Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
This will one day be a much larger post (I've already started working on it) as thoughts and details settle, but I wanted to make some quick notes (who am I kidding, this won't be a short post) here so that you guys know where my thoughts are. Just as I personally also ascribe (though I do not assume people to do the same, of course!) to the theory of ZL being a Sun-King (and potential brother to) alongside King Deshret and then Remus and/or Decarabian for numerous reasons after personally researching it myself, I also am being faced with too many coincidences when it comes to Guizhong possibly being one of the three moon sisters (or at the very least, a Seelie), who I believe to be part of a 'Seven' alongside the aforementioned four Sun-kings. Which, if the returning and reinforced leaks of Guizhong's likelihood of playability is to even be roughly taken as a possibility, then there needs to be reason for it. There's a popular theory that the Moon Sisters were shades of the Primordial One alongside Istaroth, if that is true, there may be reason in there to bring her back (even for the Tsaritsa), considering I feel like a big endgame next to the arc of Khaenri'ah, is/will be a faceoff with Celestia. Any way, this is a little incoherent, but let me put down a little list of things I want to touch on, but just can't write the full post of yet. These are just my little (ha!) thoughts.
Edit: Nevermind, it got long, it's very long, but if you like your lore and you're interested in knowing how looney deep I went with this, keep on reading! I will however, be making more parts to this as I continue on and gather lore bits. I also like documenting my journey of meta, so I can see what I thought six months prior, you know? Enjoy!
The Chasm. I'll forever stay stuck on how this part of the 'Stories of Remote Antiquity' OST plays during Guizhong's death scene. Our beloved Hoyoverse doesn't do anything by coincidence, they never once have. If they wanted to do something tragic, there are other Liyue OSTs out there that will punch you in the gut equally as much if not more. But this? This is oddly intentional. Ever since, I've been trying to figure out any potential ties to it, and with the Chenyu Vale theory out and about, claiming Guizhong to be the unnamed god (female and ever kind) that the three adepti served, another tie may be created through the fact that the people from Chenyu Vale originate from the Chasm (there's numerous tidbits as to why people tie her to Chenyu; I'd suggest the video, it's easier for now!). I also think, on some level, that if she is tied to the origins of the Chasm in some way, that it was her "descension" (or 'fall') that led to its unique creation. I don't know how the dots connect, but I've identified the dots, kind of, maybe.
The insane references to the night/moon. Her color scheme, the night sky in her sleeves, and the fact that she is inherently tied to the Glaze Lilies (which are known to bloom only at night). Furthermore, if you recognize and/or adhere to the fact that the Rite of Parting does not contain ingredients that befit Rex Lapis but instead seem to very much align with her, then there's also the Noctilucous Jade (I literally just realized that it's jade) which is known to glow at night. And then there's her inventions, which are all golden and sun-like in color scheme and I think of that line of lore about the Moon Sisters: "These three luminous moons shared but one love, the stars of daybreak." Daybreak, gold, golden, light, the sun. I'm losing my mind as I'm typing this. Any way, I digress, Noctilucous Jade is found underground, in caverns and more specifically, is rather abundant in the Chasm (my dearly detested). I've accepted that I just have an affinity to characters who seem to have either a direct or indirect tie to this place. I'll never escape it, I'll become one of its victims. /breathes, let me move onto the next point.
The Glaze Lilies. Now, while we know the Goddess of Flowers isn't a Moon Sister (this'll get tied in, I promise, please try to follow me here), the fact that she is a Seelie is important enough, for the three Moon Sisters were said to have lived alongside the race of the Seelies. This might mean some shared traits. Now even Seelies are noted to have an intricate tie to the moon, and a thing that the Goddess of Flowers was known for, was that when she danced, Padisarah flowers bloomed under her feet. 'But Sae, the Glaze Lilies didn't bloom when Guizhong danced', no no, I'll get there. It was specifically when she danced, or was around them. What I'm doing is tying these flowers to her more specifically, which is further enforced by the fact that after the Goddess of Flowers died, the Padisarahs dwindled in number until they became fully extinct. The ones you see today are not the real ones, they are replications created by Rukkhadevata herself in memory of her former friend. I note this, because a similar thing has occurred to the Glaze Lilies. In the aftermath of Guizhong's death, the Glaze Lilies that once populated the Guili Plains and Dihua Marsh have dwindled into extinction, and the only reason why they are found in Liyue today in some capacity, is because of Morax' direct influence (last few lines; and yes, I'm aware this is 'unreleased canon' at present, but none in this contradicts our current lore in any way, so I bear no qualms in making even loose use of it), but this seems to also insinuate that the Glaze Lilies that we see today, are not the real ones. So in essence, when the moment of the departure/death of the Goddess of Flowers came about, a specific flower associated with her came to perish as well. Is it a concept of, if the creator (one tied so intricately to the moon) is gone, do her creations wither away much in the same way? Now to mention one final thing, is the flower that most closely resembles the Glaze Lily: the Nilotpala Lotus. Not only do they share a color palette and very similar design, they share the peculiar behavior of blooming only at night, when subjected to the light of the moon itself. Now the most important thing to note here, is that the Nilotpala Lotuses were literally created and bloomed when the Moon Sisters stepped foot into Teyvat. One could, in essence, see the two flowers as 'lunar flowers'. Listen, I've never quite liked coincidences.
Dust. Now, this is a little more of a 'loose' connection and also me slightly rambling about something else that intrigues me to the moon and back (no pun intended), but it has my mind going insane nonetheless. Also, the very end is a reach, I'm aware, we know next to nothing about the Shades. Any way, Guizhong is inherently tied to two things: dust and alchemy. And these two become even more important when combined. Now, you'll have to strap in and wait for the little 'tie-in' at the end, because this can take a little bit. Her God name is 'Haagentus', which stems from Haagenti, one of the demons from the Ars Goetia. Within demonology, Haagenti is firmly tied to alchemy and transmutation, and while I'm not going to focus too much on specifics outside of the game, it is noted that 'he makes men wise by instructing them in every subject, transmutes all metals into gold, and changes wine into water and water into wine.' Sound fitting enough already, no? Now, outside of her name, let me hone in on some really clear alchemy references that you can find on and around her person. When you look at her design, Guizhong has numerous accessories that seem to be very closely resembling alchemy keys or symbols of some kind (this is not my area of expertise, but I will make it so if need be after this post, unless someone recognizes these symbols), primarily the 'pin' that holds the main portion of her hair back, a tattoo on her upper back, the 'petals' on her sleeves, and what has me most intrigued are the following two things: the symbols actively floating around her (and for clarity, see her cutscene, timestamped, shows them to be animated and coming from her and not the Cleansing Bell), and her anklet in a similar shape (which also seems to be a unique design in Genshin so far). Now, with alchemy established, let me hound on something that ties dust into alchemy, and what it means within Teyvat. Yes, I'm going to touch on its importance within the Art of Khemia, an advanced form of alchemy that is said to have been closely tied to Khaenri'ah (and might I note: Guizhong is noted to have numerous Ruin Guards, Khaenri'an technology, in her domain roughly 2000 years before they ever reached the surface of Teyvat's). Any way, this is where I need to touch on Albedo's character details, specifically the following:
"The universe is heaven reversed, and the earth is a dream lost to time. This is dust, the most basic form of complex life."
As if to provide evidence for this claim, Albedo lifted the burnt ash of the flower that once grew atop a Dendro Slime's head.
Seconds later, a Cecilia sprouted forth from the ash in his hand.
"And this... is new birth."
And then from the caption in Collected Miscellany - "Albedo: Kreideprinz":
"Soil and chalk, the universe and earth, pure dust and the birth of human life... There is no mistaking it."
A little tie to the creation of life, interesting, indeed. Alright, now while it's not canon by any means, it is a popular enough theory that the Moon Sisters were three (out of four) of the Primordial One's Shades. And one of them is noted to have been in part responsible for the creation of life. Now I'm not tying this Shade into Guizhong, but I'm simply drawing the potential importance of her title of 'God of Dust' into the equation, or simply to reiterate the importance of dust within the existence of Teyvat as a whole as it stands today. And what it might mean if she was indeed, a Moon Sister (to tie into this, the 'Sun-Kings' are also firmly tied to the creation of life; I believe most of this 'generation' of gods would be). Anyway, continuing!
Now, there is a reference (which I do have to note is a legend and nothing more, but we'll take it to heart) that tells me that it's certain that at least two Moon Sisters are 'confirmed' dead, by account of there being only one moon left in Teyvat's sky, instead of three. The legend notes that two 'shattered into dust' (hello, dust) and subsequently disappeared which seems to be indicative of their death, and one secluded herself within the Lunar Palace and was never seen again. Now the tale of legends recounts that the moon we still see is tied to the corpse of a Moon Sister, but how has that one endured when the other two have not? There are no remains of the other two, why not? Unless the third Moon Sister didn't actually die, or 'fully' die. Bear with me, this is where it gets very hypothetical, but it makes enough sense in my head, I'm mostly just having issues putting all of this into proper words. The reference given above is from Moonpiercer, an Aranara weapon. These little green friends had seen the Moon Sisters descend into Teyvat multiple times (we know this, due to the much earlier referenced blooming of the Nilotpala Lotuses), and at one point no longer saw them come down. Whatever 'calamity' occurred during which the Moon Sisters were said to have died, the Aranara reference that they died, and noted the way in which they perished, but unless this information was given to them by the envoys between Teyvat and Celestia, the Seelies, this would have consisted of pure speculation and assumption. After all, everything returns to dust, even deities such as the Moon Sisters. What if that's exactly what happened with the third Moon Sister? What if her death never occurred, or, what if the death was more symbolical in a sense of, she strayed from that level of divinity, what if she fell from the Lunar Palace and landed in... the Chasm? The place that is said to have been created by a large impact to its region, and later on also was the location of the fall of the Solar Chariot?
In essence, yes, I'm making the argument that Haagentus might just be this specific Moon Sister. 'But Sae, she's dead now, isn't she?' Yes, but look at the condition that she's in upon her death: she is encased in stone, fully petrified (and who is the only one we know to wield such power?), and even the dust that abandoned her, is encased overhead (again, a power we see Zhongli wield during the final cutscene in Perilous Trail without barely lifting a finger). What if the only reason that the final moon has not gone out and dark over Teyvat, is because her remains have been tied to the lands by Zhongli himself, who if you ascribe to the theory of Sun-King Zhongli, has even more reason to not let her go?
/munches on a cookie as a little reward for myself for managing to finish all of this semi-coherently, and gives you a cookie for having gotten through all of this.
AS SAID BY CASSANDRA PENTAGHASTย
* ย assorted dialogue from dragon age inquisition, updated version
the truth is more important than my reputation, and anyone willing to accuse me of weakness is welcome to try.
i cannot stop thinking of our earlier discussion.
you enjoy making things complicated, don't you?
you can't be serious.
i simply wanted to steal a moment, while i still can.
i will not let him take you from me.
i want a man who sweeps me off my feet, who gives me flowers and reads me poetry by candlelight. i want the ideal.
pretend you don't know this about me.
the flirting. with me. i've... noticed it. unless it is my imagination, which is entirely possible.
i'm thinking less flattering things now.
perhaps this would be a good time to stop talking.
what makes you think i would welcome your pity?
you so rarely call me by my name, [name]. why is that?
you were together for a long time?
i enjoy fighting at your side, [name].
you're not as handsome as you think.
romance is not the sole province of dithering ladies in frilly dresses. it is passion. it is being swept away by the pursuit of an ideal. what is not to like about that?
i was hoping we could speak privately.
you're smiling a great deal these days. do you always do it while staring dreamily into the distance?
such fascinations reveal far more about the teller than the truth.
i did not realize it took so little to exceed your expectations.
i do not trust any event where hitting someone isn't an option.
me? in a dress? it's ludicrous!
what would i have to blush about?
i take it you think i'm frightening?
if you had done that in our last sparring match, you might have won.
were you not suggesting earlier i should be more intimidating?
how is manipulating and bullying people supposed to be enjoyable?
i don't wear "underpants."
if you are going to pursue this, make it worth it. be happy.
i've never considered what i must look like to someone common. i must indeed seem terrifying.
i wasn't very interested to begin with.
you will never let that go, will you?
i do not "rough people up."
do not pretend to be an innocent bystander.
are you eager to see me go?
what we had was fleeting.
this... is not a discussion i want to have here.
not all my feelings involve stabbing.
i am not without my sympathy, especially given recent events.
i thought you might be concerned.
i suppose that is all we will ever know.
thank you, [name]. that... does make me feel better.
i assume you have advice?
when it is done, i promise what you have done here will not be forgotten.
i thought you would be pleased.
no one has ever accused me of reinforcing reality before.
i should not have asked.
you have seen so much sadness in your journeys.
your opinion of me must be very low to surprise you so often.
i know myself and i cannot be the leader we need. thus, i have no regrets.
the world hinges on our actions. we face death at every turn.
๐๐๐๐: Manon, but I go by Sae! ๐๐๐๐๐๐๐: She/her.
๐๐๐๐ ๐๐๐๐๐๐ ๐ ๐๐ ๐๐๐๐: Discord. I'll deal with Tumblr IMs if people prefer it as I understand not everyone is comfortable sharing their Discord right away. I just find Tumblr IMs to be infinitely impractical, I miss the ability to directly reply/quote previous messages and such, and I often type way too much, so you can surely imagine! Any way, I'm easy enough with Discord, if you ask, the chance is high that you'll get it. So don't hesitate to ask!
๐๐๐๐ ๐๐ ๐๐๐๐๐: My ever dearest Guizhong, and Yelan is over here.
๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐: Throughout Tumblr? Joining the Genshin RPC, actually. I've said this about a previous fandom of mine, but it's been about a year since I first entered this one with Guizhong (originally on my multi for about a month), and it's been nothing short of my best and genuinely most peaceful experience in many years. Usually I see fandom problems arise well before the one-year mark, but here it's been quite calm and also, the closest to feeling that old 'community' concept again. We're all here to have a good time, we engage across the board pretty well, and it's just, it's been really nice. I struggled immensely to be on Tumblr for a good two years prior to coming here, despite the best efforts of friends, and I think it's simply because no fandom has quite felt like this one. None of them ever really succeeded in giving me what this one has. You guys are magnificent, never change.
๐๐ ๐๐๐ ๐๐๐๐๐๐: You've called salt into your life with this one, be ready: this trend of privately or publicly guilt-tripping people into interacting with them ('I guess no one's interested...' or 'guess I'll go then...') or even for interacting with duplicates of their muse instead. This should never be a thing I'll cut people like that out of my life and off my dashboard as quickly as I breathe for guilting, and Iโll always motivate people to do the same. There is nothing healthy, remotely positive or forgivable about that kind of behavior, but I see it happening very often still. Are people not interacting with you? Go after them with all the fire of motivation that you possess, and if you donโt have that? Then the muse you have before you may not the one for you. Honestly, I think it's just that if you have passion for your muse, then you wonโt let yourself get demotivated, you wonโt let things hold you back, because youโll have a spirit that canโt really be quelled in any capacity. Are duplicates intimidating? Then either find your way to shy away from them or let that insecurity drive you; let it make you better, let it drive you to improve (mentally). Iโm not saying anyone who experiences insecurity is a lesser writer, not by any meansโ but let it make you even better than you already are.
๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐: I find myself drawn to specific elements or concepts within humanity (or in Guizhong's case, the exact opposite) that are either unusual among the status quo or intriguing.to me personally. I do know that I've always rather fiercely tried to avoid characters that are very reminiscent of me as an individual. Though on some level, there is usually a trait that I understand on a fundamental level in some way or another, the nature in which it's presented is usually simply is different, however. So for example with Yelan, I can talk about this inherent concept of loneliness that is incredibly different from what we consider to be the norm, I've understood the concept incredibly well throughout various parts of my life, but never in the way that it was presented with her whatsoever. And in terms of Guizhong, it's her curiosity to figure everything out, but as a god who by default, does not function in a similar capacity to mortals whatsoever, it's incredibly interesting (and different) for me to see.
๐๐๐๐๐ ๐๐ ๐๐๐๐๐: The former, but the latter usually will also either be based on a mentioned plot, or I'll turn it into a plot!
๐๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐: I always inevitably end up getting wordy, but I can start shorter as to establish a sort of writing comfort and/or flow with the other person, especially if you're a new RP partner of mine. I kind of release the reigns to you.
๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐๐: This used to be in the dead of night, and I'm still trying to establish when I write best now.
๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐๐๐: Generally, nope!
Her feet felt rooted to the soil beneath them, the blades of grass tickling the bare expanses of her feet, and the breeze claiming her spine in a subtle caress. These things were felt, so inherently and thoroughly, and each served as testament of her being here. Anddespite it, within her resided an ache that craved for more reassurance,a greed that lay lodged deeply and ever so firmly within her chest. Seemingly insatiable, and yet it would ease when a hand rose and was held poised in the air, and her palm turned upwards. And as if the air were the most delicate of instruments, her fingers swayed one by one in the gentle breeze of the night's veil, as if coaxing a melody from the unseen. But what she'd drawn was far from indiscernible or intangible; it was only a human's eye that might miss the grains that gathered and sunk seamlessly into her skin as if they had belonged there all of this time, as if beckoned to return to a maker that had long since perished, until now: grains of ash and dustfrom all corners of Teyvat.
And so it was prideful and warm, so very warm, that tug to the corners of a Lord of Dust's lips that evidenced her success. She was here. And while for a moment, that triumph that had painted itself amidst a countenance in such reckless abandonย โ her features brightening beyond that of the moon that hung overheadย โ had been kept selfishly to herself; the lightest tilts of a chin would bring it to an end. And instead of hers, it became his as if it were an instinct much too innate, and then theirs, just as all things long ago inevitably did. Morax.
Morax. And despite the expected, the elation that had claimed her lips and eyes as ashen grey as they were, would falter, diminish and cross into something akin to perplexity at the furrow of her brow, the longer her gaze on him endured. While once known to harbor a longing for difference, and change, the even minor alteration in something as trivial as his attire now seemed nothing other than unsettling, and served as a catalyst for more. Memories of days long past seemed as pristine as they ever were, the recollection of his voice so warm in her ear still, infallible to time and separation, and yet as he stood before her now, she could not remember whether he'd spoken to her at all, whether he had uttered a single word at all. And had she, to him? Why didnโt she recall?
There was no name that could ever be given to the incomprehensible, the unexplainable, even by her who'd always sought to define the impossibilities of both the finite and perpetual. No, even she could not explain how, or why, in the midst of a growing confusion of the mind that'd enraptured her like a fever, her instinct proved to be the same now as it was much too long ago: to seek him. โMorax?"