What Inspires Me

Welcome to my Tumblr - I'm so happy to have you along for the ride! My debut Inspirational Romance novel, Never Forgotten You, is now available on Amazon.  I am a writer, singer, and songwriter, and I want to share what inspires me on my journey. ...

[writerchickmarie]

John Lloyd Young At The Space - Vegas Hero, Worldwide Soul

When it comes to a John Lloyd Young show, what happens in Vegas does not stay in Vegas.

Friday night's performance at The Space was enjoyed not only by those of us who were able to travel from near and far to be there in person, but also by friends and fans who were livestreaming from all over the United States and around the world, including friends in Japan who had finally been able to see him in person in Tokyo a couple of months ago. And JLY is a master at being able to sing to every person in the room AND those who are watching from afar.

He began the evening's Jukebox Hero set with a song that has quickly become one of our favorites, Hozier's "Too Sweet". JLY's version is infused with soul, and the perfect showcase for his rich voice. He then moved into his emotional rendition of "My Prayer", which always goes right to the heart.

He introduced his stellar Vegas band, led by David Inamine on bass, and including Cam Tyler on drums, Fred Schreuders on guitar, AJ Braman on keyboard, and Jon Celentano on saxophone and vocals. It is truly an out-of-this-world experience to hear this set with JLY's exceptional vocals backed by this particular band. Everything flows seamlessly, and enhances the beauty of the evening.

JLY mentioned that he is starting to perform a variety of newer songs that we have not heard him do before, as he continues to build his repertoire, and to stay tuned for even more of these new additions at upcoming shows. One of those newer songs, "Stand By Me", was up next...filled with joy as we all clapped along.

He talked about how his main vocal influence is Roy Orbison, which happens to be the same for Frankie Valli. He treated us to a powerful, soaring "Only The Lonely", followed by the unreleased Orbison gem "Say No More", which now has become a JLY song. I am still putting it out there in the universe...JLY is perfect to play Roy Orbison in the biopic that is now in the works. So I hope the powers that be are listening!

The next song was another recent addition, Patsy Cline's "Sweet Dreams". There is a special kind of angst that JLY instills in this one, that makes you feel every word and note deep down in your soul. And speaking of angst, one of my absolute favorites followed - "You Keep Me Hanging On". Most of the time we've heard this song on the radio with more of a pop feel, but JLY makes it grittier and more soulful - more like the fado-style music that he loves so much. No matter where else I hear this song, his version will always be the ultimate.

He teased that the next part might make the at-home audience a little jealous, as he ventured around the room to greet all of us with "Hold Me, Thrill Me, Kiss Me". It really is always a thrill, and hopefully those who were livestreaming can also experience it in person soon!

We then entered the Jersey Boys portion of the evening, beginning with "Sherry", as JLY encouraged us to sing along. This was followed by a pair of "Eyes" - the ever popular "My Eyes Adored You", done beautifully, and the song that he joked will probably always stay in his set, "Can't Take My Eyes Off You". We certainly never get tired of hearing it, and it's become even more stunning over time.

The next song is extra special because it's one that JLY wrote, along with Tommy Faragher. "Slow Dawn Calling" has recently been brought back into his sets, and we are all so happy to hear it again. This song is filled with all of the emotions of someone who knows a breakup is imminent, with complete passion in his voice. It really should be released as a single, with the world hearing and experiencing JLY's many talents with some food for thought.

He followed with his breathtaking version of "The Air That I Breathe", then left the stage before coming back for an Italian encore.

"Alta Marea" is the Italian lyrical interpretation of the English song "Don't Dream It's Over", and JLY first performed it for the group of us who were on a tour of Tuscany with him a few months ago. This show at The Space is the first time that he's sung it since then. It was stunning then, up close during our private concert - and has only become more beautiful. In Italy he just had a backing track, while here he was accompanied by the full band, which made everything even richer. As much as I like the English version, I love the Italian one even more. I hope this one stays around in future sets (and possibly is recorded as well!) This one stays in your head long after the show, sung in the language of soul.

JLY closed out the night with "Maybe I'm Amazed", which is another personal favorite...and everyone enjoys hearing him rock out to end the performance on a high note. Don't tell Sir Paul...but JLY is giving him a run for his money!

John Lloyd Young continues to thrill friends and fans throughout the country and around the world, raising the bar higher each time as he blows everyone away with his incredible vocal range. I am so glad that we are on this journey with him, and can't wait to discover what magic and surprises he has in store for us!

[writerchickmarie]

John Lloyd Young At Cafe Carlyle - Making History, Creating Magic

John Lloyd Young's shows are always magical - but when you get to witness special moments in an iconic setting, it takes the magic to another level.

This residency at Cafe Carlyle contained a carefully curated set, sharing greatness with a legend, a special souvenir from Japan...and of course, that voice like no other. All of us who were present were filled with gratitude to be part of the experience.

After coming in from the back of the room and working his way to the stage, JLY commanded our attention from the first note. Accompanied by the extremely talented Steve Marzullo on piano, he took Hozier's "Too Sweet" and made it completely his own. This rendition is quickly becoming a fan favorite, proving that JLY can interpret all eras of music with talent, thoughtfulness, and precision. He followed up with another of our favorites, "My Prayer", which has continued to become more powerful over time.

At this point, he had the house lights turned up so that he could talk about the exquisite murals, painted by French artist Marcel Vertès, a two-time Academy Award-winning art director and costume designer for 1952's Moulin Rouge. He explained how the painted walls are actually canvas, and also filled us in on his favorite figure in the murals - a small dog running toward everyone with a ball in his mouth...which reminds him of how it resembles his job as a performer. If you haven't seen these in person yet, you really need to make a trip to the Carlyle to check them out. Even photos don't do it justice.

Also as a nod to the Carlyle Hotel's beginnings, he sang a song written by Richard Rodgers, who was the first tenant in the Carlyle apartments. He performed the rich, romantic "I Have Dreamed" from The King And I...and also mused that maybe the song had been written on the premises.

Next up was a lively Sam Cooke medley ("Cupid"/"Another Saturday Night"/Wonderful World") that he had us clap along to, in the way that his Japanese audience in Tokyo had done the week before his residency at the Carlyle. This was followed by the story of how a certain song wound up changing his life by helping get him appointed to the President's Committee On The Arts And Humanities (with another Japan connection - JLY and the Jersey Boys movie cast performed at the White House Japanese State Dinner for the Prime Minister and his wife). He sang "Let's Stay Together" for us this week as well, and it's easy to hear how it made such a great impression! JLY told us a few stories about his time in Japan, including how popular the song "Stand By Me" is. He did this one for the first time in Tokyo, and included it for us here as well. I hope it stays in rotation in future sets, because this one is a keeper.

He told some of his favorite Little Anthony stories...not only how they sang together on stage in Florida, but also how one year he and his Cafe Carlyle audience sang to Anthony as he recorded it on his phone for Anthony's celebration. He performed two LA songs - "Hurt So Bad" which we already know well from his My Turn album, and "Hurt", which he does so well in that fado style that wrings every ounce of emotion from him.

JLY followed this with an impeccable "I Only Have Eyes For You", which proves why his falsetto is second to none. Then the house lights came back up so he could come around the room to greet us with "Hold Me, Thrill Me, Kiss Me"...always a special moment for friends and fans.

During the Jersey Boys portion of the evening, he told some stories from the movie set about the two songs that he was going to perform. It never gets old hearing him sing "Can't Take My Eyes Off You", and now that he adds a section of it in Italian, it's even better. He even filled us in on a secret...the Italian lyrics are not an exact translation of the English; in fact, it's quite interesting to find out what they really are. I won't spill the beans here...come to a show in the future, and it's possible that he will share this again! He also revealed his favorite Jersey Boys song - "My Eyes Adored You" - and then performed a version that took everyone's breath away.

Next up was one that new audience members didn't know, but so many of us who follow his concerts do. His original song, "Slow Dawn Calling", which he wrote the lyrics for, continues to blow everyone away. I know I always say this...but this song really needs to be a single and release to radio, streaming, etc. It's just that good, and I know that even more people will fall in love with this song when they hear it.

Then came one of the extra special moments. Back in January at The Beechman, Richard Maltby Jr. came to JLY's show as a surprise. Mr. Maltby conceived and directed the Tony Award winning show Ain't Misbehavin', which was a major influence on JLY, who grew up emulating Nell Carter as he practiced "Mean To Me". Being able to do this song gave him the confidence he needed when it was time to audition for Jersey Boys and Frankie's falsetto. The two of them talked about it in January, and now in April, JLY was able to prepare to sing this song for Mr. Maltby. It was truly stunning, and so moving to see Mr. Maltby experience it while the two of them had this moment. It's something I know I will never forget.

JLY came around the room again to see all of us while he sang "Show And Tell", which is also thrilling for the audience members. Then came the encore, which was our souvenir from Japan.

There is a popular Japanese song called "Ue o Muite Arukō", which also became popular in the United States as "Sukiyaki". JLY learned this one specifically to sing at his Tokyo concerts, and there is a clip of it from one of those shows on his Instagram page. But nothing can prepare you for being in the room live and hearing him perform this. It is so breathtakingly beautiful that you can't help but be moved to tears. Even now, I am picturing him on the Carlyle stage and hearing the song in my head. I am so grateful that he shared it with us as well.

We finished the evening with JLY rocking out on "Maybe I'm Amazed", which is perfect because that's the way we all feel whenever we experience his performances...and one of the many reasons we all travel to see his concerts and cabaret shows whenever we can. There is nothing quite like a John Lloyd Young show, and it's something everyone should experience. This Cafe Carlyle residency was even more spellbinding than usual, and JLY continues to raise the bar wherever he goes. I'm looking forward to seeing what magic the future holds!

[writerchickmarie]

John Lloyd Young In NYC And White Plains - New York Soul, JLY Style

John Lloyd Young can sing anything, anywhere, anytime...and handle everything that comes his way.

This was proven this past week in New York - first, at the Laurie Beechman Theatre in NYC for two nights, then a little further north at the White Plains Performing Arts Center the following night.

JLY started strong right out of the gate at The Beechman with his Sam Cooke medley ("Cupid/Another Saturday Night/Wonderful World") accompanied on piano by the wonderful Steve Marzullo. He followed with an even more powerful "My Prayer", eliciting appreciation from both old friends and fans, and new audience members.

He then told the story of how he became a member of the President's Committee on the Arts and Humanities, due in large part to a song that the President at that time happened to sing in public, which led JLY to record himself singing that song and send it to him. It's always a treat when he performs "Let's Stay Together" for us in concert, and this time it was beyond perfection. You never know where just one song will lead!

Next up was his dramatic rendition of "Hurt So Bad", along with the story of his surprise performance of the song with Little Anthony on stage a few years ago. He also sang another Anthony song, "Hurt", with the perfect arrangement for his voice and emotional delivery. As he often tells us, as an Italian and Welsh actor, he likes to "open a vein" when he sings. He followed with one of our favorites, a beautiful "Since I Fell For You".

JLY told so many amazing stories throughout the evening, including some newer ones that I'm sure will be told at future shows...so make sure you come and experience them live! (And if you go to his Instagram page, you will see a photo from one of the stories on the first night.) One of the favorites that came up was how he met the songwriter of "Hey There Lonely Girl" at Cafe Carlyle after the New York Times review mentioned this song. And on these two nights at The Beechman, his falsetto and delivery were impeccable. After this came the story of getting to know Mel Carter...with JLY then coming around the room to greet everyone with "Hold Me, Thrill Me, Kiss Me", surprising new fans and thrilling everyone.

We then moved into some Jersey Boys, along with stories from working on both the stage and screen versions. His exquisite "Can't Take My Eyes Off You" was followed by a flawless version in Italian. There are quite a few people that come to The Beechman that don't necessarily frequent the other venues in NYC where JLY plays, so this was their first taste of his multi-faceted talent, and they were blown away. We also heard the always lovely, wistful "My Eyes Adored You".

Also new to them was JLY's "Slow Dawn Calling", which he penned himself, and truly fits right into the soul genre. Those of us who already know it are ecstatic to hear it again, and it continues to sound even better. This song definitely needs to be released as a single!

The next song is, well, everything. I personally always love when he performs "You Are Everything", and this time was no exception. It's the perfect tune to showcase his full vocal range, and never fails to take our breath away.

After another of our favorites, "Show And Tell", we got to hear one that we don't get to hear often. JLY's version of "A House Is Not A Home" will move you to tears, and I hope it gets added into the set more often. We finished each of these two evenings on our feet, clapping and singing along with "Working My Way Back To You" and "Sherry", with everyone heading out into the cold weather still warm inside from every moment of his incredible Thursday and Friday performances. And on Friday night, on that final duo of songs - the power went out. (Shades of his concert at the O'Neill!) No worries...JLY mentioned that he's a theater guy and can project, and did just that as we also sang along. The power came back on by the time we finished, and he proved that he is masterfully adept, and a true professional.

Then we all took the show on the road...bringing the magic 26 miles north to the White Plains Performing Arts Center. JLY played here in 2021, so it was definitely time to be back. On this evening he had a amazing full band, and they are some of our favorite musicians: music director Ron Abel on piano, Ray Marchica on drums, and Derek Nievergelt on bass. I will go on record and say that this was absolutely one of the best performances that JLY has ever done - and of course, that's really saying something with how incredible he always is. There was something extra special on this night.

He started with Hozier's "Too Sweet", which has quickly become a favorite for many of us. It was completely in the groove and flowed perfectly, as did the entire evening. I would love for him to record this as well! He then did "My Prayer" here as well, followed by the rich, romantic "I Have Dreamed" from The King And I. He also told several stories of his connections to the White Plains area, having lived in Port Chester while he was working toward Jersey Boys.

After having the men in the audience warm up their falsettos with him on "In The Still Of The Night", we heard the story of how JLY and Frankie Valli have the same major vocal influence - Roy Orbison. During his intense performance of "Only The Lonely", I suddenly saw the vision of him on stage channeling Roy as if he was playing him in a movie. Since it has been confirmed that there will be an Orbison biopic, we all know he would be the perfect choice - and it was overwhelmingly clear to me in that moment. He then talked about the unreleased gem "Say No More", and performed it in his preferred fado style. It would also be a great idea to include this song in the movie as it comes about.

We also had "Since I Fell For You", "Hey There Lonely Girl", and "Hold Me, Thrill Me Kiss Me", which were all on point and captivated the audience. Along with fans and friends, there were many in the crowd who had seen him five years ago here, but also just as many who hadn't that were experiencing the magic for the first time. It's always wonderful to witness their reactions!

Next up was the Jersey Boys section, with "Can't Take My Eyes Off You" in English and Italian, and "My Eyes Adored You"...but also included a "Big Girls Don't Cry" singalong (in the Cuban arts delegation style) and some audience participation on "Walk Like A Man". Everyone had a blast...including JLY! He finished this section up with "I Only Have Eyes For You". His interpretation of Ron Melrose's arrangement caused goosebumps, and a collective sigh in the auditorium.

He also brought "Usted" out again, and he has never done it better. It was truly special to witness his performance of this song for this show. Just when you don't think he can improve upon perfection, he finds a way to do just that.

After "Show And Tell" and his ethereal "The Air That I Breathe", JLY came around again to greet everyone during "Cara Mia". His stamina, especially in a venue this size, is second to none! We completed the show with "Working My Way Back To You" and "Sherry", with everyone joyfully participating.

Afterward at the Meet & Greet, it was wonderful not only to get to have our conversations with JLY, but to see all of the new people enthusiastically coming to talk to him, both adults and kids who loved the show. It's so much fun to share the magic - and I hope White Plains becomes a regular thing on the schedule. The world is definitely hearing John Lloyd Young's voice...and I can't wait to see what's next!

[writerchickmarie]

John Lloyd Young and Judy Gold At The Beechman - One Thrilling Combination

The Laurie Beechman Theatre advertised this evening as "the kind of 'only in New York' mash-up you didn't know you needed"...and as it turns out, they were absolutely correct.

It was a surprise pairing, and something that most of us wouldn't have thought of putting together, but once it was announced, it sounded like such a cool idea. And of course, we were all curious how the evening would go! Whoever came up with this deserves a raise...because it was thrilling on every level.

First up was Judy Gold's comedy set. The majority of us who are JLY fans hadn't seen her perform before, so it was all new to us. Judy made sure to involve the audience with various questions, making us part of the act with impeccable timing. She was both hilarious and insightful, as she ruminated on on current events, along with everyday subjects. I would definitely go see her again! It was a set that will stay with us. I know I will break into random laughter on occasion recalling various jokes and events from the evening.

John Lloyd Young came on immediately after Judy's set, with an amazing band comprised of New York musicians that he has worked with before at other venues: music director Steve Marzullo on piano, Derek Nievergelt on bass, and Ray Marchica on drums.

He began his portion of the evening with "Lightning Strikes", enthralling the audience right from the beginning as he showcased his full vocal range, from rich baritone to soaring falsetto, making it look effortless in the process. From there, he went into one of our favorites, "My Prayer", with his powerful voice and presence filling the room.

JLY then said that since we were in the heart of Broadway, he was going to do a Broadway song - by the incomparable Rodgers and Hammerstein. His version of "I Have Dreamed" from The King And I is always incredible, and he really brought the emotion as he connected with all of us around the venue. He continued with the story of how while he was studying for his role as Frankie Valli, he discovered that they both have the same main vocal influence - Roy Orbison. With that, he performed "Only The Lonely", with such a captivating aura that I could absolutely picture him playing Mr. Orbison. There is a biopic that is in the works...so I am sending out good thoughts into the universe that this could happen. He would truly be perfect for it.

He decided that it was time to come around the room to greet us, with another of our favorites, "Hold Me, Thrill Me, Kiss Me". Nobody can work a room quite like JLY, as he becomes one with the audience and thrills all of us along the way.

We then moved into the Jersey Boys portion of the set, as he told fascinating stories about working on the movie, and some of the special joys that it brought into his life. After he talked about teaching Havana schoolchildren a certain song during the cultural mission to Cuba, he had us join him in that same song, "Big Girls Don't Cry" - saying that he was proud of us for channeling our efforts to resemble what the kids in Cuba did. His anecdotes about working with Clint Eastwood are always entertaining as well - especially when Justin Timberlake was also on set! From here, he performed a flawlessly beautiful "My Eyes Adored You". Then he sang the always wonderful "Can't Take My Eyes Off You", first in English, and then in Italian...which makes the song even more magical.

To complete the main part of the set, JLY performed his soulful rendition of "Show And Tell"...then for the encore - his thoughtful, ethereal version of "The Air That I Breathe", which always takes everyone's breath away. We finished the evening on our feet, singing along with him to "Sherry". It was the perfect way to cap everything off.

This was a truly unforgettable doubleheader, and I know we were all so glad to be in the room where it happened. Thank you to Judy Gold and John Lloyd Young for such an amazing evening! I also look forward to being back at The Beechman on January 29th and 30th for JLY's Mostly Soul set. If you can, please join all of us live for the magic!

[writerchickmarie]

John Lloyd Young - Captivating Cabaret In Carolina

The magic has spread to new territory - and North Carolina will never be the same.

John Lloyd Young made his performance debut in the state this past week, casting a spell over the audience members at the Flat Rock Playhouse with every story and song.

JLY had seen the Playhouse's production of Jersey Boys in the spring of 2024, directed and choreographed by Candi Boyd, who was also his castmate on Broadway. The artistic director at the Playhouse asked him to perform his cabaret show here as well. He asked to have the band who played for Jersey Boys for his shows, since he was so impressed with them when he came to see it. So on stage this past Thursday and Friday with JLY were music director Ethan Anderson on piano, Paul Babely on drums, and Andy Preston on bass. They were amazing, and it was easy to see why they made such a big first impression!

He switched up things a little bit from show to show...Thursday night he opened with "Lightning Strikes", which showcases his full vocal range, and which we hadn't heard for a while. He followed with his powerful, emotional "My Prayer", causing the audience filled with people who are mostly new to his shows to erupt in cheers. Throughout each show, it was common to hear "WOW" said around us several times after almost every song. On Friday night, JLY opened with "My Prayer".

He introduced himself, especially for those who may not be familiar with him who are regular subscribers to the Playhouse. He talked about getting his big break on Broadway, and in honor of that, proceeded with a Broadway song - his rich, dreamy version of "I Have Dreamed" from The King And I. He then spoke about the era of music from which the Four Seasons emanated, and singing that type of music, as he moved into his interpretation of "In The Still Of The Night".

Next up was music originated by both JLY's and Frankie Valli's number one vocal influence, Roy Orbison. JLY's "Only The Lonely" nearly blew the roof off of the Playhouse. It was also one of the songs people were talking about the most after the show. He followed with the unreleased gem "Say No More", which he really should record and release himself, because it fits him perfectly.

After his thoughtful, angst-filled version of "Since I Fell For You", he told the story of meeting Earl Shuman, the writer of "Hey There Lonely Girl", at Cafe Carlyle after his stellar New York Times review. He then performed it with such perfect falsetto that you could hear the appreciative gasps from around the room - it literally took everyone's breath away. After that, he made his way throughout the room to as many people as he could with "Hold Me, Thrill Me, Kiss Me", causing many smiles and thrills in the process.

The time came for the Jersey Boys portion of the evening, and JLY began with the story of the United States arts delegation to Cuba, and his popularity with the schoolchildren when he taught them "Big Girls Don't Cry". We then joined him in singing this one, channeling our inner seven-year-olds as well. His anecdotes, about working on the Jersey Boys movie and the sign that he got the part on Broadway after a particularly grueling choreography audition, enhanced the songs in the best way. He performed the always lovely "My Eyes Adored You", and "Moody's Mood For Love" - which he nailed, just like he did in his audition. He did our favorite "Can't Take My Eyes Off You", in English AND Italian. And he added a bonus song, which he and Jersey Boys musical director Ron Melrose arranged as a workaround for the Original Broadway Cast to perform at events, when they weren't allowed to do the actual songs from the show. This specially created version of "I Only Have Eyes For You" is breathtaking, and you can see why it was a hit at those special events!

After another wonderful favorite, Show And Tell", JLY performed his ethereal, emotional version of "The Air That I Breathe"...at times, holding certain notes longer than you would think could be humanly possible. The audience burst into sustained applause, every single time.

For his encore, JLY came back around the room to interact with us for "Cara Mia", full of strength and stamina. He then had all of us on our feet, to sing along with "Working My Way Back To You" and Sherry", keeping us on the high from the entire night and beyond.

Everyone was still talking about the show afterward outside. I talked to some who were not only blown away by his voice; they also said that he is a natural storyteller. Several told us that this was the best concert they have ever experienced at the Playhouse.

John Lloyd Young continues to raise the bar, and then jump right over it. I would not be surprised if they have him back here to perform again...and he continues to gain new fans across the board. The world is gonna hear that voice - HIS voice. And I am so glad that we get to join him on this journey!

[writerchickmarie]

John Lloyd Young At 54 Below - Classically Modern, Retro Cool

John Lloyd Young always finds a way to raise the bar - and not only with the songs he is already known for. He comes up with new material that he adapts and makes his own...and is always full of surprises.

His set list this past week at 54 Below is the same as the one he debuted at Cafe Carlyle a few months ago, with one notable addition. Besides perfecting his craft to an even greater extent, there was another difference this time around. He performed at the Carlyle with the incredible Ron Abel on piano - and this time he was backed by his full NYC band. In addition to Ron on piano and as musical director, we had Sean Harkness on guitar, Derek Nievergelt on bass, and Mark McLean on drums. This cohesive group enhanced the sound, rocked the house, and made each song even richer backing JLY's powerful vocals.

He came to the stage and began with the most current tune in his repertoire, Hozier's "Too Sweet", proving that he can also sing contemporary music and put his own special spin on it. JLY's performance of this one has been running through my head all week and on my 8 hour drive home. I really hope he gets to record it, because it's truly captivating.

JLY continued to captivate us with his next song, the romantic ballad "Nevertheless". His smooth, wistful style melted hearts and held us spellbound.

His next song kicked off a mini dream theme - his rich, beautiful rendition of "I Have Dreamed" from The King And I. He also explained how Broadway dreams take a lot of effort, and how he and so many performers were pounding the pavement around the theater district to make those dreams come true. He then moved right into an emotional, haunting "Sweet Dreams". I have always been a big Pasty Cline fan, and his thoughtful version from the male point of view was breathtaking.

Next up was "In Dreams", which was truly extraordinary, taking us all into another world. To make it an Orbison trifecta, he performed a commanding "Only The Lonely", and the unreleased gem that he discovered, "Say No More". JLY did all three of these with his dark glasses on, channeling Roy perfectly. Earlier this year, it was announced that a Roy Orbison biopic is officially in the works. I am still putting it out into the universe for JLY to play this role - he is 100 percent perfect for it. Since both JLY and Frankie Valli consider Mr. Orbison their #1 vocal influence, I believe it's a sign.

At this point, JLY came around the room to greet everyone with "Show And Tell", which is the addition to this set. At the Carlyle there is not really room for him to come out into the audience, so he included it at 54 Below where he had plenty of space for audience interaction.

When he returned to the stage, he mentioned how he wanted to do a special song in honor of the wonderful people who work at 54 Below. "Perfidia" is one of the best known Spanish standards around the world. It was lovely and heart-wrenching, in the fado style that is a favorite of his to perform. He followed this with a stellar "I Only Have Eyes For You" which showcases his amazing vocal range.

Moving into the Jersey Boys portion of the evening, he told stories of teaching Havana schoolchildren "Big Girls Don't Cry" on the cultural mission to Cuba, and how it made him popular with the students. He then had us participate along with him for this one, which is always a lot of fun! He also performed "Moody's Mood For Love", after telling us how anyone playing Frankie Valli has to nail this song in their audition...and the story of how hearing this song in an unusual place gave him a much needed sign that he was going to get the part.

Next up was "Can't Take My Eyes Off You", which received special treatment over the course of this run. For the first two shows (which unfortunately I was unable to attend), JLY did a duet with Tomomi Oto, who plays Frankie Valli in Jersey Boys in Japan. If you haven't seen it, check it out on YouTube and Instagram - absolutely incredible! During the next two shows, we were treated to JLY singing some of the song in Italian. (which those of us who were just in Tuscany with him also enjoyed!) For the final show of the week, which was also livestreamed, JLY was joined by Dominic Nolfi in honor of the 20th Anniversary of Jersey Boys on Broadway. Dominic was an original cast member, and is also a founding member of The Doo Wop Project. Their duet was amazing, and so much fun to experience!

JLY finished with his completely ethereal "The Air That I Breathe", which always gives us chills. Then for the encore, he rocked out with "Maybe I'm Amazed" - his version is a personal favorite of mine, and I'm so glad it was in this set. Then we were all on our feet, dancing and singing along with him to "Sherry", which capped off the entire celebration.

John Lloyd Young has conscientiously curated this set, which showcases his full vocal range and emotional depth. He continuously takes everything he performs to an even higher level, including new challenges that he continues to conquer. He can sing absolutely anything, and he makes every single song he sings fresh and relevant. I can't wait to hear what he comes up with next - his future is truly unlimited!

[writerchickmarie]

John Lloyd Young At Centenary Stage - New York Dreams, Jersey Style

When driving to New York City, the best route is through New Jersey. And - when you have a different kind of drive from a young age to star on Broadway...making it there via Jersey is a special kind of magic.

In both cases, there are many stops along the way. But those stops are not only an essential part of the journey - they make reaching your destination even sweeter.

John Lloyd Young took us through many of the points on his journey that shaped who he is today, both on stage and off, as he performed his ever-evolving Broadway set in Hackettstown, both fascinating and delighting the audience.

He began casting the magical spell immediately, with "So You Wanted To Meet The Wizard" from The Wiz, which was the winner of the Tony Award for Best Musical in the year of his birth, and which has become one of his favorites. He followed up with his lush, romantic "I Have Dreamed" from The King And I; the audience already captivated.

After he introduced the incredible Phil Reno on piano (who also accompanied him at his University of Findlay show earlier this year), JLY introduced the audience to many of his own New Jersey connections throughout his life, which included a lot of time in Hackettstown years ago when visiting the mother of his then-girlfriend. He also told a humorous story about what happened when he moved into his first NYC apartment in Washington Heights...I won't share it here in case he decides to share it at future shows, but it was definitely a short lesson in ingenuity. Sometimes you just have to be resourceful!

He shared a story about his grandmother's encounter on the street with Jerry Orbach, appropriately followed by his rich, animated rendition of "All I Care About" from Chicago. I can't stress enough how phenomenal would be as Billy Flynn on stage! Then came his beautiful "Till There Was You" from The Music Man, done in the Beatles' arrangement. Seeing Robert Preston in The Music Man inspired him from a very young age to originate a role on Broadway, win the Tony, and make the movie version for Warner Brothers. All of those childhood dreams came true...with Jersey Boys!

JLY's anecdotes about how certain songs were inspired are always a special lesson in musical theater history - like the story of how Lorenz Hart was sparked by a conversation to write "My Heart Stood Still" (from A Connecticut Yankee). When JLY sings it, it is lyrical and haunting, and tugs at all of our own hearts. He followed this with another powerhouse - one of my favorites from his Broadway set, "Where Do I Go" from Hair. There is something so special about his performance.

He talked about how when he was in high school, he was on the committee to decide the theme for prom, so he got their class to do Phantom Of The Opera. He also joked that despite that, they still voted him Prom King! He performed "All I Ask Of You"...so perfectly, that I could hear the collective sigh throughout the theater when he finished.

How do you follow that? With him showing us exactly why he was chosen to play Marius in Les Miserables at the Hollywood Bowl - a moving "Empty Chairs At Empty Tables" that touched everyone in the room. Along with his stories of this production, it always makes me wish that I had been able to see it live.

At this point, JLY decided to have a little bit of fun with the audience. He had Phil play several vamps from Kander and Ebb musicals, JLY's favorite composing team. Members of the audience then guessed what shows they were from, winning prizes of JLY merchandise. Some were easier to figure out than others!

After this interlude, he performed one of his favorite Kander and Ebb songs, "Sometimes A Day Goes By" from Woman Of The Year. He first did this one as part of a duet/mashup with Michael Feinstein a few years ago, and it was wonderful then. It's even more incredible now, and I hope we hear it more often.

We then moved into Jersey Boys territory, with some audience participation on "Big Girls Don't Cry" (along with his always enjoyable Cuba stories) and some stories from the Jersey Boys movie set, followed by "My Eyes Adored You", where he pointed out the New Jersey connection in the lyrics.

We were also treated to something extra special in this segment. JLY talked about a song that was cut from the movie, from the party scene at Bob Crewe's place. It was a Four Seasons style version of "I've Got You Under My Skin", and he decided to perform it for us on this night. It was so good, that it has me wishing that it had been kept in the movie, or at least as a deleted scene reel on the DVD. It absolutely blew all of us away!

JLY also shared the special story of how he, after several auditions including a grueling choreography one, was given a sign that he was going to get the part. It involves "Moody's Mood For Love", which we know is crucial to Frankie's story in Jersey Boys. He then performed it to perfection, and it's always a treat when he does it. The JB segment concluded with the one and only "Can't Take My Eyes Off You".

For the encore, JLY came around the room for "One Last Kiss" (from Bye Bye Birdie) to the amusement and delight of everyone in the audience. Then he had us on our feet, singing along to "Working My Way Back To You" and "Sherry". It was an unforgettable evening from start to finish.

The New Jersey audiences love John Lloyd Young not only for his role in Jersey Boys, but for his ability to take songs from all corners of Broadway and make them his own...showing his full range and versatility. I know after talking to several of them, they will always be back for more whenever he performs here, or in New York. I look forward to seeing what journeys he takes us on next!

[writerchickmarie]

John Lloyd Young's Broadway At The O'Neill - A Masterclass In Cabaret

John Lloyd Young knows his Broadway stuff - and he knows the art of cabaret.

He demonstrated his expertise, creativity and professionalism last night in Waterford, Connecticut, at the Eugene O'Neill Theater Center - not only to the usual audience members, but also to students at the center, including those who are part of the 2025 Fellowship Program.

The O'Neill Cabaret & Performance Conference is held every summer, and features well-known cabaret performers every night. The conference supplies valuable development and performance training for up and coming performers on the cabaret scene and students chosen for the Fellows and Junior Fellows programs. It's a special opportunity for these students to learn from the best.

JLY chose to do his Broadway set for this special performance, and he came right out of the gate with his own creative theatrical take on "So You Wanted To Meet The Wizard" from The Wiz, immediately commanding everyone's attention and showing exactly the way to open a set. He followed this up with his rich, beautiful version of "I Have Dreamed" from The King & I, pulling the audience further into the spell.

He was accompanied on piano by John McDaniel, who is the Artistic Director for the conference and works with all of the performers. He was also the band leader for The Rosie O'Donnell Show, and has an extremely long list of Broadway credits. He and JLY have worked together before on a recent Playbill cruise, and they make a wonderful creative team.

Part of the art of cabaret is entertaining the audience between songs, and the stories that JLY shared during this set were not only entertaining, but relevant and intriguing as well. Along with his animated, rousing rendition of "All I Care About" from Chicago, he told the story of how his grandmother literally bumped into Jerry Orbach on the street - and how later, while working on an episode of Law & Order, Mr. Orbach found a way to calm his nerves and make him feel at home.

Next up was "Till There Was You" from The Music Man, done in the Beatles arrangement. which is perfect for his voice. He mentioned during the show that while watching movie musicals, his grandparents would always tell him about how they saw they saw the members of the original cast on Broadway. Robert Preston was one of those people, and it planted a dream when JLY was little to originate a role on Broadway, win the Tony, and star in the movie version for Warner Brothers...all of which came true for him with Jersey Boys.

The next two songs were both haunting in their own ways. JLY told the fascinating story of how Lorenz Hart came up with the lyrics for "My Heart Stood Still" (from A Connecticut Yankee) and gave everyone goosebumps when he sang it. Then after he shared his anecdotes about playing Marius in Les Miserables at the Hollywood Bowl, he made our tears flow with his powerful "Empty Chairs At Empty Tables". It brought one of several standing ovations during the evening.

We all had a little bit of fun with the next part of the set. JLY talked about his love for Kander and Ebb, and how he was the student teacher for a course on the subject of their compositions. He was even at the White House the day John Kander received his National Medal of Arts honor. Mr. Kander told him that he should play Billy Flynn - which is something that I wholeheartedly agree with! So JLY had John vamp several times on the piano, so we could guess what musicals those interludes were from. The people who guessed correctly won prizes from the O'Neill Center.

He followed this up with the Kander and Ebb song "Sometimes A Day Goes By" from Woman Of The Year. Some of us have heard him do this one as part of a duet with Michael Feinstein, and it was so good to hear JLY's full version - lyrical, wistful, and contemplative.

It was at this point in the show that the students and Fellows learned another lesson - how the show must go on, and how to work with anything that is thrown your way. As we moved into the Jersey Boys portion of the set, the power went out in the theater. JLY had just told the story of teaching the Cuban schoolchildren "Big Girls Don't Cry", with us ready to sing along with him. Once the power went out, he said that this is where being a Broadway performer who has learned to project comes in handy. He did the entire song projecting with no microphone...and the strength of his voice carried throughout the room. He also still had us sing along during certain lines. None of us in the audience will ever forget this moment!

The crew at the theater worked quickly to get things back up and running, so we were back to normal by the next song. After some Jersey Boys movie anecdotes, he performed a truly lovely "My Eyes Adored You". Then he shared the special story about how hearing a certain song from Jersey Boys in a Broadway gift shop gave him the confidence that he had gotten the part after several grueling auditions. I always love when he performs "Moody's Mood For Love", as you can picture the exact moment of importance in the movie through his mannerisms and style. We completed the JB section with his always stunning "Can't Take My Eyes Off You".

For his encore, JLY came out into the audience to perform "One Last Kiss" from Bye Bye Birdie, much to everyone's delight. Then he finished the evening with something special. He had played the role of Bobby in Company during his freshman year at Brown University, and Tiffani Gavin, who is now the Executive Director at the O'Neill Center, was also a part of this production. (She and JLY were also roommates during the time that he was auditioning for Jersey Boys!) In honor of all of this, he performed "Being Alive". You may have seen a clip from several years ago of JLY doing this song on YouTube...and if you thought that was amazing, you should have witnessed his performance last night. It left all of us in complete awe, and was the perfect way to finish the set. I spoke to one of last year's Fellows, who said that this was one of the top shows ever during the cabaret conference over the years.

John Lloyd Young gave a masterclass to all of us on the art of cabaret during his performance, and on the morning after, led a workshop with the students - just like his work with Turnaround Arts, he continues to mentor students of all ages...and in the process, he inspires all of us. I look forward to seeing what is ahead, for the both JLY and all of these students. The future is bright, and I can't wait to experience more of the magic!

[writerchickmarie]

John Lloyd Young - Mostly Soul, Pure Midwest Magic

In the heart of the Midwest, John Lloyd Young shared his soul - and it was nothing short of magical.

From the moment he walked on stage at Feinstein's At Hotel Carmichael, he held the entire audience spellbound. The opening Same Cooke medley ("Cupid", "Another Saturday Night", "Wonderful World") paid tribute to one of his favorite artists, while putting his own signature spin on these timeless songs. He followed up with "My Prayer", and his emotional version always brings chills.

After introducing his incredible pianist/musical director for the evening, Indiana's own David Duncan, JLY told us how he discovered that soul is his favorite genre of music, and how much he loves sharing that music with all of us. He also enjoys sharing personal anecdotes that truly enhance his performance - sometimes humorous, sometimes insightful, always interesting - and that always stay with you whenever you hear these songs again.

He kicked off the next section with the story of how a certain President made news singing a certain song, and how that event led to JLY serving on that President's Committee on the Arts and Humanities. He then sang that song for us - "Let's Stay Together". It's pretty amazing how it all came together, and how everything comes full circle.

He told stories about special moments with Little Anthony, then sang two of Anthony's classics. "Hurt So Bad" is also on his album My Turn, and it's always a favorite. The other song, "Hurt", tears at your heart more every time JLY performs it, in the fado style that he does like no other, wearing his soul on his sleeve.

After his exquisite "Since I Fell For You", he shared an experience about the next song. After reading a New York Times review, songwriter Earl Shuman discovered that JLY was doing "Hey There Lonely Girl" at Cafe Carlyle, so he came to watch from the Carlyle bar and listen to him perform it, every night for the rest of his two-week residency. JLY's version is powerful yet wistful, and it's one of those songs you can never get tired of hearing him sing.

JLY then came around to greet everyone in the audience, with his always thrilling "Hold Me, Thrill Me, Kiss Me". He joked as he got back on stage about the stamina to do this with his milestone birthday just around the corner...but it's clear that he is only getting better with age, in every way.

We then moved into Jersey Boys territory, with his stunning "Can't Take My Eyes Off You", which always takes your breath away. He told a few tales about working with Clint Eastwood while filming the Jersey Boys movie, including some up-close-and-personal details. Then he performed his lovely, lyrical version of "My Eyes Adored You", which is also a favorite.

He teased about the next song, saying it was one we would all know. Well, a good number of us in the room do all know it - "Slow Dawn Calling", which is a JLY original that he wrote. It's gritty, soulful, and current...and I look forward to the day when EVERYONE knows this song by heart. It really should be released to radio right now as a single - it's THAT good.

JLY showcased his full vocal range on "You Are Everything", effortlessly switching to falsetto and back throughout the song. Then came "Show And Tell", which wound up being even more fun than usual!

We finished the evening with his thoughtful, pleading "A House Is Not A Home", then up on our feet for "Working My Way Back To You" and "Sherry". The energy was still palpable long after the last note, with a lovely meet and greet, and into the night and beyond.

John Lloyd Young is a force to be reckoned with as he keeps raising the bar. I know we will see him back in Carmel, Indiana, as he mentioned that it is one of his favorite venues to play, not to mention that we all love coming to this Midwest jewel to see him. And we will continue to see him across the country and all over the world. I can't wait to see what's next on the journey as we all experience the magic of being on this ride with him. The best is truly yet to come!

[writerchickmarie]

John Lloyd Young At The Space - Soul In Spades

It's always a sure bet with John Lloyd Young...when you gamble on him, every hand is a winner.

He is one of those rare performers who can take every genre of music and make it his own; every style suits him as he moves from beautiful ballads into soul classics, and occasionally rocks out as well. As he deals out each song, his hand builds until it is unbeatable.

He also hit the jackpot with the stellar band that accompanied him on stage at The Space in Las Vegas - Alex Fetzko on vocals, Jon Celentano on horns and vocals, Paul Schrunders on guitar, Michael Joy on piano, David Inamine on bass, and Cam Tyler on drums. Their skills and tight sound truly enhanced every tune performed.

JLY began the evening with a stunning Sam Cooke medley ("Cupid"/"What A Wonderful World"/"Another Saturday Night") that set the soulful tone, following up with his powerful version of "My Prayer".

He then told the story of how a certain song helped him earn a Presidential appointment. This President sang "Let's Stay Together" at a fundraiser, and it was the sound bite heard around the world. JLY sent him a recording of himself singing that song, along with his My Turn album. It started a chain of events which led to JLY serving on the President's Committee for the Arts and Humanities, which also led to being part of the cultural delegation to Cuba. He performed this song for us at The Space, and it is breathtaking to experience.

Next up was a mini Little Anthony segment, beginning with the impassioned "Hurt", making you feel all of the emotion through every twist. He followed with his moving, poignant rendition of "Hurt So Bad", which he also got to perform with Anthony a few years ago on stage in Florida.

Part of the charm of JLY's shows is his telling of the stories behind the songs...different snapshots in time that connect you even more with the music. After seeing a review of his Cafe Carlyle show in the New York Times, songwriter Earl Shuman discovered that JLY was doing "Hey There Lonely Girl" in his set, so he came to sit at the bar at the Carlyle to hear him perform it. It's always a fan favorite, and we got to hear it in Vegas as well, in perfect falsetto.

The next song is one of my top favorites that JLY performs, and I was thrilled to hear it in this set. His "You Keep Me Hangin' On" is much less pop standard, and much more soul. Not only that - it's even more powerful with the band and background singers working together with JLY's gritty, potent vocals. Please record this one...right now!

He came around to see everyone in the audience with "Hold Me, Thrill Me, Kiss Me", which is a thrill every single time. He then added to his winning hand with some Jersey Boys movie stories as he performed a couple of classics from the show. "Can't Take My Eyes Off You" will always be special, and he followed that with the lovely "My Eyes Adored You".

Then JLY pulled out his ace in the hole - one of his original songs. He wrote "Slow Dawn Calling" with Tommy Faragher a few years ago, and it was absolutely wonderful to hear it again. Those of us who know the song couldn't help but sing along quietly, and newer fans who hadn't heard it yet were treated to the magic. I hope some of the other originals come out to play as well...and that a new album is released soon. These songs are all diamonds.

Up next was "You Are Everything", showcasing his full vocal range and emotional depth. I'm so glad to have it back in the set. Then we had another fan favorite, the lively soul of "Show and Tell".

For the encore, JLY sang his wistful, ethereal "A House Is Not A Home", which I hope starts appearing more often in his sets. We finished the evening with "Working My Way Back To You", then all of us were on our feet for "Sherry", singing along when prompted. It was a perfect set from start to finish.

Nothing beats the Royal Flush that John Lloyd Young dealt to us in Vegas - but I know he always has "tricks in his pocket and things up his sleeve" just waiting for us to hear. He has soul in spades, which he shares with us in so many ways. I can't wait to experience what he deals up next!

[writerchickmarie]

John Lloyd Young At Cafe Carlyle - Setting New Standards In Classic New York Style

Every time you think John Lloyd Young has achieved perfection, he finds ways to raise the bar - and go beyond it.

Back around Thanksgiving, when the April dates for Cafe Carlyle were announced, JLY had excitedly told some of us who were on the Bavaria and Austria tour with him that he and Ron Abel, his musical director for this engagement, were working on a special new set with some brand new songs. He didn't mention what any of them were going to be - but that's OK, because they were lovely surprises that were worth the wait.

The first song out of the gate was a major surprise, because it's one of the most current songs that he covers. "Too Sweet" was released by Hozier last year...and JLY made it his own - complete with a glass of whiskey neat as he held all of us spellbound. I hope he records this one at some point, and keeps performing it in future sets.

The next song, "Nevertheless", was smooth and romantic. He had done this one once before, a few years ago at 54 Below with the immensely talented Ron Abel, and it's a thrill to hear it again. It was originally a hit in 1931, back around the time that the Carlyle Hotel opened...which leads to our next song.

JLY talked about the history of Cafe Carlyle and the hotel, as he showed off the Cafe murals created by Marcel Vertès, who won two Academy Awards for the 1952 film, Moulin Rouge. He also talked about how Richard Rodgers and his family were the first tenants of the Carlyle back in 1930 - then performed his rich, stunning rendition of "I Have Dreamed" from The King And I.

He followed up with another brand new addition, Patsy Cline's "Sweet Dreams". This haunting version from the male point of view took my breath away, as he conveyed all of the emotion completely. It was one of those songs that you never expected, but was everything you needed.

Continuing with the theme, JLY performed "In Dreams", which is a Roy Orbison song he has not done before. It was truly otherworldly and mesmerizing. To complete the Orbison trifecta, he sang a powerful "Only The Lonely", and the unreleased gem "Say No More". As he performed these songs with his dark glasses on, he embodied Roy. A couple of months ago it was announced that a Roy Orbison biopic is officially in the works. I am putting it out into the universe for JLY to play this role, as he is 100 percent perfect for it. Considering that both JLY and Frankie Valli consider Mr. Orbison their #1 vocal influence, among other things, I'd say it's a sign.

He told us the story of how when he was an exchange student in Venezuela, he would immerse himself in Spanish ballads in order to learn the language better and be able to communicate well with his host family. One of these songs, "Perfidia", is one of the best known standards. It's always special when JLY sings in Spanish, but even more so for this one because it is also a new addition to the set. It was beautifully heart-wrenching...in that fado style that he loves to perform - as he told us, he "likes to open a vein" as a singer.

Next up was "I Only Have Eyes For You", which is a recent addition to his sets, but is also a song that the Jersey Boys OBC would often perform at events. He followed with "Just One Smile" (the Gene Pitney/Dusty Springfield classic), which he hasn't performed in quite a while, but always moves us when he does it.

Moving into the Jersey Boys portion of the evening, he told stories of teaching Havana schoolchildren "Big Girls Don't Cry" on the cultural mission to Cuba. He then had us participate along with him for this one. He also performed "Moody's Mood For Love", which anyone playing Frankie Valli has to nail in their audition. On Friday evening, Bob Gaudio's daughter Danielle was in the audience; she actually helped JLY in getting her dad on board with his audition of this song.

Of course JLY also did "Can't Take My Eyes Off You", which is always perfection. On Saturday evening, his friends Bob and Suzy Pence were in the audience. Bob is the former United States Ambassador to Finland, and it was Suzy's birthday - so on this night, JLY included "Sherry", which is her favorite song.

For his encore, JLY did his ethereal, breathtaking version of "The Air That I Breathe". We ended the evening with "Maybe I'm Amazed"...his version is always my favorite, and the perfect ending to a stellar night of music.

John Lloyd Young's conscientiously curated set showcases his full vocal range and emotional depth. He continuously takes his standards to an even higher level, taking on new challenges and thriving as he conquers them. He can sing absolutely anything, and he makes every song he sings better and more relevant. I and so many others are extremely grateful to have been there for this special Carlyle set. I can't wait to hear what he comes up with next - there are no limits!

[writerchickmarie]

John Lloyd Young - Brilliant Broadway In The Buckeye State

John Lloyd Young just performed his first concert in Ohio - and after the way he thrilled the audience, it certainly won't be his last.

Last night, JLY was at the University of Findlay's Winebrenner TLB Foundation Convocation Center, as part of the school's ongoing Donnell Broadway Concert Series. In honor of that, he performed his Broadway set for friends and fans, faculty and students, and others from the Findlay community.

Those of us in attendance were treated to a magical evening, from the first notes of JLY's powerful "So You Wanted To Meet The Wizard" from The Wiz, which debuted on Broadway in the year of his birth. The running theme throughout the evening was how he had so many Broadway aspirations growing up, and how he worked his way through NYC to make those dreams happen, and more. Fittingly, the next song was his rich, romantic version of "I Have Dreamed" from The King And I.

JLY was accompanied by Phil Reno on piano, who grew up in nearby Tiffin, and has his own full Broadway resume as conductor of Something Rotten!, The Producers, Cats, The Drowsy Chaperone, and more. His connection and expertise contributed to the magic and enjoyment of the evening.

He told stories of his grandmother's interesting encounter with Jerry Orbach, and how years later they wound up working together on an episode of Law & Order. As an homage to Mr. Orbach, who was the original Billy Flynn in Chicago, he sang "All I Care About", putting his own special spin on the character. (Current Broadway producers of Chicago - you need to have JLY on stage as Billy Flynn. Seriously!)

Next up was a special surprise - "Something's Coming" from West Side Story. If you go to YouTube, you can find a 15 year old clip of JLY singing this one...and I have always wanted to experience him doing this song live. This was definitely a highlight of the show, and his performance is even more poignant now. He followed up with a stellar "Till There Was You" from The Music Man, done in the Beatles arrangement.

JLY spoke about Lorenz Hart, and how he was one of the greatest lyricists of all time. He included the story of how "My Heart Stood Still" from A Connecticut Yankee came about, then performed his own beautiful, haunting rendition. He then sang a breathtaking "I Only Have Eyes For You", which Ron Melrose had arranged for the Jersey Boys OBC to perform at events where they weren't allowed to sing the songs that were used in the show.

Then came one of my absolute favorites. I had remembered that JLY used this song from Hair in his initial Broadway set a few years ago, and had mentioned that he played Claude while at Brown University. His performance of this one always stayed with me, and I am so glad that he started including it in his sets again. "Where Do I Go" is a song that makes you think, and you think even more deeply when JLY sings it. He followed with his powerful "Empty Chairs At Empty Tables"...I so wish that I could have seen him play Marius in Les Miserables at the Hollywood Bowl, but I am thankful that he does it in concert.

He took a momentary break from Broadway to do "Hold Me, Thrill Me, Kiss Me" from his My Turn album, so he could come around the room to sing to everyone and thrill the audience up close. When he returned to the stage, he performed an emotional, flawless "All I Ask Of You" from Phantom Of The Opera. A collective sigh could be heard throughout the room, from both old friends and new fans.

Next, we moved into the Jersey Boys portion of the of the show. JLY shared his experience teaching "Big Girls Don't Cry" to second-graders in Cuba during the U.S. cultural mission, then encouraged us to sing along with him. He also told captivating stories from the movie set with Clint Eastwood, then sang "My Eyes Adored You", which gets better every time. Next was one of my favorite stories, of how he knew he had landed the part of Frankie Valli on Broadway when he heard a certain song in a book shop after a grueling audition...then he performed that song, "Moody's Mood For Love". You could picture the exact scene in the movie...and know how you need to write for that voice.

His "Can't Take My Eyes Off You" is always a pleasure, and this time it was taken to an even higher level. Then we moved into another special song, which has more meaning than ever. When JLY sings "The Impossible Dream", you know that you have the courage to reach for that star - and get it. What a perfect anthem, and perfect voice to convey the message.

For his encore, JLY came around the room to perform "One Last Kiss" from Bye Bye Birdie...with audience participation, of course. He even managed to get up to the balcony to include them as well! Then we were all on our feet for "Sherry" capping off a phenomenal evening of stories, songs, and surprises.

There were so many new faces in the audience, including the students. One of them told me that she is writing an article about the show for the school paper as well. Everyone there was captivated, and couldn't say enough great things about JLY. The world is gonna hear that voice, and now Ohio is on the map. I can't wait to see where and what is next on the journey!

[writerchickmarie]

John Lloyd Young - Brilliant Broadway In The Buckeye State

John Lloyd Young just performed his first concert in Ohio - and after the way he thrilled the audience, it certainly won't be his last.

Last night, JLY was at the University of Findlay's Winebrenner TLB Foundation Convocation Center, as part of the school's ongoing Donnell Broadway Concert Series. In honor of that, he performed his Broadway set for friends and fans, faculty and students, and others from the Findlay community.

Those of us in attendance were treated to a magical evening, from the first notes of JLY's powerful "So You Wanted To Meet The Wizard" from The Wiz, which debuted on Broadway in the year of his birth. The running theme throughout the evening was how he had so many Broadway aspirations growing up, and how he worked his way through NYC to make those dreams happen, and more. Fittingly, the next song was his rich, romantic version of "I Have Dreamed" from The King And I.

JLY was accompanied by Phil Reno on piano, who grew up in nearby Tiffin, and has his own full Broadway resume as conductor of Something Rotten!, The Producers, Cats, The Drowsy Chaperone, and more. His connection and expertise contributed to the magic and enjoyment of the evening.

He told stories of his grandmother's interesting encounter with Jerry Orbach, and how years later they wound up working together on an episode of Law & Order. As an homage to Mr. Orbach, who was the original Billy Flynn in Chicago, he sang "All I Care About", putting his own special spin on the character. (Current Broadway producers of Chicago - you need to have JLY on stage as Billy Flynn. Seriously!)

Next up was a special surprise - "Something's Coming" from West Side Story. If you go to YouTube, you can find a 15 year old clip of JLY singing this one...and I have always wanted to experience him doing this song live. This was definitely a highlight of the show, and his performance is even more poignant now. He followed up with a stellar "Till There Was You" from The Music Man, done in the Beatles arrangement.

JLY spoke about Lorenz Hart, and how he was one of the greatest lyricists of all time. He included the story of how "My Heart Stood Still" from A Connecticut Yankee came about, then performed his own beautiful, haunting rendition. He then sang a breathtaking "I Only Have Eyes For You", which Ron Melrose had arranged for the Jersey Boys OBC to perform at events where they weren't allowed to sing the songs that were used in the show.

Then came one of my absolute favorites. I had remembered that JLY used this song from Hair in his initial Broadway set a few years ago, and had mentioned that he played Claude while at Brown University. His performance of this one always stayed with me, and I am so glad that he started including it in his sets again. "Where Do I Go" is a song that makes you think, and you think even more deeply when JLY sings it. He followed with his powerful "Empty Chairs At Empty Tables"...I so wish that I could have seen him play Marius in Les Miserables at the Hollywood Bowl, but I am thankful that he does it in concert.

He took a momentary break from Broadway to do "Hold Me, Thrill Me, Kiss Me" from his My Turn album, so he could come around the room to sing to everyone and thrill the audience up close. When he returned to the stage, he performed an emotional, flawless "All I Ask Of You" from Phantom Of The Opera. A collective sigh could be heard throughout the room, from both old friends and new fans.

Next, we moved into the Jersey Boys portion of the of the show. JLY shared his experience teaching "Big Girls Don't Cry" to second-graders in Cuba during the U.S. cultural mission, then encouraged us to sing along with him. He also told captivating stories from the movie set with Clint Eastwood, then sang "My Eyes Adored You", which gets better every time. Next was one of my favorite stories, of how he knew he had landed the part of Frankie Valli on Broadway when he heard a certain song in a book shop after a grueling audition...then he performed that song, "Moody's Mood For Love". You could picture the exact scene in the movie...and know how you need to write for that voice.

His "Can't Take My Eyes Off You" is always a pleasure, and this time it was taken to an even higher level. Then we moved into another special song, which has more meaning than ever. When JLY sings "The Impossible Dream", you know that you have the courage to reach for that star - and get it. What a perfect anthem, and perfect voice to convey the message.

For his encore, JLY came around the room to perform "One Last Kiss" from Bye Bye Birdie...with audience participation, of course. He even managed to get up to the balcony to include them as well! Then we were all on our feet for "Sherry" capping off a phenomenal evening of stories, songs, and surprises.

There were so many new faces in the audience, including the students. One of them told me that she is writing an article about the show for the school paper as well. Everyone there was captivated, and couldn't say enough great things about JLY. The world is gonna hear that voice, and now Ohio is on the map. I can't wait to see where and what is next on the journey!

[writerchickmarie]

John Lloyd Young At 54 Below - A Broadway Leading Man For All Seasons

John Lloyd Young knows his Broadway stuff.

This is something that we have always known to an extent, as his Broadway set has become a favorite with friends and fans over the years. But this week at 54 Below, he showed just how vast his knowledge is - and proved that he can perform anything, from every corner of Broadway and beyond.

He began the evening with "So You Wanted To Meet The Wizard" from The Wiz, which debuted on Broadway in the year of his birth. From the first note, he cast a spell over the audience, that only grew stronger with each story and song. His rich baritone took center stage on "I Have Dreamed" from The King And I, as he connected with audience members throughout the entire room.

JLY moved into a special, jazz-style arrangement of "My Favorite Things" from The Sound Of Music...which also made those of us heading to Bavaria and Austria with JLY in a couple of weeks picture our itinerary in Salzburg at the movie locations, along with our upcoming cooking lesson there making those crisp apple strudels.

He was accompanied by a stellar band, with musical direction by Ron Abel on piano, Sean Harkness on guitar, Derek Nievergelt on bass, and Ray Marchica on drums. It's always a pleasure when this group of musicians works with JLY, and this time was better than ever.

JLY told us the story of how his parents had their first date seeing a production of The Fantasticks, and that he had picked this next song because he had lived it while working toward his Broadway dreams. "I Can See It" was rich and strong, and inspiring for the rest of us to pursue our dreams as well.

He then performed one of our favorites, "Till There Was You" from The Music Man, done in the style of the Beatles arrangement. Next up was a song he used to sing at events where the Jersey Boys cast was invited to perform, when they weren't given permission to sing the songs from their own musical. Ron Melrose's arrangement of "I Only Have Eyes For You" is perfectly suited for JLY, and his incredible falsetto takes your breath away.

He also brought back a song that I loved when he first started doing an all-Broadway set. His deeply thoughtful version of "Where Do I Go" from Hair goes right to your soul. I am so glad he included it in this incarnation of the Broadway set. He also told us how he used to listen to various cast albums while he was growing up, with Jesus Christ Superstar being one of his favorites. He performed "Pilate's Dream" from the musical, which brought so many of us to tears. His interpretation truly brought the character's thoughts and dilemma to life.

After a special number featuring each member of the phenomenal band, JLY took us back to his high school days, when he was elected Prom King...which meant that he chose Phantom Of The Opera for the prom theme. (I would definitely have loved to attend a Phantom prom!) He performed a song that another friend had requested, that we all know - "All I Ask Of You". Stunningly beautiful and powerful, it brought all of us to tears again, and led to a long standing ovation. This one is absolutely a keeper!

We stayed in emotional territory with "Empty Chairs At Empty Tables" from Les Miserables, which he performed as Marius in 2008 at the Hollywood Bowl. He also mentioned that he often listened to cast albums in other languages. He learned this same song in Japanese for a friend who is a world class pianist, who was in attendance the night before. He performed it for us as well (and for those livestreaming the show from home), and both versions were haunting and poignant.

Of course, there was a Jersey Boys segment for this show as well. The audience got to participate in "Big Girls Don't Cry", and he also did "My Eyes Adored You" and "Can't Take My Eyes Off You", which still take our breath away every time.

JLY talked about opening the show with The Wiz, where Andre DeShields played the wizard...then mentioned that he was in the original Broadway cast of Ain't Misbehavin' with another one of his inspirations, Nell Carter. He performed one of her numbers from the show, "Mean To Me", showcasing his full vocal range and tugging at our hearts. I'm happy to hear this one in the set as well.

He finished the evening by going around the room for "One Last Kiss" from Bye Bye Birdie, then had us all on our feet and singing along to "Working My Way Back To You" and "Sherry". Everything was perfect from start to finish.

John Lloyd Young worked his way from one end of the Broadway spectrum to the other, demonstrating his versatility along with his vocal prowess. The is a set that we will all be talking about for a long time. I'm excited to hear what the future holds...and thrilled that we are all along for the ride as the world hears that voice and takes notice. Whatever the season, JLY is a Broadway leading man like no other. Here's to more in the future!

[writerchickmarie]

John Lloyd Young At The Space - Magical My Turn 10th Anniversary Celebration

If you are anything like me, you remember the first time you listened to John Lloyd Young's My Turn album.

Because this solo CD coincided with the release of the Jersey Boys movie in theaters, many of us discovered both at the same time as well. After seeing the movie for the first time, I got home and immediately had to find out more about those involved in the film, and especially about JLY after experiencing his brilliant portrayal of Frankie Valli. When I came across information about his solo album, I ordered it, and listened to it immediately when it arrived in the mail. As each song on My Turn played, I kept repeating "Oh my God" over and over again. That voice! As amazing as JLY's work as Frankie is, his own voice is even more incredible. He has a range like no other, and the ability to tug at your heartstrings with each and every word and note. This album showcases all of that - and I know we have all worn out several copies of the CD and gotten replacements so we can keep listening to this carefully curated collection of songs.

Since this is the 10th Anniversary of the movie, it is also been 10 years since My Turn was released. So JLY planned a special celebration concert at The Space, that was also livestreamed for those who couldn't be with us in person in Las Vegas, so that everyone who has supported this album could be a part of the event.

The energy was palpable throughout the room as JLY took the stage, backed by a stellar band, a cohesive group of Vegas musicians who also added impeccable harmonies. He began the evening with "Can't Take My Eyes Off Of You", as a nod to the fact that this song appears both in the movie and on My Turn.

He also took us back to over 10 years ago, when he and Tommy Faragher were putting together this solo album. JLY mentioned that he was going to perform the songs in a different order than they originally appear on the CD, since he has gained more experience over the years in structuring a set. So next up was a fado-style "Hurt So Bad", complete with stories of meeting and singing with Little Anthony. He followed with "In The Still Of The Night", which shows off how beautifully and seamlessly he can switch from falsetto to baritone and back, several times throughout the same song.

JLY also talked about singing "Only You" for the United States Congress, and I can only imagine that they were as taken with his rendition as we all are. He also told the story of how he gave President Obama two copies of My Turn - one for him, and one for Mrs. Obama's mom. This led to JLY being appointed to the President's Committee On The Arts And Humanities, and his work with Michelle Obama's Turnaround Arts program. I'm sure the entire Obama family loved his interpretation of "Who's Lovin' You?", which he performed next, hitting all of those wondrous high notes with ease.

After a stunning version of "Since I Fell For You" (one of my personal favorites from day one), he came around the venue to greet all of us with "Hold Me, Thrill Me, Kiss Me", which is still a thrill after 10 years, and always will be. He followed that with his hauntingly beautiful "Unchained Melody", more powerful than ever.

Next came the story of how Earl Shuman, the writer of "Hey There Lonely Girl", came to see JLY perform the song at Cafe Carlyle after reading about it in a New York Times review. He performed it tonight with the perfect emotional falsetto that touched everyone in the room.

The ever popular "My Prayer" was as gorgeous as ever, followed by the richness of "Ebb Tide". This one doesn't come out to play often in JLY's sets, and it was so good to hear it again.

We ventured over to Jersey Boys territory for a few minutes with "My Eyes Adored You", then back over to My Turn with "A House Is Not A Home". This is another one that we don't get to hear much, and hearing it again on this night stirred so many emotions for all of us. There are many versions of this song out in the world - but JLY's is special, head and shoulders above the rest.

JLY finished the evening with fan favorite "Show And Tell" (coming around the room again to all of us) and a rousing "Working My Way Back To You"...then invited four "Jersey Girls", vocal students from LA Tour Voice Studio in Las Vegas, to back him up on "Sherry". They were all fabulous, and it was a fun way to complete the celebration on stage. We also got to celebrate with JLY afterward at a lovely meet and greet, which added to the magic.

My Turn is an album that will continue to stand the test of time - not only because the songs are already classics, but also because John Lloyd Young's interpretations of them make them fresh and relevant every time he performs them. The first 10 years have been amazing, and I look forward to even more magic over the next several decades. As we celebrate the past and present with him, I look forward to what's next. I know it will be phenomenal!

[writerchickmarie]

John Lloyd Young - A Magical Musical Trip Through Jersey

John Lloyd Young was in a Jersey State Of Mind on Friday night...even more than usual. And he led those of us who were in the audience on a magical trip through Jerseyland, which made for an unforgettable evening at Bell Theater in Holmdel.

This adventure took many forms, including stories both about the Jersey Boys productions that JLY has been in, and the various experiences that he has had in the state itself, from where he lived at various points to Italian restaurants that he loves to visit while back in town. It was a fun and knowledgeable history lesson than enhanced the musical selections of the evening.

He opened with "Walk Like A Man", starting everything off on a strong Jersey related note. He then moved into his powerful version of "My Prayer", filling the theater with his rich voice and commanding the stage from the start.

Accompanying JLY on piano was Andrew Hertz, a friend and fellow Brown alum who not only shared his skills on the keys, but provided some very cool background vocals as well. It all added to the enjoyment of the night.

JLY mentioned that when he got his big break playing Frankie Valli on Broadway, he lived in Jersey City and commuted to NYC to perform. In honor of his Broadway dreams coming true, he performed a beautiful "I Have Dreamed" from The King And I. He followed with "In The Still Of The Night", which showcased his non-JB falsetto abilities.

He told the story of finding out that he and Frankie both have the same vocal idol, then performed two of this singer's tunes. One is extremely well-known, and JLY made "Only The Lonely" his own while paying homage to the original. The other song was a previously unreleased Roy Orbison track that he likes to perform on occasion. The haunting "Say No More" is a perfect fit for him, and I hope he is able to get whatever permission he needs to record and release this song himself. It is THAT good.

After a poignant "Since I Fell For You", JLY came around to greet the audience while singing "Hold Me, Thrill Me, Kiss Me". It's always a thrill for us...and also so special to witness new audience members receive that thrill for the first time.

Up next was the dedicated Jersey Boys segment of the show, beginning with favorite "Can't Take My Eyes Off You". JLY also brilliantly performed a section of the song in Italian, which he said he definitely needed to do for the New Jersey Italian contingent. He told stories about his trip to Cuba in conjunction with "Big Girls Don't Cry", and we got to participate in this one as well. Along with tales from set and on location filming the Jersey Boys movie, and singing the lovely "My Eyes Adored You", he told the interesting story of how the mayor of Jersey City gave him the key to the city after he had been on Broadway for a while. It definitely sounded like a Gyp DeCarlo moment!

He related the entertaining story of singing to Smokey Robinson in Cuba, then sang that song for us. "Ooh Baby Baby" was perfectly done, also showing off that incredibly stunning and clear falsetto. JLY then said he had to add another Broadway song for the evening - the soul-stirring "Empty Chairs At Empty Tables". I still wish I could have seen JLY play Marius in Les Miserables at the Hollywood Bowl...but I'm so glad he still performs this song in his sets for us.

He finished the night with "Show And Tell", complete with audience participation, his incomparable version of "Maybe I'm Amazed", and a little more Jersey Boys with "Working My Way Back To You" and "Sherry, with all of us on our feet and singing along.

There were quite a few priceless, fun moments that are difficult to describe in detail; they were something you had to experience in person. (Extra incentive to come see JLY in concert as often as possible!) Those of us who purchased VIP tickets in the first two rows also got to have a reception/meet and greet with JLY after the show, where we had a chance to talk and take pictures together at the microphone. It was a wonderful evening in Jersey, in every way.

JLY has many concerts and special tour events coming up, so be sure to check his website so you can also participate in all of the fun. The best is yet to come...and I am so glad that we as friends and fans are all part of this magical ride!

[writerchickmarie]

John Lloyd Young At Cafe Carlyle - Old Soul, New Standards

John Lloyd Young's voice is like a fine wine, served to perfection at Cafe Carlyle. Pair it with servings of stories, history, and art...and it will never go out of style.

It is always magical to experience a JLY performance - but there's something extra special about being at the Carlyle. No matter how many times we have all been there, we continue to be in awe, and JLY's love, reverence and respect for this storied club are evident throughout his set.

He enters through the back, past the bar wearing his signature shades, and after making his way to the front he commands the stage with "Lightning Strikes". He was accompanied this week by the talented Steve Marzullo on piano, whose Broadway credits and skills teamed well with JLY's superbly tuned vocal instrument. He showed the strength of those vocals with his compelling "My Prayer", which drew wonderful reactions from old and new fans alike.

Before his next song, JLY gave a little history lesson. He told the audience how Richard and Dorothy Rodgers were the first tenants of the Carlyle, and mused that perhaps he had written this song right here several decades ago. It was his nod to Broadway and Upper East Side history, as he sang the romantic ballad "I Have Dreamed" from The King and I.

He then spoke of his admiration for Frank Sinatra, and how he wants to do for 60s music what Sinatra did for the music of his era. He also mentioned that these so-called "golden oldies" have earned the right to be called standards. To demonstrate this, he performed an impeccable "In The Still Of The Night".

The next section featured music by someone that both he and Frankie Valli look up to - Roy Orbison. JLY's "Only The Lonely" made me think how perfect it would be for him to portray Orbison in a biopic. He followed this up with the unreleased track "Say No More", which he really should record himself. He more than does this music justice, and the song needs to be heard.

After a thoughtful rendition of "Since I Fell For You", JLY asked for the house lights to be turned up for two reasons. The first was so he could talk about the stunning canvas murals lining the walls, by French artist Marcel Vertès, who won two Academy Awards for the 1952 film, Moulin Rouge. He pointed out his favorite part of the murals...the small, excited dog with a ball who seems to be running and ready to jump out of the canvas and play. JLY told us that this is exactly how he feels when he gets to perform for all of us at Cafe Carlyle. The other reason was so he could see everyone as he made his way around the room to greet all of us as he sang "Hold Me, Thrill Me, Kiss Me", much to the delight of everyone in the room.

We then moved into Jersey Boys territory, with the always swoon-worthy "Can't Take My Eyes Off You", an audience participation with "Big Girls Don't Cry" (after his story about teaching it to the Cuban schoolchildren on the cultural mission), and a beautiful "My Eyes Adored You" complete with the stories from the making of the Jersey Boys movie. JLY's anecdotes are always fascinating, and add to the ambiance and enjoyment of the music. It is truly the mark of a great cabaret artist to weave these together to create magic.

He also sang "Can't Take My Eyes Off You" in Italian, which is absolutely breathtaking. During one evening's show, he introduced a couple of his friends in the audience - Marie Royce, the former Assistant Secretary of State for Educational and Cultural Affairs, and Robert Pence, the former United States Ambassador to Finland. Since Mr. Pence is fluent in Italian, JLY dedicated this version of the song to him for his birthday. He also shared some pretty special stories of exalted work that they have done - they are most definitely exemplary people who went above and beyond their duties to help in whatever way they could.

JLY also pulled out another special song - "Moody's Mood For Love". He explained that it was the first song that potential Frankies had to learn for the role, so they could prove why Bob Gaudio knew he had to write for that voice when he heard Frankie sing it. It is always a treat to hear JLY perform this one live, and every note is done to perfection.

We went back to the Cuba trip for more stories, about JLY being set up to sing one of Smokey Robinson's songs right to him, and how intimidating it was, especially after all of the Cuban hospitality with cigars and mojitos. This song takes my breath away, especially the way JLY does it. He then did his unique arrangement of "The Air That I Breathe", leaving the audience breathless.

He came around the room once more to see all of us with "Show And Tell"; he is a master at connecting with every audience member, enjoying it as much as we all do.

The evening finished with JLY's killer version of "Maybe I'm Amazed", which I also hope he records. I am always thrilled every time it's in his set. Then we were all on our feet, singing and dancing along to "Sherry", which capped everything off perfectly with JLY greeting several of us afterward on his way through the club to the back entrance.

It is always an honor and a pleasure to experience John Lloyd Young performances at the esteemed Cafe Carlyle. I look forward to many more magical evenings with him there for all of us, including the new fans he gained that were seeing him for the first time. They will be back - and so will we. The best is yet to come!