PUT YOUR BEARD IN MY MOUTH

#extradirty
Cosimo Galluzzi
wallacepolsom
"I'm Dorothy Gale from Kansas"
ojovivo
trying on a metaphor
occasionally subtle
will byers stan first human second
Today's Document

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taylor price
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Claire Keane
Peter Solarz

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blake kathryn

oozey mess
One Nice Bug Per Day
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seen from United States
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@witchwolfwrites
Love
“Love me.”
They’ve been begging for so long. I tried. Good god how I’ve tried. Sometimes, SOMETIMES, I thought I did. I was wrong.
“Love me?”
Every time, they’ve been so soft, so sweet, so kind. I come back to them and they ask for my love and I try and I just... Can’t. They don’t complain. They don’t argue. They don’t fight me. Acceptance. Simple acceptance. For awhile.
"Love me!”
They’ve gotten louder. More aggressive. More demanding. They won’t give me a choice this time. They’ll hurt me if I don’t listen. Hurt me worse if I don’t follow through. It’s scary. It’s terrifying the things they might do. Our once calm, if not neglectful relationship becoming violent. Abusive. So this time, I’ll have to just accept it and begin to
Love me.
October Create Challenge
Hello! We are so excited to announce that we are hosting a creative challenge for October this year! We have picked 4 themes that will run throughout the month with individual prompts for each day (for example: October 12th would be Friendship/Appreciation).
Housekeeping:
- Please tag your work using the hashtag #choices October challenge as well as tagging which prompt you are using, and also tag @playchoicesficidea
- This challenge is for all creators whether that be fan fiction, fanart, edits, playlists, etc.
- Tag your work appropriately for TW and NSFW content. This will help us out a lot when reblogging and creating the masterlist
💕Reblogged and spread the word! Tag any mutuals that you think would be interested in participating, the more the marrier.💕
Week #1 ❤️ Romance ❤️
1.) Love
2.) Trust
3.) Kiss
4.) Temptation
5.) Passion
6.) Consume
7.) Vulnerability
8.) Listen
Week #2 🤝Friendship🤝
9.) Strength
10.) Courage
11.) Joy
12.) Appreciate
13.) Forgive
14.) Wisdom
15.) Adventure
Week #3 😂Comedy😂
16.) Tattoo
17.) Hangover
18.) Pineapple
19.) Snacks
20.) Awkward
21.) Shoes
22.) Fire
23.) Unicorn
Week #4 🎃 Halloween 🎃
24.) Spooky
25.) Pumpkin
26.) Trick
27.) Candy
28.) Costume
29.) Party
30.) Ghost
31.) Haunted House
I greeted him at the door on 4" heels, a high ponytail, and a satin apron.
He pushed me into my apartment with hungry kisses and desperate gropes.
I peeled back the layers of a long day at work: briefcase with a thud by the door and the friction of his belt through each belt loop. The buckle jingling as it fell to the floor.
He bent me over the table and thrust himself against my back and ass before unzipping and revealing his excitement to me. I ran the stiletto heel up his inseam while using the mental map of his body to guide my hands to revisit my treasure.
His mouth and hands raced to discover every spot that would make me gasp or moan. I cocked my head and squirmed in the shadow of his stature. The high ponytail danced against my skin.
He grasped my long brown tresses at the tip and recalled all the photos and videos in his wank bank of arched backs and bent necks.
He yanked so hard that he herniated C5-6. During the surgery for my artificial disc replacement, my surgeon found a bone shard 3mm from my spinal cord.
The man who whispered in my ear of how i was “marriage material” moved to Toronto 2 weeks after he damn near made me into a quadriplegic. He closed on a house the day of my surgery.
To this day, I jump when someone puts their hands near my head. My ears ring constantly. And every time I see one of you all post a photo of someone having their hair pulled, I think about all the pain one dumb, badly-executed move caused me.
1. Get consent. 2. Give warning. 3. Grab slowly and smoothly at the roots 4. Movement comes from the wrist (minimizes chance of injury to directional force) 5. If need be, let the person with the hair being pulled hold on to your wrist to either limit your movement or as a failsafe. 6. Over time develop trust with your partner to dial up neck extension, force, or speed.
All that and the fucker never even gave me a single orgasm.
Too important not to reblog
Total NSFW but so important. So cover your eyes, innocent ones!
AWWW DAMN!!!..
Always reblog. Kink safely, friends.
This post is why I started this blog.
Stay safe. Stay responsible.
Turkish dagger, nephrite handle, decorated with gold, silver, rubies, emeralds, and sapphires, late 18th or early 19th century.
from The State Hermitage Museum, St. Petersburg
I've cried so long my head hurts. This is the new, nighttime normal, now. Again. I didn't realize it had stopped. Too late.
It's 6. The light filtering in through the window is blue. Beautifully bright blue. This color always reminds me of you. I don't know why.
The pounding won't go away until I sleep. It never does. It makes my eyes hurt. I'm exhausted. I hope I dream of you again. I hate dreaming of you.
I miss you. I want you to touch me. To hold me. To want me. To make me feel things that only you make me feel. You're the only one who makes me feel like I deserve those things. I know I don't.
I'm crying again, it's different this time. It's exactly the same, too
god i love cg drews tweets
Writing awesome antagonists
You guys asked for it. So, here ya go:
1. An antagonist isn’t necessarily a villain
When I hear the word ‘villain’, I think of someone with sinister/evil intentions. Someone who wants to rule the world or ruins nature by using dark magic or kicks puppies. These characters can be great in stories, but they’re not the only option for conflict.
An antagonist can be your protagonist’s competitor, an overprotective loved one, someone with a different view, or even a different side of the protagonist themself (think Dr Jekyll and Mr Hyde).
If your aim is to write an antagonist (who may or may not be a villain),then this post is for you!
2. Motivation is the holy grail
Do not make your antagonist evil for the sake of being evil. The most famous example of this is Iago in the Shakespeare play Othello (yes, Shakespeare made mistakes. Deal with it.)
In children’s stories or melodramatic stage plays, it’s fine if your villain simply exists because there has to be someone evil to oppose the MC’s good. But if you’re writing anything MG or higher, this isn’t gonna cut it anymore.
People are complicated. They have different morals, beliefs and alliances. But most people believe that they are good, that they are justified in the way they act and treat others. So, even though a great amount of people are dicks, they don’t think they are.
This should translate to your antagonist. They need to have a reason for opposing the protagonist. The first thing you should determine for each character in your book, is their fundamental motivation. What is it that they want/are striving for? Is your antagonist ambitious above all else and they are determined to become King? Is she trying to kill your MC because their blood is the only cure to some alien disease. Are they scared of the unknown and detest the protag because of their ancestry? Whatever the case is, it needs to be a real, identifiable and strong motive.
If you want to go into a more evil direction and use an inherently flawed/dangerous motivation, I would suggest linking it to solid reasons. e.g. If you’re writing something like the evil queen in Snow White, you need to link her psychopathic vanity to the flaws of the society she grew up in or the way she was treated as a child etc. Maybe the character has antisocial personality disorder (psychopathy) or was raised to squash all competition etc.
Motivation is even more important if you intend to write some scenes from the perspective of the antagonist
3. Near invincibility
You can have more than one antagonist in your story, but the big baddie should be REALLY big.
The main antagonist needs to be the biggest thing your protagonist has ever had to face. And they need to be a more-than-worthy opponent.
This ups the tension in your novel, since the reader will be anticipating the final showdown and truly wondering whether the MC will be able to come out on top.
The way to do this is to litter small conflicts between the two characters throughout the story. You protagonist should have altercations with the antagonist/their army/their minions before the big conflict at the end. Each of these smaller show-downs should end in the protagonist losing/having to retreat/surrendering/getting severely injured and discouraged.
You can show the protagonist beating other opponents, but they shouldn’t get the upper hand over the main antagonist until the final conflict. This shows the reader than the MC will really have to dig deep in order to overcome the big conflict.
NB: The antagonist needs to start out waaayyy stronger than the protagonist.
4. Antagonist plot twists
Antagonists/villains can be great tools for shocking plot twists.
This mostly has to do with playing with expectations of who the villain will be.
So, maybe the person your characters thought was the antagonist has been under the evil influence of an even bigger baddie the whole time.
Maybe the antagonist turns out to be the one with the better philosophy/plan.
Maybe one of the “good” characters turns out to be the actual villain.
Maybe the antagonist is only a figment of the protagonist’s imagination (think Black Swan).
Maybe the system is the real bad guy and your antagonist is just another victim.
Whatever floats your boat. Just know that you can do wonderful, twisty things with the antagonist. Use that to your advantage.
5. Redemption, anyone?
This is a highly contested topic, but I believe that antagonists can and should sometimes be redeemed.
How this happens depends on your specific story and the character. Obviously, if the antagonist committed genocide and poisoned kittens, they got some splainin to do. In these cases, the change in mind of the character has to be warranted. Something HUGE needs to happen to them that changes the way they think and behave. And they better be fucking sorry and willing to do whatever it takes to make things right.
If your antagonist isn’t the personification of evil, this will be a bit easier. Since they probably opposed the protagonist due to societal ideologies or fraudulent beliefs, it only requires the truth to be revealed for them to shift their alliance. They should still say sorry, though. It’s only polite.
My advice with redemption arcs is that the antagonist has to suffer before they can truly be redeemed. They have to face some consequences for the time they spent on the wrong side of the fight. And they shouldn’t be trusted/accepted by the protagonist immediately.
If you want to learn how to do a redemption arc right, look at Zuko’s story in Avatar: The Last Airbender. He has the best redemption arc in fictional history.
Alright, that’s all I have for now. I hope that you guys found this useful. If you want me to do a post about creating an antagonistic character that hooks the reader, be sure to leave a comment.
Reblog if you found this useful. Comment with your own tips. Follow me for similar content.
Ok here is a compilation of all the software and useful tools I’ve come across whilst writing. Some of them I’ve reviewed on here already, more coming soon.
Got an idea? Well get planning! Here’s some useful outlining, brainstorming and mind- mapping software:
Coggle
Lucidchart
Mural.ly
Blumind
MindMeister
Mindmaple
Mindomo
NovaMind
Popplet
Scapple
Tree Sheets
Visual Understanding Environment (VUE)
XMind
FreeMind
Oak Outliner
Work Flowy
The Outliner of Giants
Just want to get writing? You want a word processor:
Gedit
Google Docs
Kate
LibreOffice
Microsoft Word
My Writing Spot
NoteTab
Open Office
Quabel
Ted
Vim
yEdit
Making notes? Here you go:
CintaNotes
Evernote
KeepNote
Memonic
MS OneNote
Scribe
SuperNotecard
Tomboy
Timelines giving you a headache? Try these:
Aeon Timeline
Dipity
Preceden
Tiki-Toki
Timeglider
Timeline
TimelineJS
TimeToast
Now perhaps you want to organise those notes. Got a lot of research? Character sheets? Images? Well here’s some tools to keep all that together:
Liquid Story Binder XE
LitLift
PangurPad
Scriptito
Scrivener
Writer’s Café
Yarny
yWriter
Are you easily distracted? The following tools will keep you on track:
Dark Room
FocusWriter
JDarkRoom
Momentum Writer
OmmWriter
Q10
Writemonkey
Zen Writer
Even more productivity tools to help keep you focussed on your task:
Cold Turkey
FocalFilter
Freedom
InternetOff
Keepmeout
Nanny
Productivity Owl
RescueTime
SelfControl
SelfRestraint
Simple Blocker
StayFocusd
Strict Workflow
Time Doctor
Waste No Time
Website Blocker
So you’ve got something down? Need to edit?
AutoCrit
EditMinion
Grammarly
LyX
SlickWrite
SmartEdit
After the Deadline
All done? Perhaps you’d like some e-publishing tools:
Acrobat
InDesign
Calibre
CutePDF
Jutoh
Mobipocket Creator
PagePlus
PageStream
PDFCreator
Scribus
Sigil
I’m feeling generous, have some more cool stuff:
750 Words
One Page per Day
Oneword
Penzu
Write or Die
Written Kitten
Focus Booster
Spaaze
AutoREALM (Map building software)
Enjoy! I may update the list as I find more, or I’ll make a second list.
Passing this treasure box of resources on!
BDSM 101: Submission
Submission quite simply is a submissive’s ability to trust, and give control over to a Dominant. It is the core of their power within BDSM relationships, and should be treated with utmost respect by Dominants and submissives alike.
1. HOW SUBMISSION SHOULD BE USED AND GIVEN: submission is a prize, and should always be treated as such. When a submissive first meets a prospective Dominant, they should hold their submission until such time that they feel they have come to know them very well, and have a shining and near absolute trust for the Dominant in question. At such a time, the submissive may then offer their submission to that Dominant, at which point the Dominant takes control over the submissive, and holds such power as is agreed upon within the relationship. At this point the Dominant should create a safe word with their new submissive, a word which may be the sole power left to the submissive during the duration of the relationship. At any point, a submissive may withdraw their submission from the Dominant they gave it to, and end the relationship. A Dominant holds no sway over when a submissive may offer, or take back their submission.
2. HOW A DOMINANT OR DOM-PLAYER CAN DAMAGE YOUR SUBMISSION: Anything that damages a submissive’s ability to trust, is a danger their submission. Any individual that attempts to lie or manipulate a submissive that does not belong to them, in the hopes of obtaining temporary benefits from that submissive, is in a position to damage their submission. Dominants can do damage to submission in situations involving abuse, exploring non-mutual kink, playing outside their relationship without discussion, bringing individuals into their relationship without discussion, or any other activity that hurts their submissive physically, mentally, or emotionally that results in a breach and damage of trust.
3. HOW A SUBMISSIVE CAN DAMAGE THEIR OWN SUBMISSION: A submissive’s pull to have a Dominant, and be rid of control, can be very powerful. It can cause them to treat their own submission with a lack of respect, and place it in a position to be abused, and damaged. Any time a submissive offers their submission to someone without first getting to know them well, and trusting them highly, they place themselves at higher risk of having their trust betrayed, causing damage to that part of them that is needed to establish strong trust with someone when offering their submission again. Submission should be given based on earned trust, not blind trust. Giving someone else control over you, your life, care, and sexuality, is a huge act of trust, and needs to be treated with the highest level of respect by submissives. Submissives should make Dominants rigorously earn their submission, by requiring a Dominant to get to know them, asking the dominant to be open about themselves, deciphering the submissive’s needs, outlying the future care the submissive can expect from the Dominant, and demanding the Dominant display patience, by waiting to receive their submission until such time as they are certain they are ready to offer it.
The Celtic short sword! This one has sold. We will be making more similar to this one later this year. Follow us on instagram and Facebook @lunarlightforge thanks everyone!!
Quick Guide to Punctuating Dialogue
“This is a line of dialogue,” she said.
“This,” he said, “is a sentence split by a speech tag.”
“This is a full sentence,” she said. “This is a new sentence.”
“This is a sentence followed by an action.” He smiled. “They’re separate sentences, because I didn’t speak by smiling.”