers of this age, who so far since 2004 has not released a flop album and I doubt will ever.

           Kanye West has been and still will be a major talking point with everyone around the globe. People can’t seem to get enough of him and his personal life with wife, Kim Kardashian, and daughter, North West, whether they love or hate him. At the Grammys this year he was the talking point even whilst on stage with The Beatles icon, Paul McCartney! Nobody can say anything about Kanye that will stop me admiring him because it seems people only hate him because he has everything they don’t. He is a mastermind in the most astounding and sometimes explainable ways.

[wired-up-writer]

Delepre Abbey

[wired-up-writer]

George Ezra @ O2 Academy Birmingham 18th Feb ‘15 REVIEW

          It’s without a doubt that George Ezra is one of the most predominant breakthrough acts of last year, so when I acquired tickets to see him live I was eager to see how this triumph would appear in his live show. Hearing from friends and seeing videos online I knew I was in for a treat, however being used to a “heavy rock” crowd I was concerned that the experience wouldn’t be as high energy and as entertaining as other gigs I had been to. Needless to say, I had high hopes that the set list and support act would make me want to dance and sing every song with little shame.

          The night began with the only support act: Raleigh Ritchie. Having done my prior searches I had an idea of what to expect, but I was surprised when his first song had the ground shaking and had a slight 80s feel to it. Just like a first song should, it had the crowd bounding and enthusiastic for what else Raleigh had to offer.  During his time on stage it was notable how he made efforts to keep the crowd interested with chats in between songs or chants mid-way through them. Especially when shouting “jump if you love Ezra” which quite literally left the crowd soaring up towards the ceiling. The zenith of his set was his song ‘Stronger than ever’ which allowed his London roots and influences to be displayed; it was seamlessly rough around the edges with the slight dubstep beats and was perfectly performed with soul and sentiment by Raleigh himself. Overall, he did a decent job. His lively and humble approach to his performance made him a pleasant personality to watch and relish.

          Next on was the man himself- George- opening with the song ‘Cassy O’ which gave his voice the opportunity to resonate through the entire venue; it got the crowd slightly moving and singing along. I was pleased when he later on played ‘Over the creek’-one of my favourites off his debut album -which he sang with such fuel and fire. It brimmed with emotion and exquisiteness leaving me in awe and wonder over his talent. Additionally, it was humbling to hear the back stories to some of his songs when he would stop and have chats with the crowd about how he penned each song, which- as a song writer myself- was intriguing to learn how a thriving songwriter does it.

          Notably, even during his most eminent songs like ‘Blame it on me’ and ‘Budapest’ the crowd didn’t move or sing copious amounts (or at all) To my despair it felt like I was the only one in the entire venue singing and swaying; I wished that George would encourage more people to do the same- he didn’t. It was extremely exasperating. If he did, I can guarantee I would have had a more enjoyable time but because he didn’t I could have stayed at home and watched the Youtube videos of it the morning after and had the exact same experience… Or maybe I’m being inequitable and I'm being needy simply for a dance and a sing song when it comes to being at gigs (It’s not you, George, it’s me)

          Moving away from the negatives, the set was definitely bursting with astounding moments. Calming ambiances resonated through ‘Barcelona’; it was as soothing and stunning as I imagined it would be live. Moreover, the song ‘Benjamin Twine’ was stripped back to just guitars and Ezra himself with no band which was pleasing to hear; the song doesn’t need anything more than the admirable lyrics about his best friend and the effortless guitar to be a surprisingly cute little number. The set as a whole had its lively and slow songs which were carefully crafted into place- even if he didn’t play my two favourite songs (‘Drawing Board’ and ‘Get lonely with me’) it was still very much a grand set.

          Overall, every song his voice was undoubtably faultless similar to his accompanying band who gave his songs a lot more life and vivacity, especially in the concluding encore song ‘Did you hear the rain’ which filled the room with heavy rock riffs and dark melodies which was breath taking to listen to! George was endearing, jovial and virtuoso; he really revealed to his fans that he is a likeable and modest guy who really relishes in being an imaginative singer song writer who travelled round Europe just to write his debut album. George Ezra is pretty new to the gigging game, I’ll allow for the slight hiccups but I hope by album number two he has polished off the few imperfections.

[wired-up-writer]

‘Ban All The Music’ - Nothing But Thieves REVIEW

          Nothing But Thieves are a fresh new band originating from Southend who combine many styles to generate the boundless sound their supporters know them for. Only recently have they played at London’s Koko and soon they are set to support Darlia on an NME Awards bill; they are unquestionably this year’s next big thing in terms of fresh, new talent. Their new single-Ban All The Music- demonstrates they are out to make an unforgettable statement and are guaranteed to make 2015 their year.

         Ban All The Music is dreamily addictive, fast-paced and melodious. Immediately as the verse kicks in you appreciate the raw talent exuded from front man Conor Mason, whose voice is alike to the front man of Royal Blood, only more pungently powerful and diverse in its range. The guitar and bass are similarly compelling and rhythmic, as are the drums which mould the songs beat which is especially infectious and modish in the chorus. Brutally raw and gritty: these are the qualities which really make this song great. I can’t get enough of the harshness, and the power and sentiment from the vitalizing vocals and lyrics combined.  

          As a whole this song is staggering; I’m eager to hear their debut album which is set to come out later this year because it’s going to interesting to see how they can top this song and the others they have released prior to Ban All The Music. Needless to say, it will be hard to top but I have confidence they will release nothing short of unimpeachable.

[wired-up-writer]

[wired-up-writer]

My reaction to Bruce Jenner's transition to womanhood

           My jaw has never dropped to thefloor so rapidly in my whole life until today when I heard that Olympic athlete, Bruce Jenner, was “transitioning into a woman”. According to reports he has been making the staggering transition for around a year (so maybe I’m late on the bandwagon) but I undeniably didn’t see it coming. I’d noticed his hair was gloriously growing I admit, but to discover it’s because he’s going to have a sex change is extraordinary. This is an enormously incredible thing for the transgender community; his high profile image will help to spread awareness of transgender people and highlight the normality of it. Hopefully it will give others the courage to do similar and be self-confident in doing so.

         My feelings towards the news, along with obvious shock, are delight and elation. I’m proud of him for being so valiant, courageous and strong to do this at such a time in his life when he’s five years from being seventy years old- go Bruce! If this is the decision he has to make for him to be content and fulfilled, I along with everyone else am in no place to judge. Additionally, what makes this even more remarkable is how he formerly was an all American poster boy back in the day when he competed in the Olympics; he was the idolised patriarch of the time, who I hope will continue to be admired for these achievements and his fans won’t be blinded or discouraged by the sex change. He’s transforming from a gifted male sports idol to an even more endowed transgender woman star- he’s now an idol for both ends of the social spectrum.

          However, it’s unfortunate to think about how many people will be pejorative towards this. I can only imagine how the ‘Keeping Up With The Kardashians’ followers will react; some will be supportive I know, but we still live in a world where people have their minds wrapped around a norm that cannot be challenged. It’s incredibly paining and it’s guaranteed that some will throw maddening comments around the internet about how incorrect it is. Even his ex-wife, Kris Kardashian, failed to comment on the matter at the NTA Awards when asked about it and this only leaves me guessing whether this was out of mortification or not. If Bruce wants to be a woman, who cares? It’s his choice, his body and his life.

[wired-up-writer]

Y Factor Semi Final review

          The Y Factor is an annual festival in partnership with The Lowdown and Northampton Music 365 featuring twenty one acts across three stages; it is a platform just for young performers around the Northamptonshire area. Whether you like acoustic acts or bands; rock, ska, metal or rap there is something for everyone at The Y Factor and the festival takes pride in this very versatility.

          The night began with one of my favourite local bands, Ground Floor, who are an immense ska/rock band- the Streetlight Manifesto of our generation. Alike to every performance, they sounded resonant and remarkable; the Auden Stage allowed their sound to handsomely fill the room and as I was listening to them I felt as if I was watching professionals who I’d pay decent money to see. The Y Factor hasn’t seen a band like this before; they are unquestionably ones to watch out for in the future if they are to get through to the final.

          I stayed by the Auden Stage to catch another familiar band, The Wise Old Owls, who were one guitarist short since the last time I saw them. Some may think this would mean they lacked a complete sound but they’ve still got it! They still pulled off covers of the likes of Two Door Cinema Club and even covered ‘Wicked Games’ by The Weeknd. Surprisingly, with an added kick of angst it was transformed from a smooth RnB song to something so much more by making it their own. I just wish they would cover other songs similar to this and not stick to playing it safe. Unfortunately, I didn't stay for their whole set so I could check out Curtain Mafia on the Far Heath Stage who performed a selection of bass driven songs. Their cover of ‘Ever Fallen In Love’ was sung with punk instilled vocals which felt like I was watching a young John Lydon perform. Curtain Mafia were entertaining and brimming with merriment, however there’s some things they need to tighten up in order for them to be the fantastic band I know they can be. Aside from this, they have a carefree presence on stage which really makes those things almost not matter at all!

         Whilst sauntering around the three stages I was greeted with an abundance of talent and high spirits wherever I went. I caught Jordan Jones and his mod-rock jams, Building Skylines and their hefty high energy rock riffs, and Y-Fi who -for a small band- made a hell of a lot of noise. Everywhere I went there was something diverse transpiring, all of which were captivating in their own ways.

          I decided that next I would spend some time watching some acoustic acts on the NM365 stage. Here I was greeted by the fledgling talent, Robyn Wilson. Whilst keeping it simple she managed to make all the songs she covered imitable to her style. She performs with such ease and her voice is so tranquil whether she is performing originals or covers. The highlight for me on the NM65 stage however was Harry Mockett. He managed to cover two of my favourite songs and still reflect their beauty faultlessly, which is rare! One of them was ‘Cacoon’ by Catfish And The Bottlemen which- even though isn’t originally acoustic- didn’t lose its depth and vitality. The other was ‘I will follow you into the dark’ by Death Cab For Cutie which was performed just as exquisitely as the original. Harry Mockett was immaculate, poignant, adept and clear-cut. He is definitely one to look out for in the future.

          Additionally, I caught Leo Robinson on the  NM365 Stage, the first rapper I have seen take part in The Y Factor and it’s great to see an artist from ImpactTV take part. For the diminutive time I saw, the solid beats and ‘chill vibes’ juxtaposed with the contemporary rap vocals and lyrics soundly. If I didn’t have a duty to review I would have been sure to dance, and I’m absolutely going to check out some of Leo’s other works. Another act I caught briefly was Lake Acacia; they were quite literally ground breaking as the bass dominated their set and could  be felt by everyone in the audience. Their enthusiastic exuberance whilst performing was apparent which was transferred to those watching. The guitar riffs were on point, especially during their cover of ‘No one knows’ by Queens Of The Stone age which got the crowd soaring.

          Finally, Solar Roads were yet another highlight of my night. I really relished in their refreshing, unique, infectious songs with bass/guitar riffs to die for; Solar Roads is the type of band I’d happily dance round a field to in the summer. Carrying a young, fresh and relaxed aura, they were unblemished and had a certain edge to them that I can’t put my finger on. I’m eager to hear new things from these guys and see them at future gigs.

          The level of talent at this year’s Y Factor competition is higher than the last few years; the bar has been set and still has the opportunity to be raised even higher. Now all we can do is sit back and wait to see who will get through to the final, and ponder what each act will bring to The Auden Stage at the final on the 21st March. I’ll be there with my pen and paper reviewing, will you?

[wired-up-writer]

'See you in everything' – Matty Mullins REVIEW

          In the past I have been a Memphis May Fire fan sowhen I saw that the lead singer Matty Mullins had a new solo song I was eagerto hear what he had constructed. Now aged 26, I questioned if Matty’s new project would highlight the difference between his metal-core beginnings to the present day and ‘See you in everything’ would allow me to see if it did.

          Generally, the song is tolerable. Luckily, it has a catchy melody to entice the listener as well as a punchy drum beat. But coming from a guy with an exceptional voice and potential I envisaged more. It seems he is stuck in the cycle of writing songs that the people want to hear and not the ones that will reinforce the talent he has and allow him to move forward in his career. Although the song does suit his voice and attracts the loyal MMF fans, the song itself just isn’t distinctive. It sounds like all the other songs artists like him are making nowadays which is a shame because Matty could really make a remarkable piece of work if he strayed from what he was used to. His existing fans may not be longing for the idea but it seems it is what Matty needs to get him out of the rut he is in. Furthermore, it will enable him to make music which will really gain the recognition he deserves with old fans and new ones he may acquire along the way.

          See you in everything isn’t a terrible song, it just doesn’t stand out from the crowd. So have a listen and see if you’re in favour of him moving away from his roots like I am.