Friday Night Firefight

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@wounded--machine
Friday Night Firefight
The game should give Johnny Silverhand SO much more shit for being dead 50 years. He should be so out of touch. Like, the one scene where you show up to a club he played, and it's a noodle shop. Way more of that. His slang should be fucken antique. He should hate all the new music. I mean. I'm sure he does! But he should pop up just to bitch about the radio.
And his idea of what your average netrunner can do should be way out of date. V does some shit that's not even top-tier, like my V who is mostly real good at throwing daggers through people's eyes, and he's like--shit I didn't know you where that good. And V's like...??? Ok??
I want a scene where some snotnosed kid with pink vinyl pants and a smiley face visor says that sure, Alt Cunningham was one of the greats back then, but modern netrunners have surpassed her by miles, and Johnny tries to take control of you by force just to punch them.
I just woke up but I have something to say and don't come for me.
Johnny deserves the flak for being an asshole. He was/is. And as a Johnny lover I support him catching that flak.
But (and this isn't some petty fandom dig) I always see Kerry getting put up on this "goodest boy" pedestal and I don't get it. Kerry’s writing deserves more than that, in my opinion. He's done shitty things too and I see a lot of it just sorta ignored, but those flaws are what give him depth.
Yeah, he is a depressed, tormented rockstar (for lack of a better boil-down) who's been Going Through It™️ for 50 years. But he's also a divorcee with kids he (seemingly) does not, and has never really, prioritized.
I know it's the nature of Night City, but I still also think it's worth a mention how he was going about handling the Us Cracks girls. Blowing up the van, sure fine whatever. Literally waving a gun in their faces in their dressing room? More than a little unhinged. Especially when he's in music the industry too and knows first hand how managers fuck over their clients - case and point Kovachek doing the same to him in real time during that ordeal.
I'm not saying Kerry is a bad person. I'm just saying he's not some UwU golden boy either and he deserves to have his fucked uppery recognized more.
It's easy to forget that Johnny kept like-minded company most of the time and that includes Kerry. Kerry is still a rockerboy and rockerboys are still, in general, agents of chaos. Just because he didn't nuke the city and manipulate his band mates, doesn't mean he's the "good one" in the group.
And I'm begging ya'll not to take this as someone kind of Kerry hate post because it's not. I might not post a ton of Kerry content but I do love him. He's a great character and I honestly need to read more of his ttrpg stuff and commit it to memory. Ultimately, this is really just me rambling about folks defanging the poor guy.
i edited this together in 2 minutes.
what the fuck is wrong with him
They sooo could've made Johnny romancable if they wanted to.
And I know technicalities were a big part of it, it being Keanu Reeves' face. But honestly I don't even think V and Johnny's romance would've needed a sex scene. I don't think I would've even wanted it. And I also know reception can play a big part of it too, with the fact half the dudebro fan base would've flipped the fuck out if they weren't being catered too, but. I don't know. I just wish the option was there.
The thing about Johnny is, I don't want a romance with him like I have with the other romance options. I'd want it to be something different, not necessarily deeper as I feel that just minimizes the other relationships you can have in the game, but definitely something forged through a connection that is literally quite not possible with the others.
Something just.. knowing. Something that if you choose the right dialogue options and actions, it's a slow natural build up to something unspoken, something that you know they feel for each other by the end of the game and the tragedy of that. Where the only 'physical' affection they can ever show each other is that lingering handshake at the bridge before V gives up the body.
Something to contrast with the other romances. Something that highlights the tragedy of not being able to physically exist with the one you love, the tragedy of knowing one of you won't be able to make it out of this, that one of you will have to leave eventually, always eventually. That one of you will have to sacrifice yourself for the other.
I wanted the lingering looks, the quick turn aways of being caught, the trail offs of meaningful dialogue, the cut offs of almost saying something too revealing. I wanted the subtle snark of jealous dialogue, or even possessiveness, the ones that are played off as jokes and teasing while V is with the other romances. I wanted him sitting on the couch during hangout dates with the others trying his hardest not to look bothered, distracting himself by playing music. I wanted Johnny saying shit with the same vulnerability as him admitting how scared he was for V at the bridge (the closest thing will ever get to a confession I swear).
Something to really, really drive home like a slap across the fucking face how much he changed, how much he learned about himself, how much he learned about how to genuinely care and love for others in ways that weren't just destructive and selfish, but in ways that were literally transformative and life saving, and how fucking sad that is that it comes at a time that's too late. That it's too late for him to do anything about it besides give up his life for V, or betray V, or watch helplessly as they give their life up for him when that isn't what he wanted.
Something. I just wanted something.
Like maybe they didn't add the option because Johnny being a romance option was never something they had in mind, but you cannot tell me Johnny and V's story doesn't play out like a tragic love story. That they weren't starcrossed, doomed from the start. Doomed from the moment they realized they started to care for the other or at least like each other in some capacity.
V would've never given Johnny the keys to the body again after the talk in the oil fields if they didn't start trusting the bastard, caring enough about him to help him find closure or make amends with his friends or reconcile with his past. Johnny would've never entrusted these tasks to V, or open up about them, or open up about how he finally saw how much everyone had hated him yet it seemed like V didn't. He would've never asked V for a second chance if he didn't think V could do right by him, if he didn't care about V. If he didn't trust them. If he didn't want that from them.
And the fact that none of that will matter by the end, how they feel about each other, because there will always be a choice to be had. Which of them will get to live? And which of them will have to leave?
If anything, it'd just make the choice all that much harder. Do you sacrifice yourself for the one you love, or do you sacrifice the one you love for yourself? Do you watch and stand by as the one you love sacrifices themselves for you, or do you try to convince them that it should be you instead? Is this a choice either of you could make?
There could've even been a secret option in Mikoshi if you had achieved a romance with Johnny just like the reaper ending if you had achieved a high enough affinity with him after selecting all the right dialogue. Where if it wasn't a decision either of them could make, or V didn't want to make, which one of them to sacrifice, that V could've convinced Johnny that they could both just leave behind the blackwall, that they both could be homogenized into Alt's code. At least then they could've been together. At least then, in some way, they could still live with and within each other for the rest of their digitally constructed lives. At least then, they could've been something.
(The calls from the others in the end credits could've been much like the ones you get in temperance too. Where it's either assumed V died or offed themselves or ran off, or that even Johnny took the body and ran off. Just a lot of accusations and assumptions and grief that could still come with an ending like this.)
Idk, I just wish we could've had the choice with Johnny is all.
Unfortunately, activating his reinforced tendon implants occasionally comes with involuntarily uttering "uppies!"
I have nobody to talk about this to but this is so Silverdyne coded
“A thing of beauty — I know, will never fade away. What you did to me — I know, said what you had to say.”
They’re the definition of “it’s complicated.”
I think Kerry was in love with Johnny.
Not mutually. I even have a headcanon that these two could kiss and do sexual things while drunk. But unlike Kerry, for Johnny it was not serious and he considered it friendly favors. For Johnny, Kerry was the only friend who tolerated all his antics. Johnny does not notice the feelings of others until he meets V and the moment when he first meets a person who does not idolize him and does not forgive him just like that, but loves him. Kerry forgave out of love and it was normal for Johnny not to notice it. In the future, he will be surprised that Kerry keeps his things and that he still has such an effect on Kerry. But Kerry lets Johnny go. Johnny loves him as a friend. And he makes it clear after 50 years. Their friendship is much stronger than what connected them with Alt and Rogue. But now Johnny understands the difference. Perhaps that is why Johnny jokes about V's offer of sex. He thinks he doesn't know how to love romantically because all his similar relationships ended terribly.
Sun and Moon -Kerry and Johnny
had fun testing cheap paints and playing with color temperatures
I love and hate this parallel that is drawn in Cyberpunk. "I spent a few days staring at a fan, and I wouldn't want you to spend your days the same way," Johnny says in Pistis Sophia. The ending of Temperance begins with Johnny staring at a fan.
Waiting for you to come back…
2/?
but can you imagine having your brain, your memories implanted into another's and merging into one tangled timeline. i'm getting nostalgia from a song i've never heard before because it was your favorite, long before we "met." i'm trying to tell you a story from my college years but you keep correcting me because you know how i really saw it happen and that i'm lying to make myself look better. it feels like we've grown up together because how couldn't it. it's as if i was there
I think the thing that gets me the most about johnny and V's first [deeply unhinged] (onesided) conversation is like.
The way that johnny's "the fuck kind of joytoy are you supposed to be???" line kind of skirts around implying that johnny's engram came online 'passed out' on the bed next to V after V decided he needed to depression nap crash.
Johnny, desperately trying to make sense of how he got from facing off against adam smasher to being posthumously interrogated by saburo to all of a sudden waking up in bed next to some half-naked sickly looking twunk; UUUUHHH? I'm... fine? i won? I guess? This guy ...must be a joytoy i hired??? I don't recognize this apartment, why else would I be here? Hey why can't i leave??? Where the FUCK are my cigarettes????? Wait. This guy isn't a joytoy? [Then why the fuck were we-] OHFUCKSHIT HE'S GOTTA BE A.. a fucking... Arasaka agent or something-
Also the way it implies that johnny tried 'leaving' the apartment several times but either kept rubberbanding back to V or the 'door' wouldn't 'open.'