words, etc.
i write. that's it. that's all.
𝙢𝙖𝙨𝙩𝙚𝙧𝙡𝙞𝙨𝙩. / 𝙩𝙝𝙚 𝙗-𝙨𝙞𝙙𝙚. / 𝙩𝙖𝙜𝙡𝙞𝙨𝙩. / 𝙧𝙚𝙦𝙪𝙚𝙨𝙩𝙨.
signed, june
currently not taking any requests.
let's talk about Bridgerton tea, my ask is open

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@writrsblu
words, etc.
i write. that's it. that's all.
𝙢𝙖𝙨𝙩𝙚𝙧𝙡𝙞𝙨𝙩. / 𝙩𝙝𝙚 𝙗-𝙨𝙞𝙙𝙚. / 𝙩𝙖𝙜𝙡𝙞𝙨𝙩. / 𝙧𝙚𝙦𝙪𝙚𝙨𝙩𝙨.
signed, june
currently not taking any requests.
Bhagwan ko pata tha ki agar smut likhna aata, toh tabahi macha deti 💅🏽
POV: your classmates discover your tumblr account but they don't know it's you.
being a writer is so fun, you get to write a banger romance story and then kill the main love interest at the end after they confess their love for the main character...hehe
AHHHHH!!!!
so i posted on here fully expecting silence., i made my peace with it. and then you guys just. showed up?? and were so nice?? and actually cared?? i don't know what i did to deserve this corner of the internet but i am so glad i found it.
i just got home from the first day of school (jail) and i was so tired and kind of miserable so i opened tumblr and saw this and now i can't stop smiling like an idiot.
[she was not ready for this. She keeps counting just to make sure it's real]
thank you for reading. thank you for reblogging. thank you for every nice thing you've said in my inbox and in the comments. i read the comments. i ALWAYS read the comments.
school is back so posting might be a little all over the place but i'm not leaving, i have so much more to give. my lovelies will be fed i promise.
[She was just getting started]
one more thing, AHHHHHHHHH !!!!!!THANK YOU! THANK YOU! THANK YOU! THANK YOU! THANK YOU! THANK YOU!
- Forbidden Fruit (Prologue) -
Hamza & Jaskirat x Fem!Reader
Synopsis : What happens when you move to the quiet town of Mystic Falls expecting a normal life, only to become entangled with two mysterious brothers and a world of supernatural secrets?
Warnings : Smut, violence, blood, language. MDNI!
˚˙༓࿇༓˙˚˙༓࿇༓˙˚˙༓࿇༓˙˚
"Oh, temptation, I can't escape you, escape you.
Desire, you're my forbidden fruit, forbidden fruit."
˚˙༓࿇༓˙˚˙༓࿇༓˙˚˙༓࿇༓˙˚
A/n : Well, here it is. The prologue. I'm so excited for this fic. My obsession with Vampire Diaries has become concerning. The title is Forbidden Fruit mainly because of the two very specific lyrics in it. And this is my AU! There will be some familiar characters from TVD and Bridgerton but not in romantic sense! And, yeah, I made up a lot of things. Mystic Falls is in the UK, not in the US.
Masterlist (Forbidden Fruit)
Explore my other fics!
Prologue
MY BINGE READ FOR TONIGHT
GUYS DEKHO!!!
@maladaptive-anxiety meri Biwi kitni cutu hai 😍💗💞
decorative dividers
credit not needed. recoloring welcomed. feel free to edit as you need!
𝐇𝐢𝐬 𝐌𝐨𝐭𝐡𝐞𝐫'𝐬 𝐒𝐨𝐧- Major Iqbal Headcanons
this one's for @dhurander-paglu
Bhimber. Winter. A kitchen.
She is making roti. Her dupatta has slipped off one shoulder and she hasn't bothered fixing it. There is flour on her left cheek and she doesn't know about that either. The stove light catches the side of her face and makes her look like something in a painting — the tired kind, the honest kind.
He is four years old and sitting on the cold floor beside her feet.
He is not doing anything. He is simply there, watching her hands, the way small children watch the people they love — without embarrassment, without agenda. Just watching.
She notices.
She reaches down, without stopping the roti, and presses a floury thumbprint onto the tip of his nose. He wrinkles it. She laughs — not the performance of a laugh, the real kind, the one that lives low in the chest. She turns back to the stove.
He goes back to watching her hands.
He will spend the rest of his life trying to remember exactly what they looked like. He will never quite manage it.
[What came first—the man or what was done to him? The rot or the wound?
I keep circling this question, and I keep coming back to the same place: Major Iqbal was not born what he became. He was built. Slowly. By a house that contained two completely opposing forces—one that taught him he was worthy, and one that taught him worthiness was weakness.
The question is not whether his mother loved him. She did, extravagantly, in the way of women who love in the only direction they are permitted to.
The question is what happens to a boy when the person who loves him best also cannot protect him. What he learns from that. What he decides.]
momma's boy!Iqbal: who was the kind of child who cried quietly. Not loudly, not in a way that demanded attention — the tucked-away kind, the sitting-in-corners kind. His mother always saw it anyway. She would not make a production of it. She would simply come and sit beside him until it was over.
He grew up to despise men who wept openly. The contempt was intimate. The contempt was something he had done to himself.
momma's boy!Iqbal: whose mother read to him every night. This sounds like a small thing. It was not a small thing. In a house where his father's voice was the loudest presence in every room — always proving something, always on the edge of itself — his mother's reading voice was an entirely different register. Slow. Patient. She did the voices differently for each character. When he fell asleep before the chapter ended, she would fold the page and start from the same line the next night.
He grew up believing that stories waited for you. But then again that was a time...a better time.
momma's boy!Iqbal: whose father — Brigadier Jahangir, decorated, half-useless, proud of things that should have shamed him — did not beat him. This is important to say plainly: he did not beat him. What he did was more precise than that. He used his voice the way other men use hands. You are soft. You are an embarrassment. You are nothing like what I needed you to be. He said these things at the dinner table. He said them in front of guests. He said them the way other fathers asked for the salt — habitually, without looking up, without registering that there was a person receiving the words.
His mother, every single time, would reach under the table and press her hand over Iqbal's. Once. Briefly. I see you. I know. I cannot stop this and I am sorry.
She never said any of that out loud.
momma's boy!Iqbal: who brought her things. Stones from the road. A picture of a horse that looked more like a table with legs in the wrong places. A particularly good leaf. He would present these with both hands out, chin down, the full solemnity of a small person giving the only currency they have. She received every single one with equal gravity. She kept the drawings in a box under the bed.
The box was still there when she died. He left the house and left the box. He has not forgiven himself for that. He has also never said so out loud, which means it has nowhere to go.
momma's boy!Iqbal: whose last good day was a Thursday. He was eleven. His father was away on military business and his mother made halwa and let him eat it for breakfast and didn't say a word about it being improper. The winter light came through the kitchen window at a slant. She let him lean against her shoulder and she rested her cheek on the top of his head and they stayed like that until the halwa was done and neither of them spoke because there was nothing that needed saying.
He did not know, that Thursday, that she had been unwell for months and hadn't told anyone.
Older!Iqbal: who lost his mother at fourteen. A February. A quiet death, which is somehow the most violent kind — no warning, no scene, just a neighbor woman with tight hands and that terrible watching-your-face sympathy. He said shukria and went inside. He sat on the floor of his room until dark. He lay down without eating. He looked at the ceiling until he fell asleep.
His father did not come to check on him.
He registered this the way a seismograph registers a tremor — not with drama, just with precision. He wrote it in the ledger he kept in his chest: this man will not come for you. account for this. do not forget. He did not cry until three months later, alone in a classroom, over a line in a poem that had nothing to do with anything. He cried until he thought something would break. Then it stopped. He never cried again.
He thought that was grief finishing. He did not know it was grief being sealed behind a wall. Everything he built on top of that wall eventually sank and he never understood why
Older!Iqbal: who joined the military partly because his father expected him not to — this is the pettiest and most honest thing about that decision — and once inside it, found that violence had a framework here, and the framework almost felt like safety. He was brilliant at it. He had always suspected he would be. Violence has its own grammar and he had been absorbing it since before he had words for it. He became controlled. Precise. Utterly without mercy.
Every senior officer who praised him for those qualities thought they were praising a soldier.
They were praising a boy who had learned to survive.
Older!Iqbal: who married once. Her name was Maryam. He does not say this to anyone. He does not say it the way some widowers don't say the name of the dead — not to protect the grief, but because the grief is still exactly where he left it, undisturbed, in a room he keeps locked. He was not a cruel husband. At least not in the conventional sense.
He was also not present.
He was always in the work, in the operation, in the plan — he told himself that providing was the same as being there, which is something he learned from the very man he hated. Maryam tried. He has to give her that.
She tried in the small persistent ways of people who love difficult men, trying to find whatever was underneath. He did not pull away from her. He just never moved any closer. He has no good explanation for this. He suspects the explanation is that he was terrified.
She deserved better. He knew it then. He knows it more clearly now, which is the particular cruelty of clarity that arrives too late
Older!Iqbal: whose wife died in childbirth. He was not there. He was in Karachi. He was in a room full of men discussing things that do not bear describing, and somewhere in Lahore his wife was dying in a hospital and no one reached him in time. He arrived to a room that was too quiet and a baby in a nurse's arms — small, furious, screaming with the full conviction of something new to the world.
He stood in the doorway.
He looked at her.
He sat down in a plastic hospital chair.
He did not make a sound.
The nurse had the good sense not to say anything.
Laiba. He named her Laiba. He does not remember deciding this. He remembers only that it felt like the only name there had ever been for her.
[Here is the thing I think about: Maryam left in the way that people leave by dying. His mother left in the way that people leave by dying. The mind—especially the kind of mind that has been surviving since childhood by finding patterns, by constructing systems, by making the chaos legible—does not always distinguish between the shape of a loss and its cause.
He built a logic out of the wreckage: the people I allow close do not stay.
It is irrational. It is also completely load-bearing.
You cannot argue someone out of a wall they built from their own grief.]
Older!Iqbal: who does not know how to be a father. He knows this. He has no model for it that doesn't include damage — his own father was a presence defined primarily by what he withheld and what he weaponised. He has his mother, but she was not a father, and what she gave him was given in opposition to cruelty, not in place of it. He is building without a blueprint.
He decides, in a plastic hospital chair, that he will figure it out.
Older!Iqbal: who learns Laiba's world the way he once learned military intelligence — exhaustively, without sentiment, with total commitment. Laiba has Down syndrome. She has her systems. She has textures she can't tolerate and sounds that undo her and a precise logic for how she needs the world arranged. He learns all of it.
He knows which fabric she'll wear. He knows the exact light level she prefers for eating. He knows that transitions need to be named before they happen and that the naming needs to be gentle and that gentle means his voice, specifically, which is a discovery that keeps catching him off guard.
He did not learn any of this from a book. He watched her. He paid attention. He adjusted.
This is his mother in him. He does not recognise it. The line of continuity is there anyway.
Older!Iqbal: who keeps everything she paints. He is not a sentimental man — there are no soft surfaces in his life and he has been deliberate about that. But Laiba's paintings are not soft surfaces. They are documentation. They are the specific and honest record of how she sees the world, which is more than most people ever produce.
She painted a family portrait once: herself in the center, him beside her, and two spaces left unfilled — her mother, perhaps, or his mother, or simply space for people she hadn't met yet, or people she knew were missing. He sat beside her when she showed it to him. He looked at the empty spaces for a long time.
He thought about a box under a bed in Bhimber full of his own drawings.
Older!Iqbal: whose daughter calls him Baba. Not Papa — the older word, the softer one. He has never corrected this. She is the only person alive who calls him by anything other than his rank.
He is aware this is the most valuable thing he owns.
He is aware he does not deserve it.
Older!Iqbal: who sits sometimes, alone, in the room where he keeps her paintings. He is not a reflective man. He does not make a practice of sitting with what he feels. But sometimes the quiet gets in anyway.
He looks at the family portrait. He looks at the empty spaces.
He thinks about flour on a cheek and halwa on a Thursday and a reading voice doing all the different characters. He thinks about a box he left behind. He thinks about Laiba's hands when she paints — very still, very sure of themselves, the brush finding the angle it wants — and he has seen those hands before, he knows he has, they belong to someone older than both of them, some unbroken line that passed through disaster and came out the other side still reaching for things.
He doesn't know if it's mercy or damnation, inheriting the eyes.
He sits in the room.
He doesn't move.
For a moment — just this — he is only a boy who misses his mother.
fin.
author's note: This post is brought to you by insomnia, poor decision-making, and my inability to leave this man alone. I have never written headcanons before. This is my first attempt. Please clap.
comments are appreciated!
A Hearth of Smokeless Ash (Major Iqbal × Mallika) ~ Part 3 ~
WARNING - The characters are fictional. This content is strictly for 18+ peeps. This story includes some mythological concepts of religion written with literary liberty. Take fiction as fiction.
The first light of dawn clawed its way through the reinforced concrete slats of the ISI black site, a thin, sickly gold that seemed to bleed into the perpetual gloom that clung to the underground complex. Air vents whispered with a stale, metallic sigh, carrying the faint ozone tang of recycled circuitry and the ever‑present hint of disinfectant that tried, futilely, to mask the underlying scent of sweat, fear, and something brutal, an almost metallic tang that reminded Iqbal of blood left to dry on steel.
He stood at the center of the main operations hub, a cavernous room dominated by a wall of screens that flickered with feeds from surveillance drones, satellite intercepts, and the endless scroll of signal intelligence. The room was kept at a deliberately low temperature, a tactical choice meant to keep the operators alert, yet Iqbal felt his own skin burning, heat inside him pulsed like a coiled spring, each beat a reminder that the night’s events had left a scar that no amount of cold could numb.
His posture was rigid, shoulders squared, spine straight as a rifle barrel. He could feel the eyes of his men on him, young officers fresh from the academy, seasoned non‑commissioned officers whose faces were etched with the lines of countless covert ops, waiting for his command, for any sign of weakness. Iqbal refused to give them that satisfaction. He locked his jaw, forced his breath into shallow, controlled inhales, and let the heat radiate outward, a silent warning that any faltering would be met with the full force of his displeasure.
A soft chime cut through the low hum of the servers, a secure, encrypted notification that only the tech team’s lead could trigger. Lieutenant Farooq, a wiry man with a perpetual five‑o‑clock shadow and eyes that never seemed to fully blink, stepped forward from the cluster of consoles near the far wall. His boots made barely a sound on the polished concrete, but the weight of his presence was palpable.
‘Sir,’ Farooq said, his voice low enough that only Iqbal could hear over the ambient thrum, ‘We’ve run a full diagnostic on the local grid tower feeding Sector 7’s surveillance grid. The flatline we saw on the CCTV feed at 00:13 wasn’t a static dead zone. It moved.’
Iqbal’s gaze snapped to the lieutenant, the furnace inside him flaring brighter. ‘Explain.’
Farooq tapped a command, and the central screen split into three panels. The left showed a grainy, black‑and‑white feed from a camera perched atop the grid tower, its lens trained on the deserted avenue of Karachi’s elite sector, where mansions of generals, politicians, and intelligence chiefs stood like silent sentinels.
The middle panel displayed a waveform, a jagged line that should have been a steady baseline of power draw. Instead, it dipped into a deep, absolute zero at precisely 00:13:07, held for exactly 108 meters of linear distance along the tower’s cable run, then rose again as if nothing had happened.
The right panel overlaid a map of the city, with a thin, pulsing red line tracing the exact path the anomaly had taken, snaking from the southern edge of the elite district, cutting through the heart of the diplomatic enclave, and terminating near the northern checkpoint where the ISI’s own forward operating base lay.
‘The drop in power draw,’ Farooq continued, his voice tight, ‘Corresponds to a total loss of signal on all frequencies, RF, microwave, even the low‑frequency comms we use for internal coordination. It’s not a simple outage, it’s a clean, moving blackout that matches the length of the dead zone we’ve been seeing on the feeds for the past week. The duration, exactly 108 meters, matches the spacing between the tower’s repeater nodes. Whatever caused it moved at a steady speed, roughly twelve kilometers per hour, following the main artery road.’
Iqbal’s mind went into overdrive. The image of a moving blackout was not a random glitch, it was a signature. A mobile platform capable of emitting a wide‑band electromagnetic pulse, tuned to swallow the specific frequencies used by ISI’s surveillance and communication gear, could produce exactly that effect.
The precision of the path, following the main road, avoiding side alleys where civilian traffic would cause noise, suggested a guided vehicle, likely equipped with adaptive jamming software that could predict and track the patrol routes of high‑value assets.
A foreign espionage unit.
The thought ignited a cold fury that mingled with the heated anger already coursing through his veins. Whoever had the resources to field such a system, likely a state actor with access to military‑grade EW (electronic warfare) suites, was not merely probing, they were hunting. Hunting the very men who directed Pakistan’s covert operations, the generals whose decisions shaped the balance of power in the region.
The idea that a hostile force could slip a jamming van into the heart of Karachi, move undetected through the most monitored sector of the city, and blind the ISI’s eyes for those crucial minutes was a direct affront to Iqbal’s sense of duty and his own reputation as the architect of the ISI’s most clandestine operations.
He felt the heat rise to his cheeks, a flush that contrasted sharply with the pallor of his men’s faces. Sweat beaded at his temples, but he did not wipe it away. Instead, he let it sit, a testament to the internal furnace that refused to be quelled by the external chill. His gaze swept over the room, landing on each officer in turn, his stare a silent command to remain sharp, to remain ready.
‘Listen up,’ he said, his voice a low, resonant timbre that seemed to vibrate the very air. ‘What we just saw is not a malfunction. It is a deliberate, jamming operation targeting our elite sector. The pattern indicates a vehicle equipped with a wide‑band spectrum jammer, likely mounted on a civilian chassis to avoid detection. It moved at a consistent speed, following the main artery, and managed to create a 108‑meter blackout window that perfectly aligns with the repeater nodes on our grid tower. This is a direct attempt to blind our surveillance and interrupt our command links during a critical window.’
A murmur rippled through the ranks, a mixture of disbelief and the sharpening edge of anticipation. Iqbal pressed on, his words cutting like a blade through the fog of uncertainty.
‘Farooq, I want a full dragnet of all vehicle transit logs from last night, from 22:00 to 04:00. Every commercial vehicle, every government‑issued truck, every private car that passed through the grid tower’s coverage zone. Cross‑reference those logs with the timestamps of the power dip. I need to know which vehicle was present at each point along the red line we just saw. I want make, model, license plate, and any available telemetry, GPS, OBD‑II data, anything that can tell us if the vehicle was stationary or moving at the exact moments of the blackout. And I want it classified, eyes‑only. No leaks, no whispers. If this is a foreign asset, we will find it, and we will make them regret ever setting foot in our city.’
Farooq nodded, already moving to his console, fingers flying over the keyboard as he initiated the secure query. The room’s ambient noise seemed to drop a fraction as the tech team’s focus sharpened, the clack of keys a staccato rhythm that matched Iqbal’s own pounding heart.
‘Sir,’ Farooq said without looking up, his tone steady, ‘The logs are being pulled. I’ll have a preliminary list in fifteen minutes. I’ll flag any anomalies, vehicles that deviated from normal routes, those with irregular speed patterns, and any that show signs of tampering or aftermarket modifications.’
Iqbal allowed himself a brief, almost imperceptible nod. The heat inside him surged that threatened to melt the very steel of his resolve, but he channeled it into a razor‑sharp focus. He could feel the weight of his men’s expectations, the silent plea for guidance, and he met it with the icy certainty that had earned him his reputation.
‘Good,’ he said, his voice dropping to a near whisper that still carried the weight of command. ‘While they work on the logs, I want a sweep of the immediate perimeter. Deploy two teams, one on foot, one in a lightly armored vehicle, to scan for any unusual electromagnetic emissions. Use the portable spectrum analyzers, look for spikes in the 2‑4 GHz band, the range our jammers would have to occupy to blind our gear. If they’re still out there, we’ll find the heat signature of their equipment. And keep your eyes open for any vehicle that looks out of place, a maintenance van, a delivery truck, anything with a suspiciously clean undercarriage or fresh paint.’
A junior officer, Lieutenant Hassan, stepped forward, his face a mask of concentration. ‘Sir, should we also check the nearby civilian CCTV feeds? If the jammer was on a vehicle, it might have been captured on traffic cameras.’
Iqbal’s eyes narrowed, the thought within flaring brighter at the thought of another layer of data. ‘Yes. Pull the feeds from the intersections along the red line. Run them through our motion‑tracking algorithms. Look for any vehicle that maintains a constant speed and appears to have a…distortion around it, like a heat haze or a flicker in the image. That could be the jammer’s field interfering with the sensors. I want every frame examined, every anomaly logged.’
Hassan saluted sharply, ‘On it, sir.’ He turned and hurried to the communications hub, his boots echoing on the concrete as he began to coordinate with the city’s traffic monitoring unit.
The minutes stretched, each one feeling like an hour as the tech team worked. The screens flickered with streams of data, license plate numbers scrolling, timestamps aligning, power draw graphs overlaying onto maps. Farooq’s voice cut through the tension intermittently, updating Iqbal on progress.
‘Sir,’ Farooq said after twenty minutes, ‘We’ve got twenty‑seven vehicles that passed through the zone during the blackout window. Fifteen are regular commuter vans, eight are private cars, and four are registered as service vehicles, two maintenance trucks, one water tanker, and one…’
He paused, the cursor blinking on a line that made Iqbal’s jaw tighten.
‘…one unmarked white van, license plate beginning with ‘KAR‑9’, registered to a private logistics firm that has no record of operating in Karachi after 2018. The vehicle’s GPS log shows it entered the zone at 00:10:45, maintained a steady speed, and exited at 00:22:10, exactly matching the duration and speed of the blackout.’
A cold smile, devoid of humor, touched Iqbal’s lips. The arrogance inside him roared, a vindication that felt both satisfying and terrifying. The evidence was concrete, a vehicle that should not have been there, moving with the precision of a predator, leaving a trail of electronic silence in its wake.
‘Good work,’ Iqbal said, his voice low but edged with steel. ‘Farooq, isolate that van’s telemetry. Pull any OBD‑II data, engine RPM, throttle position, fuel flow. See if there’s any sign of a secondary power draw, something that could be feeding a high‑power jammer. Hassan, get the traffic cam footage for those timestamps. I want to see if there’s any visual distortion around the van, anything that looks like a heat shimmer or a pixelated blur where the jammer’s field would be.’
Farooq’s fingers flew again, and Hassan’s voice came over the comms, urgent and focused. ‘Sir, the traffic cam at the intersection of Shahrah‑e‑Faisal and Abdullah Haroon Road shows the van at 00:14:03. The image… there’s a faint ripple around the rear axle, like the air is warping. It’s barely perceptible, but it’s there, consistent with a high‑intensity EM field.’
Iqbal felt a surge of vindictive pride. The heat in his chest flared, but he forced it down, channeling it into the cold, calculating edge that had kept him alive in the shadows for decades.
‘All right,’ he said, his voice now a quiet command that seemed to settle over the room like a shroud. ‘We have our target. Prepare a classified ops order. We will mobilize a rapid interception team, two armored vehicles, a drone overwatch unit, and a SIGINT detachment. We’ll set up a moving checkpoint along the van’s projected route for tonight, using false traffic reports to funnel it into a kill zone. Once we have visual confirmation, we’ll engage with EMP‑disabled munitions to neutralize the jammer without causing collateral damage to civilian infrastructure. And after we secure the vehicle, we’ll extract any data storage, hard drives, flash memory, anything that could tell us who sent them and what they were after.’
He paused, letting the weight of his words settle. The room was silent save for the soft whir of fans and the distant patter of rain against the black site’s ventilation shafts, a reminder that the world above continued its indifferent march, oblivious to the silent war being waged beneath its streets.
‘Janab,’ Farooq said, his voice barely above a whisper, ‘If this is a foreign unit, we’re looking at a state‑level player. They’ve got the resources to field a mobile jammer of this caliber. What do we do if they have more than one out there? What if this is just a scout?’
Iqbal’s eyes hardened, the anger within flaring to a near‑white heat. He let the sensation wash over him, feeling the molten core of his anger, his resolve, his duty. Then, with a deliberate motion, he lifted his chin, his gaze locking onto each of his men in turn.
‘Then we hunt them down,’ he said, his voice a low, lethal promise. ‘We find every node, every vehicle, every person who thinks they can slip a shadow over our city and think they’ll get away with it. We will burn their networks to ash, and we will make sure the world knows that the ISI does not tolerate blind spots, not in our streets, not in our skies, not in our souls.’
A collective intake of breath filled the room, the tension palpable, the air charged with the same electric fury that coursed through Iqbal’s veins. He turned back to the main screen, where the red line of the anomaly still pulsed, a scar upon the map of Karachi, a scar that would soon be sealed with fire and steel.
The Clifton mansion lay hushed beneath a pallid morning sky, the relentless Karachi heat a distant, muffled throb beyond the thick marble walls. Inside, the air was unnaturally still, a pocket of chill that seemed to cling to the stone floors and the heavy drapes, as if the house itself were holding its breath in anticipation of the day’s grim ceremony. Sunlight filtered through the tall, arched windows in thin, silver shafts, catching dust motes that drifted like forgotten secrets.
Major Iqbal stood before the full‑length mirror that dominated the master suite’s dressing area, his reflection a study in restrained power. The ceremonial ISI uniform jacket lay across the back of a carved mahogany chair, its black fabric absorbing the light and throwing back only a faint, oily sheen. Silver epaulettes caught the glint of the sun, each tiny insignia a reminder of rank, of battles fought in shadows, of the weight he carried on his shoulders.
Mallika moved with the quiet grace of a woman who had learned to navigate the treacherous currents of elite Karachi society without ever losing her own poise. Her hair fell in a sleek cascade over one shoulder, a few loose strands escaping to frame her face, which was composed yet softened by the faintest hint of concern. She wore a simple ivory silk kurta, the fabric cool against her skin, and her bare feet whispered against the polished marble as she approached him.
She lifted the jacket with reverent care, the material whispering as it unfolded. Her fingers, slender and sure, traced the seams, smoothing out any imagined crease with a tenderness that belied the steel beneath her touch. As she drew the jacket over his broad shoulders, the fabric settled against his chest, and a sudden, almost electric stillness washed over him.
‘Hold still,’ she murmured, her voice low enough that only he could hear it over the faint hum of the air‑conditioning unit struggling against the external heat. ‘We need you to be perfect.’
Iqbal felt the heat of his own body, stoked all night by adrenaline, rage, and the lingering echo of Shafiq’s nightmare, begin to ebb wherever her palms made contact. When her fingers brushed the high collar, adjusting it with a precise, almost reverent motion, the frantic chatter in his mind quieted, as if a switch had been flipped. The incessant tactical calculations, the images of glitching surveillance feeds, the phantom chill of the dead zone, all receded, replaced by a warm, grounding presence that seemed to seep into his very bones.
‘You always know how to calm the storm inside me,’ he said, his tone a mixture of gratitude and something darker, a quiet acknowledgment of the power she held over him. ‘It’s as if your touch pulls the fire from my veins and replaces it with…stillness.’
Mallika smiled, a soft, almost melancholic curve of her lips. She leaned in, her lips brushing the skin just below his left ear, a fleeting kiss that carried the scent of jasmine and sandalwood, her signature fragrance, the one she wore only for the most intimate moments. The contact was brief, yet it sent a shiver down his spine that was not entirely unpleasant.
‘Stay safe, my love,’ she whispered, her breath warm against his skin. ‘You will always find me with you.’ She pulled back just enough to meet his eyes, her gaze steady, unwavering. ‘You are more than a soldier to me. You are my anchor, my husband.’
Iqbal’s jaw tightened, the muscles in his neck flexing as he fought to keep his composure. The love he felt for her was a fierce, protective flame, yet it was also a vulnerability he rarely allowed himself to show. In that moment, he saw not just the elegant wife who curated silk and designed mourning attire for the city’s elite, but the woman who had witnessed his nightmares, who had felt the tremors of his rage, and who still chose to stand beside him.
‘I will,’ he replied, his voice low and resonant, edged with the steel of his duty. ‘For you… I will not falter.’
She nodded, satisfied, and turned her attention to the epaulettes. With the tip of her thumb, she polished each silver insignia until they caught the light and threw back a bright, almost defiant gleam. Her movements were deliberate, each stroke a silent promise that she would stand by him, even as the world outside teetered on the brink of another covert war.
As she stepped back, Iqbal took a moment to admire himself in the mirror. The uniform clung to his frame, accentuating the breadth of his shoulders, the taper of his waist, the rigid line of his spine. The black fabric seemed to drink in the light, making him appear both a shadow and a statue, an embodiment of the ISI’s unseen power. The silver epaulettes rested like twin moons against his shoulders, a reminder of the rank he had earned through blood, intellect, and an unyielding will.
Mallika moved to the side table where a small, silver box lay open. Inside rested a single, pristine white rose, a token she had placed there the night before, a symbol of purity amidst the looming darkness. She lifted the stem gently, her fingers brushing the velvety petals, and placed it carefully in the breast pocket of his jacket, just over his heart.
‘For luck,’ she said, her voice barely above a whisper. ‘And to remind you that even in the darkest moments, there is still a stillness to be found.’
Iqbal felt the soft press of the rose against his chest, a delicate counterpoint to the hard metal of his insignia. He inhaled, the scent of the flower mingling with the faint tang of gun oil.
He turned to face her fully, his eyes locking onto hers. ‘You always know how to turn my chaos into calm,’ he said, his voice soft but edged with a fierce protectiveness. ‘I don’t deserve this…this peace you give me.’
Mallika reached up, her hand resting lightly against his cheek. Her skin was cool, a stark contrast to his body heat, and the contact sent a ripple through his senses that was both grounding and exhilarating.
‘You deserve every moment of peace I can give you,’ she replied, her tone firm yet tender. ‘Because you are not just a soldier to the nation, you are my husband, my confidant, the man who makes my world feel whole.’
A sudden, sharp knock at the door broke the intimate bubble. A young orderly, his face pale and eyes wide, stood at the threshold, holding a sealed dossier marked with the ISI crest. ‘Sir,’ he said, his voice trembling slightly, ‘The funeral procession is ready to move. The convoy awaits at the main gate. All units are standing by.’
Iqbal’s gaze flicked to the orderly, then back to Mallika. The moment of quiet shattered like glass under a boot, but the calm she had instilled lingered, a steady ember in his chest.
‘Thank you,’ he said to the orderly, his voice regaining its characteristic command. ‘Tell the drivers to keep formation tight. We move at precisely 0900 hours.’ The orderly saluted sharply and retreated, the door closing with a soft click that seemed to echo in the stillness.
Mallika stepped back, her hands falling to her sides. She looked at him once more, her expression a mixture of admiration, concern, and an unspoken understanding of the burdens he bore.
Iqbal inclined his head, a gesture that was both a promise and a silent vow. He felt the weight of the uniform, the rose, her touch, and the lingering heat of his own nature settle into a resolute core. The mansion’s chill seemed to recede, replaced by an inner warmth that was part love, part duty, and part something indefinable.
He turned toward the door, his boots clicking against the marble with a measured, confident rhythm. As he passed Mallika, he paused just long enough to press a brief, firm kiss to her forehead, a gesture that conveyed more than words ever could.
The funeral ground stretched like a black‑and‑white chessboard beneath the merciless Karachi sun, rows of immaculate ISI and army uniforms forming rigid lines that seemed to swallow the light. Media crews perched on scaffolding, their lenses glinting like predatory eyes, while the city’s elite, wives of corps commanders, politicians, intelligence chiefs, stood in solemn clusters, their silk abayas and tailored suits a stark contrast to the gritty khaki of the soldiers. The heat rose in visible waves, turning the air above the marble plaza into a shimmering mirage that made the distant horizon tremble.
At the forefront of the assembly, a dais of polished marble bore the insignia of the ISI, its silver eagle catching the sun and throwing back a cold, almost metallic gleam. From the shadows of the colonnade stepped a figure that commanded attention without uttering a word, Senior General Yusuf Hasan, a man whose reputation for ruthless efficiency preceded him like a storm front. His shoulders were broad enough to bear the weight of an entire division, his jaw set in a permanent line of contempt, and his eyes, pale, almost colorless, scanned the crowd with the detached curiosity of a hawk surveying prey.
He halted before the microphone, adjusted the star‑studded lapel of his ceremonial uniform, and, with a voice that resonated with practiced authority, began his eulogy. The words were brief, each one carved from stone,
‘Today we lay to rest a servant of the nation who embodied the very principle that guards our borders, unyielding national security. His sacrifice reminds us that vigilance is not a duty but a destiny, and that the shield we raise must never falter, for the enemies of Pakistan are ever‑watchful, ever‑hungry, and ever‑ready to strike. Let his memory forge our resolve, and let us march forward with the same unbreakable steadfastness he displayed in the shadows.’
The general’s tone was devoid of sorrow, it was a proclamation, a reminder that the machine of state would grind on regardless of the flesh that fed it. A ripple of approving murmurs passed through the assembled officers, while the wives exchanged tight‑lipped glances, their faces masks of grief that barely concealed the undercurrent of political calculation.
Amidst the sea of solemn faces, Major Iqbal felt the world tilt. The general’s words, meant to inspire, struck a discordant chord within him, and a sudden, violent vertigo seized his senses. The marble beneath his boots seemed to sway, the sky above blurred into a molten smear, and the roar of distant helicopters faded into a low, throbbing hum that vibrated in his molars.
His ceremonial jacket, which had moments ago felt like a second skin, now clung to his torso with an agonizing heat. The black fabric turned scalding, as if threads of molten iron had been woven into its weave. A searing band of fire lanced across his chest, burning through the layers of wool and cotton, making his breath hitch in a ragged gasp. Sweat beaded on his forehead and his vision narrowed to a tunnel where the general’s podium loomed like a distant beacon.
Instinctively, his right hand flew to the butt of his sidearm, the cold metal of the pistol a grounding anchor against the internal inferno. He gripped it hard, the knuckles whitening, feeling the familiar weight reassure him that at least something remained tangible amidst the sensory chaos.
Through the haze, his gaze drifted to the periphery of the mourning wives, where Mallika stood like a statue carved from obsidian silk. Her custom black abaya flowed around her in soft, liquid folds, the fabric absorbing the sunlight and giving her an almost ethereal pallor. Despite the surrounding tumult, her posture was composed, though looking visibly uncomfortable with the heat, her hands were clasped gently before her, her eyes lowered in a respectful bow.
Iqbal’s heart hammered against his ribs, each beat a frantic drum that seemed to echo the general’s pronouncement of unyielding security. Yet, beneath the terror of the vertigo, a sharper, more insistent thought sliced through the fog, the unknown he had been hunting, the shadow that had jammed signals, that had left Shafiq’s corpse a grotesque tableau, might have found a new vector. Not through electronics or explosives, but through the very synapses of his mind, turning his own physiology against him.
He swallowed, the taste of copper sharp on his tongue, and forced his voice low enough that only the pistol’s metal could hear it. ‘Stay with me,’ he whispered, the words more a promise to himself than to anyone else. ‘Whatever is doing this… I will not let it take me.’
The general concluded his brief address with a final, resonant note, his voice dropping to a solemn cadence that lingered over the crowd, ‘May his soul rest in peace, and may we never falter in our watch.’
A polite applause broke out, restrained and formal, as the ceremony moved toward the procession. The band began a mournful dirge, its brass notes cutting through the heat like a blade, while the casket, polished wood draped with the national flag, was lifted onto the gun carriage.
Iqbal forced his vision to clear, the vertigo receding just enough for him to see the path ahead. He adjusted his grip on the sidearm, feeling the familiar reassurance of its weight, and stepped forward, each movement a deliberate act of defiance against the unseen force that sought to unbalance him.
As the procession rolled forward, the elite families fell into step, their footsteps synchronized with the drumbeat of the marching band. Cameras flashed, capturing the tableau of grief and power, while the city’s oppressive summer pressed in from all sides, a reminder that beyond the veneer of ceremony, a war raged, one fought not only with bullets and intelligence, but with the very minds of those who stood guard.
The secure, dimly lit RAW terminal in New Delhi hummed with a low, subsonic thrum.
Ajay Sanyal stood at the central console, his back ramrod straight, hands resting lightly on the keyboard as if he were poised to strike a serpent. His eyes, sharp as a hawk’s, flicked across the cascading streams of data that poured in from Karachi, encrypted bursts, frantic chatter, and the occasional spike of raw signal that screamed of a jamming device in motion. The numbers danced, a chaotic ballet of frequencies and timestamps, each one a whisper of movement in the electromagnetic dark.
Beside him, Sushant leaned forward, his forearms braced on the desk, fingers poised over the secondary terminal. His visage was a mask of calm calculation, the kind that came from years of reading between the lines of intelligence reports and knowing that the truth often lay buried beneath layers of deception. The blue glow of the screens painted his face in an ethereal hue, making his eyes appear hollow, almost devoid of warmth.
Ajay’s voice cut through the ambient hum, low and edged with steel. ‘Sushant, pull up the latest telemetry from the grid. I need to see exactly what Iqbal’s team is chasing.’
Sushant’s fingers flew across the keys, summoning a window that displayed a live map of Karachi overlaid with concentric rings of signal degradation. A pulsing red blob, roughly 108 meters in diameter, moved erratically along the city’s arterial roads, leaving a trail of dead zones where radios fell silent and CCTV feeds glitched into static.
Ajay leaned in, his brow furrowing as he studied the pattern. ‘Iqbal’s grid is zeroing in on it, trying to pinpoint the source. He thinks it’s a foreign asset, a piece of hardware they can seize or destroy.’
A faint smile tugged at the corner of Sushant’s mouth, more a reflex of intellectual satisfaction than amusement. ‘He’s chasing a phantom, sir.'
Ajay’s gaze hardened, the flicker of admiration quickly replaced by resolve. ‘Then we give him a ghost. Fabricate a signal that mirrors the dead zone’s signature, make it look like the jammer is exactly where we want him to look. Feed him a false coordinate. Let him waste his resources.’
Sushant nodded, already initiating the protocol. His hands danced over the keyboard, injecting a sophisticated, fabricated digital pulse into the Pakistani intelligence stream. The signal was a perfect mimic, same frequency hopping pattern, same modulation depth, same temporal jitter that characterized the genuine dead zone. It slipped past the firewalls and intrusion detection systems like a whisper in a hurricane, embedding itself in the data flow as if it had always been there.
He pressed the final key, and the terminal emitted a soft, almost imperceptible chime as the fabricated signal left their server and slipped into the Pakistani network. The room seemed to hold its breath for a heartbeat, the only sound the faint whir of cooling fans and the distant, muffled wail of a siren from somewhere beyond the concrete walls.
Sushant leaned back, his chair creaking softly under his weight. He turned his head to face Ajay, the hollow gleam in his eyes catching the glow of the monitors. His voice, when it came, was a quiet, deadly certainty that seemed to echo off the steel walls.
‘Next target locked, sir.’
~~~~~~~~~~~~~~~~~~~~~
THE WHOLE TECH PART IS COMPLETELY FICTIONAL AND JUST FOR THE STORY PURPOSE. CONSTRUCTIVE CRITICISM IS ALWAYS WELCOME <3 I HOPE YOU ALL LIKE IT 😭
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WAKE UP YA'LL MY KWEEEN DROPPED THIS BANGER!!!
WAIT NEW THEME IS EATING OMGGGGG
mwhehehe *smirks* thank you my loveee
QUIT WRITING OH MY GOD JUST QUIT I AM SO SERIOUS. EVERY SINGLE TIME I OPEN THIS APP THERE YOU ARE. THERE YOU FUCKING ARE. with another post. another story. another paragraph. WHY. WHY ARE YOU STILL HERE. who told you this was a good idea. who is encouraging this.
Great question. Anyways...
Upcoming schedule:
• The Red Prince of Lyari (hopefully this week) • Headcanon #1 Major Iqbal (today babyyy) • Headcanon #2 • Hamza angst one-shot • Faisal angst one-shot
And, perhaps most importantly, I've started working on a Hamza fluff series.( currently it's fluff but i could change my mind later)
Hope this helps.
Thank you to everyone who continues to read, like, reblog, and encourage my nonsense.
me when I'm schizophrenic
me when i have chronic constipation on top of schizophrenia
headcanon likhne ka format hota hai kya? genuinely asking for a friend
QUIT WRITING OH MY GOD JUST QUIT I AM SO SERIOUS. EVERY SINGLE TIME I OPEN THIS APP THERE YOU ARE. THERE YOU FUCKING ARE. with another post. another story. another paragraph. WHY. WHY ARE YOU STILL HERE. who told you this was a good idea. who is encouraging this.
Great question. Anyways...
Upcoming schedule:
• The Red Prince of Lyari (hopefully this week) • Headcanon #1 Major Iqbal (today babyyy) • Headcanon #2 • Hamza angst one-shot • Faisal angst one-shot
And, perhaps most importantly, I've started working on a Hamza fluff series.( currently it's fluff but i could change my mind later)
Hope this helps.
Thank you to everyone who continues to read, like, reblog, and encourage my nonsense.
Also your blog theme is so cute ^^
you are also very cuteee *winks and twirls hair* @cloudmast
Devi aapke charan kaha hai? I saw your post on aalam bhai I'm in awe. That's an understatement. You know I have always appreciated this movie for the sheer amount of research and I love people who engage in this and your post made me so happy 😭✌🏻💋🐥👄💅.
I would love to read more of these . Also it is so funny to me because dhurandhar had me get educated about history and geopolitics way more than school. I love an educated talented baddie. looking forward to your posts🎀💖
@chocolate-and-trouble
Firstly, so sorry for the late reply. Inbox kholte waqt yahan dar ka mahaul bana rehta hai. Every notification is either the sweetest person alive or someone arriving with a bat and a personal vendetta.
But thank you so much 😭😭😭 This genuinely made my day. I spent an embarrassing amount of time falling down historical and geopolitical rabbit holes for that post, so hearing that someone enjoyed reading it means a lot.
Also "dhurandhar had me get educated about history and geopolitics more than school" is unfortunately the most relatable sentence I've read this week 😭😭. Nothing prepares you for watching a movie trailer and suddenly finding yourself reading about Karachi politics at 2 a.m.
Thank you for reading my unhinged essays and enabling my behaviour.
𝐓𝐡𝐞 𝐑𝐞𝐝 𝐏𝐫𝐢𝐧𝐜𝐞 𝐨𝐟 𝐋𝐲𝐚𝐫𝐢 - Uzair Baloch {TEASER}
The thing nobody tells you about watching someone die is how quiet it is.
Zoya had always imagined violence would announce itself — that it would be loud, that it would look like the films where the score swells and everything slows down and even horror gets to be beautiful. She had grown up in Lyari. She knew what guns sounded like.
She was not prepared for Uzair. She was not prepared for the fact that he did not change. That was the thing.
That was the thing she could not survive. Not the act itself, not the blood that followed, not the sound Arshad Pappu made when he understood what was coming — but the continuity of Uzair through all of it. The way his face stayed exactly as she had always known it. Patient. Still. Dark eyes that gave away nothing and yet always, always found her across a room.
He stood in that market and he listened to Arshad Pappu talk, the expression he wore was the same one he wore when he was waiting for chai to cool, or standing in a doorway watching her pack her notes into her bag, or sitting very quietly at the far end of a room while everyone else moved and made noise around him.
And then he did what he did.
Zoya ran six streets before she sat down on a kerb and understood that she had never known him at all.
COMING SOON!!