ON DECONSTRUCTION
by Alexander Freeling
Ferran Adrià could never be accused of being too straightforward. The celebrated Spanish chef made his name with dishes that were part science experiment, part conceptual art. Familiar dishes made utterly strange by a cocktail of tricksy humor and laboratory technique.
As Silviya Svejenova and colleagues put it, “Adrià’s artistry is in the contrasts (hot–cold, soft–crunchy, solid–liquid, sweet–savory), the concepts (e.g., foams), the techniques (e.g., spherification), and the creative methods (e.g., deconstruction).”
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Taking things apart.















