Yellow Tango!

Yellow Tango son 24 fotos al día de inspiración psicotrópica, fisicocuántica y más. Entre, inspire y váyase a hacer cosas. Ya volverá mañana. ----------------------------------- El © de las imágenes pertenece únicamente a sus autores/as.

[markvelasquez]

“Before Sunset,” with stunning girl-next-door Jay Marie, 2020

Find this special series and all my uncensored photo sets only on my Patreon!

- Find me on PATREON and INSTAGRAM

[amazingcinematography]

The Double (2013)

Directed by: Richard Ayoade Cinematography: Erik Wilson Cameras: Arricam ST/LT Format: 35mm (Kodak Vision3 200T 5213, Kodak Vision3 500T 5219) Mode: Spherical (3-perf) Aspect Ratio: 1.85:1

[amazingcinematography]

Elena (Елена, 2011, Russia)

Directed by: Andrey Zvyagintsev Cinematography: Mikhail Krichman, RGC Cameras: Arricam ST, Zeiss Master Primes Format: 35mm (Kodak Vision3 250D 5207, Kodak Vision3 500T 5219) Mode: Spherical (super 35) Aspect Ratio: 2.35:1

[amazingcinematography]

Mommy (2014)

Directed by: Xavier Dolan Cinematography: André Turpin, CSC Cameras & Lenses: Arricam LT, Arriflex 435 / Zeiss Master Primes Format: 35mm (Kodak Vision3 500T 5219)  Mode: Spherical (super35, 3-perf) Aspect Ratio: 1:1 / 1.85:1 

Note: While the photos may be displayed smaller (scaled down) on the dashboard, you will see them at full size when you click on the image / full post. Sorry for this annoying tumblr feature.

[amazingcinematography]

Inherent Vice (2014)

Directed by: Paul Thomas Anderson Cinematography: Robert Elswit, ASC Cameras & Lenses: Panavision Panaflex Millennium XL2,  Panavision Super Speed MKII and Cooke Panchro Lenses Format: 35mm (Kodak Vision3 200T 5213, Vision3 500T 5219) Mode: Spherical Aspect Ratio: 1.85:1

[amazingcinematography]

Leviathan (2014)

Directed by: Andrey Zvyagintsev Cinematography: Mikhail Krichman, RCG Cameras & Lenses: Arricam ST, Zeiss Master Primes Format: 35mm (Kodak Vision3 250D 5207, Kodak Vision3 500T 5219) Mode: Spherical (super35) Aspect Ratio: 2.35:1

[amazingcinematography]

Martha Marcy May Marlene (2011)

Directed by: Sean Durkin Cinematography: Jody Lee Lipes Cameras & Lenses: Arricam LT, Zeiss Master Prime and Angenieux Optimo Lenses Format: 35mm (Kodak Vision2 50D 5201, Kodak Vision3 250D 5207, Kodak Vision3 500T 5219) Mode: Spherical (3-perf super35) Aspect Ratio: 2.35:1

[amazingcinematography]

The Assassination of Jesse James by the Coward Robert Ford (2007)

Directed by: Andrew Dominik Cinematography: Roger Deakins ASC, BSC Cameras & Lenses: Arricam LT / Arriflex 535B, Cooke S4, Arri Macro, Kinoptik Tégéa and Kardan Shift & Tilt Lenses Format: 35 mm (Kodak Vision2 100T 5212, Vision2 200T 5217, Vision2 500T 5218) + bleach bypass Mode: Spherical (super35) Aspect Ratio: 2.35:1

[amazingcinematography]

Ipcress File (1965)

Directed by: Sidney J. Furie Cinematography: Otto Heller, BSC Format: 35 mm, techniscope (2-perf) Mode: spherical Aspect Ratio: 2.35:1

[olivier-laselle]

Photographe: https://www.instagram.com/olivier_laselle/

[kitty-n-classe]

[rxcknrxlla]

[pierreputman]

[rawpixxx]

pierreputman

[olivier-laselle]

photographe: https://www.instagram.com/olivier_laselle/

[olivier-laselle]

Photographer: https://www.instagram.com/olivier_laselle/

[olivier-laselle]

Photographer: https://www.instagram.com/olivier_laselle/ Model Sonny Sun

[olivier-laselle]

Photographer: https://www.instagram.com/olivier_laselle/