YVÁGA~RATÁ

Omnia omnibus ubique

[fleurdulys]

Woman in the Wind by the Sea - Franz Marc

1906

[centuriespast]

CORRADINI, Antonio Bust of a Veiled Woman (Puritas) 1717-25 Marble Museo del Settecento Veneziano, Ca’ Rezzonico, Venice

[japaneseaesthetics]

Ukiyo-e; “Moon Above the Sea at DaimotsuBay” from the woodblock series, “100 Aspects of the Moon”. 

January 1886, Japan, by artist Tsukioka Yoshitoshi .  Museum of International Folk Art, Gift from the collection of Else and Joseph Chapman. 

[therelatableimages]

[2headedsnake]

Jon Juarez

[centuriespast]

GIOTTO di Bondone Last Judgment (with detail) 1306 Fresco Cappella Scrovegni (Arena Chapel), Padua

[hipstershakespeare]

A Midsummer Night’s Dream, Act 5, scene iv (original photograph by Malbork)

[centuriespast]

MINIATURIST, Hungarian Anjou Legendarium 1330s Manuscript (Vat. lat. 8541), 283 x 215 mm Biblioteca Apostolica, Vatican

[fleurdulys]

The Miliner - Henri de Toulouse-Lautrec

1900

[oni-fukucho]

Chikanobu (1838 - 1912) New Year’s Day Greeting Series; Women’s Activities of the Tokugawa Era

[abystle]

Advertisement for “PAN”, Joseph Sattler, 1895

[psicreepy]

[bywandandsword]

Fucking shit

[thequietpagan]

This is simultaneously cool-looking and absolutely terrifying.

[soulless-puppy]

i was like, ohhhh what adorable little - AHHHHHH NO

[the-stickers]

OOOH NO

[fleurdulys]

Krishna. Spring in Kulu - Nicholas Roerich

[mozart-1053]

Some image comparisons of the works by Giorgio de Chirico (left) & Michelangelo Antonioni (right)

Some of the above comparisons probably don’t make sense without providing the context of Antonioni’s films, but here it is. I think it’s amazing how both artists put people against scenery in a very similar way, where the landscapes are often alien, terrifying, and otherworldly. 

[centuriespast]

GILLRAY, James The Blood of the Murdered Crying for Vengeance 1793 Etching New College, Oxford University, Oxford

[alexanufriev]

Mikhail Nesterov. Elegy Blind Musician

[fleurdulys]

The Dream - Odilon Redon

1904