𝓜.

𝐚𝐬𝐦𝐨𝐝𝐞𝐮𝐬

[ohnoresources]

[klassizismus]

Studies of a Man's Head, John Singer Sargent, 1875

[fullmetal-weaboo-trash]

*reads a gorgeous line in a fanfic* oh my god. how is this possible. how did they even fucking think of this. the symbolism is spot on. the planets are fucking aligned, everything is one and all and the world is complete, my soul is at peace

[laclefdescoeurs]

Deer Drinking by a Moonlit Lake, 1867, Rosa Bonheur

[megairea]

“The haunted house is precisely that which should be homey, should be welcoming—the place one lives inside—but which has somehow become emptied out of its true function. It is terrifying because it has lost its purpose yet stubbornly persists. Neither alive nor dead but undead, the haunted house is the thing in between.”

— Colin Dickey, Ghostland: An American History in Haunted Places, 2014

[detailedart]

Details: L'ala nera o Il tocco dell'angelo by Roberto Ferri.

[franzkafkagf]

[biblical-love]

Mallory: So I heard you like bad girls...

Michael: No, not really.

Mallory: Oh thank god.

[monsterman]

[hermeneuein]

Edvard Munch

[sirgawin]

“The basic elements of a proper Gothic romance require a heroine of pure heart that must travel, often across the world, guided by her love for a dark, brooding gentleman of aristocratic origins. They will often take residence in a haunted building in which a deep secret is stored (often involving wealth, treasure, or ancestral secrets) only to be revealed by our heroine’s journey. Often the characters represent sides of a single self. Almost as if the edifice was the mind, the self and its deepest catacombs, the id - with the festering horrors of the past. Historically, the Romantic movement was a rebellious tide crashing against the dry, uncaring shores of reason. A movement that was sparked by the poetry of ruins and decay and the inexorable attraction of human emotion at its basest.“

- Guillermo del Toro, in the foreword to Crimson Peak: The Art of Darkness (2015)

[portalsintodreamscapes]

©ᴬⁿᵈʳᵉᵃ ᴱᶠᶠᵘˡᵍᵉ

[moriartyhiii]

Visit Original Link

[klassizismus]

Details: Moonlit seascape, 1890, by Carl Bille (Danish, 1815-1898)

[nat-de-lioncourt]

Body and Soul - A Millory AU by @witchqueenofdarkness

Surround me, body and soul Pull me into your glow, make me blush Unbound me, spin me in gold As the story unfolds in your touch

(Lyrics to Hypnotised by Years & Years)

[luthienne]

Kathleen Graber, The Eternal City: Poems

[baredmirror]

“Ghosts and hauntings are related, but not exactly the same thing. Ghosts are specters of the past—people who have lived before and cannot quite leave this mortal realm behind. But hauntings are more broadly defined. People can be haunted by ideas, by the past, by an obsession. Inanimate objects can be haunted as well, holding on to some nameless evil or trauma that won’t dissipate. Vernon Lee’s brand of supernatural fiction fits this latter category: less about ghosts resolving their mortal issues and more about people who can’t escape their own psychology. Lee’s characters are women obsessed with strange ancestors, or men who are artistically—and sometimes sexually—frustrated. And they’re all dangerously preoccupied with, and almost possessed by, the past.”

— Lisa Kröger & Melanie R. Anderson, “Ghostwriter à la Garçonne: Vernon Lee (1856-1935),” Monster, She Wrote: The Women Who Pioneered Horror & Speculative Fiction