John Michael Carter (American b,1950), Summer Reading, 1986, Oil on linen
The Stonewall Inn

shark vs the universe
Misplaced Lens Cap

❣ Chile in a Photography ❣
trying on a metaphor

PR's Tumblrdome
Not today Justin
cherry valley forever

Andulka
Jules of Nature

ellievsbear
Keni

izzy's playlists!
Monterey Bay Aquarium

Kiana Khansmith
One Nice Bug Per Day
noise dept.
official daine visual archive
occasionally subtle
will byers stan first human second

seen from France
seen from United States

seen from Poland

seen from Malaysia
seen from United States
seen from Brazil

seen from Malaysia

seen from Colombia

seen from Malaysia

seen from United States
seen from China
seen from United States
seen from Colombia

seen from United States
seen from United States

seen from Malaysia

seen from Azerbaijan

seen from Switzerland
seen from United States
seen from United States
@wistfulfaery
John Michael Carter (American b,1950), Summer Reading, 1986, Oil on linen
Mary Oliver, from “Green, Green is My Sister's House”, A Thousand Mornings
Andrea Gibson, Lord of the Butterflies
Waiting - Marya Hornbachar
little weirds - jenny slate
Anaïs Nin, from a diary entry featured in The Diary of Anaïs Nin Volume 1 1931-1934
Rise and collapse of a wave. Details of paintings by Michael Zeno Diemer (1867-1939)
george clausen / edward potthast / nicholas hely hutchinson / victoria vitalyevna samsonova / jeremy miranda / suzanne siegel
May Sarton, from Journal of a Solitude [ID in alt text]
“The Visit at Moonlight” by Edmund Thomas Parris, 1832
…Let's drink to afternoon, the best of all times. Cruel morning is past, fearful, unpredictable, lonely night is yet to come. Here's to heartrending afternoon…
– Jean Rhys, from “Till September Petronella,” The Collected Short Stories (Norton, 1987)
May Sarton, from Recovering: A Journal
Mary Oliver, from "Where Does the Temple Begin, Where Does It End?", Devotions
the miracle of being here
invitation, mary oliver// @arthoesunshine // when death comes, mary oliver//to be alive, gregory ott// the dead poets society(1989), quote: walden, henry david thoreau// joseph campbell// the aeneid, virgil// @babyangel-jpg // @rawjoy //sweet, charles bukowski// that it will never come again, emily dickinson// bjenny montero// ? // ? // moments, mary oliver// madness a bipolar life, marya hornbacher// wild geese, mary oliver// letters to a young poet, rainer maria rilke// on earth we're briefly gorgeous, ocean voung// @ashstfu // i thought on his desire for three days, linda gregg
Things, I know, stiffen and shift in memory, become what they never were before. As when an army takes over a country. Or a summer yard goes scarlet with fall and its venous leaves. One summons the years of the past largely by witchcraft—a whore's arts, collage and brew, eye of newt, heart of horse. Still, the house of my childhood is etched in my memory like the shape of the mind itself: a house-shaped mind—why not? It was this particular mind out of which I ventured—for any wild danger or sentimental stance or lunge at something faraway. But it housed every seedling act. I floated above it, but close, like a figure in a Chagall.
– Lorrie Moore, Who Will Run the Frog Hospital?
___a._rose__
MOOD
Photos by me
“Plants and animals don’t fight the winter; they don’t pretend it’s not happening and attempt to carry on living the same lives that they lived in the summer. They prepare. They adapt. They perform extraordinary acts of metamorphosis to get them through. Winter is a time of withdrawing from the world, maximising scant resources, carrying out acts of brutal efficiency and vanishing from sight; but that’s where the transformation occurs. Winter is not the death of the life cycle, but its crucible.”
– Katherine May, Wintering: The Power of Rest and Retreat in Difficult Times