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@y-noir-blog
When in doubt, remember: At the end of the day, you get to do whatever the fuck you want.
Amanda Palmer
By Victor Hamke
Rachel Brice performing at Infusion Emporium IV, Wolverhampton, October 2014.
Photo: J.Christos Photography
www.infusionemporium.com
Collar tribal chapado en oro viejo. Collar bohemio. Collar Etnico. Collar egipcio. Gargantilla babero
Lelyana Stanishevskaya
1. Art requires time — there’s a reason it’s called a studio practice. Contrary to popular belief, moving to Bushwick, Brooklyn, this summer does not make you an artist. If in order to do this you have to share a space with five roommates and wait on tables, you will probably not make much art. What worked for me was spending five years building a body of work in a city where it was cheapest for me to live, and that allowed me the precious time and space I needed after grad school. 2. Learn to write well and get into the habit of systematically applying for every grant you can find. If you don’t get it, keep applying. I lived from grant money for four years when I first graduated. 3.Nobody reads artist’s statements. Learn to tell an interesting story about your work that people can relate to on a personal level. Not every project will survive. 4. Purge regularly, destroying is intimately connected to creating. This will save you time. 5. Edit privately. As much as I believe in stumbling, I also think nobody else needs to watch you do it. 6. When people say your work is good do two things. First, don’t believe them. Second, ask them, “Why”? If they can convince you of why they think your work is good, accept the compliment. If they can’t convince you (and most people can’t) dismiss it as superficial and recognize that most bad consensus is made by people simply repeating that they “like” something. 7. Don’t ever feel like you have to give anything up in order to be an artist. I had babies and made art and traveled and still have a million things I’d like to do. 8. You don’t need a lot of friends or curators or patrons or a huge following, just a few that really believe in you. 9. Remind yourself to be gracious to everyone, whether they can help you or not. It will draw people to you over and over again and help build trust in professional relationships. 10. And lastly, when other things in life get tough, when you’re going through family troubles, when you’re heartbroken, when you’re frustrated with money problems, focus on your work. It has saved me through every single difficult thing I have ever had to do, like a scaffolding that goes far beyond any traditional notions of a career.
Teresita Fernandez
In Japan there is a kind of reverence for the art of mending. In the context of the tea ceremony there is no such thing as failure or success in the way we are accustomed to using those words. A broken bowl would be valued precisely because of the exquisite nature of how it was repaired, a distinctly Japanese tradition of kintsugi, meaning to “to patch with gold”. Often, we try to repair broken things in such a way as to conceal the repair and make it “good as new.” But the tea masters understood that by repairing the broken bowl with the distinct beauty of radiant gold, they could create an alternative to “good as new” and instead employ a “better than new” aesthetic. They understood that a conspicuous, artful repair actually adds value. Because after mending, the bowl’s unique fault lines were transformed into little rivers of gold that post repair were even more special because the bowl could then resemble nothing but itself. Here lies that radical physical transformation from useless to priceless, from failure to success. All of the fumbling and awkward moments you will go through, all of the failed attempts, all of the near misses, all of the spontaneous curiosity will eventually start to steer you in exactly the right direction.
untitled by devantelle on Flickr.
Pont Alexandre III, Paris, France - this was my favorite bridge in Paris.
Work by #guyletatooer @mauditcaillou