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@xmomoko
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èȘ°ăăăćčžçŠăšă°ăăă« æă䌞ă°ăéă«æœăéŹŒăšăȘă - Everyone wants to reach out their hand and grab happiness, But they just end up becoming the monster that lies deep in darkness.
Vinushka; Dir en Grey (via thevividzephyr)
You will always fall in love, and it will always be like having your throat cut.
Catherynne M. Valente, DeathlessÂ
Fuck yourself.
{Briefly opens his mouth, then closes it in second thought as he pins his lips together and instead lifts an unsteady hand} ..-It's good to see you too.
if only you could see yourself now, youâre settling back into a quiet autumn and youâve missed the smell of must, rain, and tobacco kissed into the corners and couches of the same house you share with seven others. you miss the girl who used to sleep on your couch who had the skull of the bird she is named after tattooed across her arm. you are glad you stopped drinking. itâs 2am and youâre staying up far too late. you have an interview for a job in the morning that you will come to hate in 2 months. youâre not in love the way you expected. some memories turned into broken drawers that you chose to store all your knives in, every time you open them, they always come spilling out towards you. you miss having sex with people you also love. precariousness is now the pillow you sleep upon, and you no longer have such structured repeating romance. you no longer have such a structured repeating life, and I know it killed you that you knew it wasnât forever. i know i canât stop you from panicking, but it will all make sense. you repeat repeat repeat repeat repeat repeat until you realized it was too early to build such a life based on repetition. youâre settling back into a quiet autumn, and youâre stone sober at 4am after a Friday night while the world starts to makes a strange kind of sense, the same way words become meaningless when repeated enough times. all of this is to say, you made it this far, and iâm proud of you.
Brandon Speck, âA Letter to Myself, A Year Agoâ
Iâm a mess of unfinished thoughts.
John Mayer
Favorite Movies:Â Constantine (2005)
"I donât believe in the Devil." "You should. He believes in you."
More than putting another man on the moon, more than a New Yearâs resolution of yogurt and yoga, we need the opportunity to dance with really exquisite strangers. A slow dance between the couch and dinning room table, at the end of the party, while the person we love has gone to bring the car around because itâs begun to rain and would break their heart if any part of us got wet. A slow dance to bring the evening home, to knock it out of the park. Two people rocking back and forth like a buoy. Nothing extravagant. A little music. An empty bottle of whiskey. Itâs a little like cheating. Your head resting on his shoulder, your breath moving up his neck. Your hands along her spine. Her hips unfolding like a cotton napkin and you begin to think about how all the stars in the sky are dead. The my body is talking to your body slow dance. The Unchained Melody, Stairway to Heaven, power-cord slow dance. All my life Iâve made mistakes. Small and cruel. I made my plans. I never arrived. I ate my food. I drank my wine. The slow dance doesnât care. Itâs all kindness like children before they turn four. Like being held in the arms of my brother. The slow dance of siblings. Two men in the middle of the room. When I dance with him, one of my great loves, he is absolutely human, and when he turns to dip me or I step on his foot because we are both leading, I know that one of us will die first and the other will suffer. The slow dance of whatâs to come and the slow dance of insomnia pouring across the floor like bath water. When the woman Iâm sleeping with stands naked in the bathroom, brushing her teeth, the slow dance of ritual is being spit into the sink. There is no one to save us because there is no need to be saved. Iâve hurt you. Iâve loved you. Iâve mowed the front yard. When the stranger wearing a shear white dress covered in a million beads comes toward me like an over-sexed chandelier suddenly come to life, I take her hand in mine. I spin her out and bring her in. This is the almond grove in the dark slow dance. It is what we should be doing right now. Scrapping for joy. The haiku and honey. The orange and orangutang slow dance.
Slow Dance, Matthew DickmanÂ
âIt is a curious thing, the death of a loved one. We all know that our time in this world is limited, and that eventually all of us will end up underneath some sheet, never to wake up. And yet it is always a surprise when it happens to someone we know. It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try and readjust the way you thought of things.â
Lemony Snicket, Horseradish: Bitter Truths You Canât AvoidÂ
i donât know how old i was when i first got a bicycle, but i know there were a few teeth missing from the side of my mouth, a gap big enough for me to put my tongue through while i smiled too big down the neighborhoodâs âbig hill.â the bike was blue and shone, wheels white, seat silver. when i bit the rubber of the handlebars, i tasted the salt from the sweat of my palms. this was the same age when my hair was longer and stringy, black and falling down the length of my back. my teeth were crooked, had grown in wrong because i had âtaken them out too late.â the kind of wonky and crooked where i would laugh behind my hand, spend an hour every night pushing them out with my tongue so that they would align like my friends who could afford to get braces. it was the age of my cerulean blue sparkling shirt, made out of a fabric that stretched so i could fit my head and my knees inside of it, stretched so wide that i hid a friend with me in there one night when i was too small. the same age where i would tell the girls i sat with at lunch that the stain on my pants were from the âspaghetti that i had spilled the night before,â and each time, no matter how many times, they would nod, not knowing how convoluted my shame of being was. i am seven or maybe iâm ten and there is gravel between my toes, stuck in my palms, the driveway making little red mosaics along my knees, my calves, my thigh. iâm eating soba noodles with dirty feet and bitten fingernails, and the woman who raised me is pregnant with another child. iâm laying down and watching an ant crawl from my pinkie finger to my shoulder until itâs nine pm and the sun is setting, blushing so loud that the crickets are all hushed up. iâm laying in the grass and thereâs nothing frightening me, because the earth yes. the earth, yes.Â
iâm reading stories about children on my bed now in a dormitory in new york city, thinking about the small girl that i was. the girl with the long hair, the small laugh, the one who would follow everyone around because she was unsure of where she was going. i think of where i am now in comparison, how i have lost so little of my love for touch, for texture, for the earth, but how my placement is so different, how the people i surround myself with have shifted from mothers to friends, from fathers to small, clumsy boys, from crying because momma didnât tuck me in at night to being afraid of phone calls telling me that itâs important i need to come home. Â iâm reading stories about childhoods and iâm thinking about my blue bike, how good it felt when it was my birthday and i sat for the first time in the dusk of september with my mouth tasting like carvel chocolate cake, pedaling faster and faster, moving through the september air for the first time like i was free, regardless of my clipped wings, regardless of how we are not accustomed to flight, as the neighborhood moved ahead and behind me again and again, the yellow forsythias turning into a blur, the petals blurring the edges of the road, the white houses with their warm rooms, my legs burning strong and muscular, Â palms sweating into the white rubber of the handlebars, my tongue in the gap between my teeth. mouth open, beaming.Â
my godfather took this picture some years (1998) before he died of cancer, he loved photography so much even when he was in hospital he used to carry hes camera.
ive got tones of pictures but this one its kinda special, the woman reading in Rio de janeiro, shes a stranger, he stood there for a couple of minutes waiting to get the perfect angle and took the picture, when he developed it he gave me his camera (even tough i was a toddler), if he was alive, he would be one more blogger in here, he was so special, the kind of person that could see your soul before your face.
âI can believe things that are true and things that arenât true and I can believe things where nobody knows if theyâre true or not. I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen - I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyoneâs ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day weâll all be wiped out by the common cold like martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankindâs destiny lies in the stars. I believe that candy really did taste better when I was a kid, that itâs aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that thereâs a cat in a box somewhere whoâs alive and dead at the same time (although if they donât ever open the box to feed it itâll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesnât even know that Iâm alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck. I believe that anyone who says sex is overrated just hasnât done it properly. I believe that anyone who claims to know whatâs going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a womanâs right to choose, a babyâs right to live, that while all human life is sacred thereâs nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when youâre alive and that you might as well lie back and enjoy it.â
American Gods, Neil GaimanÂ
Another myth that is firmly upheld is that disabled people are dependent and non-disabled people are independent. No one is actually independent. This is a myth perpetuated by disablism and driven by capitalism - we are all actually interdependent. Chances are, disabled or not, you donât grow all of your food. Chances are, you didnât build the car, bike, wheelchair, subway, shoes, or bus that transports you. Chances are you didnât construct your home. Chances are you didnât sew your clothing (or make the fabric and thread used to sew it). The difference between the needs that many disabled people have and the needs of people who are not labelled as disabled is that non-disabled people have had their dependencies normalized. The world has been built to accommodate certain needs and call the people who need those things independent, while other needs are considered exceptional. Each of us relies on others every day. We all rely on one another for support, resources, and to meet our needs. We are all interdependent. This interdependence is not weakness; rather, it is a part of our humanity.
AJ Withers Disability Politics and Theory p109Â
That boy is a monster He ate my heart
finally, in its entirety
LETTER FROM MY HEART TO MY BRAINÂ Â Its okay to hang upside-down like a bat, to swim into the deep end of silence, to swallow every key so you canât get out. Itâs okay to hear the ocean calling your fevered name
to say your sorrow is an opera of snakes, to flirt with sharp and heartless things. Itâs okay to write, I deserve everything, to bow down to this rotten thing that understands you, to adore the red and ugly queen of it, to admire her calm and steady rowing.
Itâs okay to lock yourself in the medicine cabinet, to drink all the wine, to do what it takes to stay without staying. Its okay to hate God today to change his name to yours, to want to ruin all that ruined you. Itâs okay to feel like only a photograph of yourself, to need a stranger to pull your hair and pin you down, itâs okay to want your mother as you lie alone in bed. Itâs okay to brick to fuck to flame to church to crush to knife to rock to rock to rock to rock to rock and rock.
Itâs okay to wave good-bye to yourself in the mirror. To write, I donât want anything. Itâs okay to despise what you have inherited, to feel dead in a city of pulses. Itâs okay to be the whale that never comes up for air, to love best the taste of your own blood.   LETTER FROM MY BRAIN TO MY HEARTÂ
This house is dirty, but comfortable. Behind each crooked door waits the angry weather of a forgiveless child. I cannot help but admire this horrible power of mine, how each small thing can become a death: the lost house key. A spoiled egg. A howling dog. There is no prayer or pill for this. It is a ruthless botany; I might as well be buried in the yard. I have no one to blame. Not the mother who sang to an empty cradle. Not the Dog of Spite who bit my hand, just this long-legged sorrow who trails my every joy like a dark perfume.
You have my permission not to love me; I am a cathedral of deadbolts and Iâd rather burn myself down than change the locks. - Rachel McKibbens, 2010
There is no final revolution. Revolutions are infinite.
Yevgeny Zamyatin, WeÂ