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zaynmalik: zayn.at/DuskTillDawn
crilleforsberg: Amazing Track Zayn - Respect #Dusktilldawn ft @siathisisacting Director Marc Webb. 🎥 & 📸 by Me.
ZAYN’s idiosyncratic first solo album, Mind of Mine, in 2016, felt like a meditation on a singular theme; an exploration of a still-emergent style. His one-off collaborations since then — with Taylor Swift (“I Don’t Wanna Live Forever”), Snakehips (“Cruel”), PARTYNEXTDOOR (“Still Got Time”) and now Sia on “Dusk Till Dawn” — show a savvy dexterity between mainstream pop and more experimental fares; he’s clearly not interested in getting pinned down to a specific sound. “Dusk Till Dawn” is unmistakably a Sia song, with a bombastic chorus and heavy downbeat, but ZAYN proves himself up to the task of layering his distinctive, slinky voice into the track, matching Sia’s vocal power with his own, softer inflections.
TIME (5 songs you need to listen to this week: “Dusk Till Dawn,” ZAYN feat. Sia)
The R&B singer tells FACT about his new single and incoming album.
Posted on September 8 by Al Horner
The 24-year-old reveals the childhood inspiration behind his blockbuster video for ‘Dusk Till Dawn’ – the first single from an upcoming second album full of pop experiments searching for “what’s out of character in R&B.”
ZAYN dropped the first single from his upcoming second album yesterday, marking the start of a new chapter in his sharply-watched evolution from boy band hitmaker to R&B solo success. But the bombastic ‘Dusk Till Dawn’ wasn’t what some predicted. After the sleek, chrome sounds and carefully curated cast of underground collaborators on his 2016 album Mind Of Mine stressed an intimate, adult new direction, what arrived yesterday was a stadium ballad produced by pop production maestro Greg Kurstin, assisted by Sia and doused in Hollywood spectacle.
“It’s definitely a nod to a particular era of music videos,” he tells FACT about its Marc Webb-directed video, a Chinatown heist mini-movie crammed into five action-packed minutes. “The early ‘90s, around that period, people really tried to make these epic, intense movies for their videos, Michael Jackson being a great example of that. I wanted to come back and give my fans something along those lines rather than just some blasé video.”
ZAYN says he and Webb took “a lot of reference from old gangster movies that I grew up watching – Casino, Goodfellas and so on. I used to watch a lot of aggressive shooting movies. Now to be honest I’m more about watching documentaries on all kinds of random shit on Netflix,” he laughs. “I must be getting old.”
Old is one way to put it – mature is another. Certainly, that’s what it feels like on ‘Dusk Till Dawn’: instead of running away from his pop roots, an accusation levied by some at the sex-heavy Mind of Mine, the track, with its monster choruses and huge sense of scale, seems to find the 24-year-old relaxing and re-embracing those pop beginnings. “That’s where I started and that’s obviously still in there. I still like pop music, but it’s about putting my own spin on it, making it me.”
Teaming with Kurstin, best known for steering the likes of Adele, Halsey and Kelly Clarkson in the studio, was about doing exactly that, he says. “I feel like it’s necessary to get different people helping you with different sounds to elevate you out of your comfort zone sometimes.”
Not that he’s abandoning the creative team that made Mind of Mine a success, nor the sounds he was exploring on it: Frank Ocean collaborator Malay, one of his main sounding boards on his debut is back and working on “a few tunes”, as is mystery producer xyz. “There’s also some big rap tunes on there, so for those I needed different producers I haven’t worked with before,” he adds, teasing some big guest spots on a “much more sporadic” album two.
If all this sounds eclectic, good, says ZAYN. “That’s the vibe. Nothing is similar to the track before it on the new record. They’re all standalone songs by themselves. It’s not trying to be an entire body of work – I’m having different thoughts and feelings on every song and the music reflects that as well. Making the record was about asking, what can we fit in that feels out of character for R&B? It’s still got that underlying tone, and experiments with that.” He won’t reveal when it’s arriving or what it’s called, but there’s one thing he is prepared to promise. “It’s definitely an evolution.”
ZAYN for British GQ
♪ but you’ll never be alone I’ll be with you from dusk till dawn I’ll be with you from dusk till dawn baby, I am right here ♪
ZAYN grew up on “epic, intense” 1990s music videos, and now he has one of his own
The 24-year-old reveals the childhood inspiration behind his blockbuster video for ‘Dusk Till Dawn’ – the first single from an upcoming second album full of pop experiments searching for “what’s out of character in R&B.”
ZAYN dropped the first single from his upcoming second album yesterday, marking the start of a new chapter in his sharply-watched evolution from boy band hitmaker to R&B solo success. But the bombastic ‘Dusk Till Dawn’ wasn’t what some predicted. After the sleek, chrome sounds and carefully curated cast of underground collaborators on his 2016 album Mind Of Mine stressed an intimate, adult new direction, what arrived yesterday was a stadium ballad produced by pop production maestro Greg Kurstin, assisted by Sia and doused in Hollywood spectacle.
“It’s definitely a nod to a particular era of music videos,” he tells FACT about its Marc Webb-directed video, a Chinatown heist mini-movie crammed into five action-packed minutes. “The early ‘90s, around that period, people really tried to make these epic, intense movies for their videos, Michael Jackson being a great example of that. I wanted to come back and give my fans something along those lines rather than just some blasé video.”
ZAYN says he and Webb took “a lot of reference from old gangster movies that I grew up watching – Casino, Goodfellas and so on. I used to watch a lot of aggressive shooting movies. Now to be honest I’m more about watching documentaries on all kinds of random shit on Netflix,” he laughs. “I must be getting old.”
Old is one way to put it – mature is another. Certainly, that’s what it feels like on ‘Dusk Till Dawn’: instead of running away from his pop roots, an accusation levied by some at the sex-heavy Mind of Mine, the track, with its monster choruses and huge sense of scale, seems to find the 24-year-old relaxing and re-embracing those pop beginnings. “That’s where I started and that’s obviously still in there. I still like pop music, but it’s about putting my own spin on it, making it me.”
Teaming with Kurstin, best known for steering the likes of Adele, Halsey and Kelly Clarkson in the studio, was about doing exactly that, he says. “I feel like it’s necessary to get different people helping you with different sounds to elevate you out of your comfort zone sometimes.”
Not that he’s abandoning the creative team that made Mind of Mine a success, nor the sounds he was exploring on it: Frank Ocean collaborator Malay, one of his main sounding boards on his debut is back and working on “a few tunes”, as is mystery producer xyz. “There’s also some big rap tunes on there, so for those I needed different producers I haven’t worked with before,” he adds, teasing some big guest spots on a “much more sporadic” album two.
If all this sounds eclectic, good, says ZAYN. “That’s the vibe. Nothing is similar to the track before it on the new record. They’re all standalone songs by themselves. It’s not trying to be an entire body of work – I’m having different thoughts and feelings on every song and the music reflects that as well. Making the record was about asking, what can we fit in that feels out of character for R&B? It’s still got that underlying tone, and experiments with that.” He won’t reveal when it’s arriving or what it’s called, but there’s one thing he is prepared to promise. “It’s definitely an evolution.”
VIA FACT MAGAZINE
Zayn says he’s happy, don’t worry
Whether it’s about his new album or mental wellness, Zayn says, “My fans can rest assured everything is under control.”
Last week I got a phone call: “Zayn feels like doing an interview.” I’d been waiting for this moment ever since the bad boy of Bradford’s 2015 FADER cover story, his first major press since going solo and one my favorite pieces we’ve put to print. Our original interview was in the lead-up to Zayn’s debut album, Mind of Mine, and this one, done ahead of the Sia-featuring “Dusk Till Dawn,” signals things are finally coming into place for his sophomore LP.
Details are still scant on Z2 — he wouldn’t tell me the title or release date, though “a tour is definitely on the cards” this time. But as is always with the case with Zayn, if you read between the lines you can see mountains. He’s sleeping well. He’s gardening. He tells a beautiful story about translating English letters to his immigrant grandfather. Great things are coming “soon.”
Here’s everything Zayn wants you to know.
When I heard we were going to talk again I tweeted “What would you ask Zayn?” and I already got 2,000 replies. So we just have to run through those real quick.
Shit, yeah, I’ve got time for it. Don’t worry about it.
The biggest thing people said is just: Is Zayn happy? Is he healthy? Is he getting his rest?
I am, yeah. Super. I definitely am. I’m going to bed quite early at the minute. I’ve been working in the studio throughout the day and going to bed at a reasonable time, getting up at reasonable times. Eating all my meals. I’ve got a gym at the house, so I’ve starting doing a bit of training. My fans can rest assured everything is under control, haha.
When are you going to quit smoking, Zayn? I see you smoking too much.
I don’t know. I can’t give an answer to that because it would probably be a lie. We’ll just say “soon.”
When you and I last spoke, you were getting a band together to go on tour. Why did that never happen?
We did a few auditions for the band, and we got a band together, but I just wasn’t feeling it. The first record, I didn’t feel like there was enough material to do a proper show. So I just waved it off until the second album, so I can get the best of both. I think my confidence is definitely improved now, so a tour is definitely on the cards. I’m excited to start rehearsing.
When are you coming to Brazil?
I love Brazil. Hopefully as soon as possible.
You didn’t promote the last album for very long. Why did you stop?
To be honest, Duncan, for me I don’t really want to do shitloads of promotion. I’ll do the music interviews and stuff like that, that actually have something to do with what I’m doing. But a lot of public interviews and being on TV, to me, is more about being a social character, about being a — what’s the word for it, when people are on TV but don’t do anything? Reality TV stars? I don’t buy into that side of things. I just want to do my music. If people hear about me from their friend, it’s cooler than me being in their face all the time.
You don’t even tweet anymore, really. You’re closing yourself off, but maybe it’s a good thing for you.
I don’t necessarily look at it as closing myself off. I just view it as something I don’t want to partake in. I just want to do music.
You didn’t even show up to the VMAs this year, where you won. What were you doing that night?
I was in the studio, working. I was writing.
The award was for your song with Taylor Swift, and a lot of my friends are being really harsh about her new music right now. You’re someone who can relate to her position, both hugely loved and hugely criticized…
To be honest with you, Duncan, when it comes to anything that has to do with trivia about people’s personal lives or things that’s going on in their careers, I don’t necessarily pay too much attention. I don’t pay too much attention to what people even say about me. I just tend to take it for what it is when I meet them people in real life and have a conversation with them. If they’re cool with me, then I base my relationship on that.
In terms of relating to it, of course I relate to things being written about us all the time. But I don’t listen to it. I rate her as an artist, I think she’s cool, I think she’s successful, and I think she deserves her success because she’s worked hard. That’s just how I look at it. I did a song with her, it was fun, she was professional. She gets on with my girlfriend, they’re good friends. I don’t have a bad word to say about her. She’s cool.
Is your second album done?
This record, I’ve kind of finalized it. But there’s always ideas. Every day I find another song that I’m swapping out with another one. That’s why the album date hasn’t really come yet. Even though the album is pretty much there, and I have the material, I’m still changing things here and there. It’s not necessary in my head when I work on a song whether it’s for a new project or whether it’s for this.
How many songs do you think you’ve written since the first record?
I don’t have a specific number. It’s a lot, but I know it’s not as much as the first time around. That’s just showing that I’m more focused on what I’m doing, and each song I’m saying what I want to say. The other record, I was figuring that out still, so there was a lot more material.
What are you hoping for, timing-wise?
I’m looking for pretty soon, man, next couple months. I don’t know. That’s the beauty of the word “soon” — it’s open to interpretation. The pressure is on from the management, haha, but I’m taking my time with it.
Do you have a title picked out?
It does have a name, and I’m really excited about it. It’s kind of going to be something weird with it — I don’t want to say more. It’s not your usual way of putting out an album, let’s say that.
On the first album, you were basically just working with Malay. Are you more open to working with collaborators now?
The thing for me on the first album, I wanted that to stand alone as a body of work that I’d put together, as I said at that time. Before that, I’d put records out with four other guys for five years, and I wanted to do stuff that was solely me. I focused on the stuff I wanted to do with Malay, and put some songwriter stuff on there.
I’ve done that again on this record, but I’ve tried to do more mainstream songs too, because obviously my fans want to listen to something that’s a bit more upbeat and feel-good and not necessarily always as thought-provoking or deep as my shit, haha. I have to do something that’s a bit more mainstream because they want to listen to some fun stuff, rather than listen to depressing songs all the time. I appreciate that. I’ve took that on board. I’m trying to do some more fun stuff for them. I’ve got a few tricks on there.
The Sia song came out incredible. How did that come about?
I didn’t get in the studio with Sia — I did the majority of the song already, and my management played it during a meeting with her. She really liked it, so she basically said, “Can I do something on it?” She did it separately, though, and I’d really like to work with her in a studio. She was probably the person who got it the most, straight away. I just thought she was really cool. She didn’t take much time, she just knew what she was doing.
I know you worked with Timbaland too. What was that like?
He was really fucking cool. I met him, he came down to the studio a couple times, and we did some cool stuff together. The song is really sick. It actually came from a voice note that I had on my phone and I sent it to him. He was like, “OK, let me do something with it.” We sampled the voice note and made a song out of it. He was really cool. He’s hip-hop, man. His drums are always Timbaland drums, so it was definitely in that pocket.
Do you play any instruments on the album?
I played bits here and there. I played a few chords of guitar, a couple keys, piano, some synth, some basic computer-pressing shit, when we try to pretend we’re musicians and press buttons on keyboards, haha. I did a little bit of that. I’ve dabbled.
Whatever happened to “Dragonfly,” the heavy metal song you recorded?
It’s still there. I haven’t put it on this record either. So it’s still in the bank. But there’s some stuff that is like an evolution of that kind of song, and they are on this record. You’ve got to just weigh songs out: Is this one better than that? Ah, yeah, it is, I have to put it on.
Do you play songs to your family? Does your mom have a favorite song off the new album?
Yeah, she does. She loves “Dusk Till Dawn.” She’s seen the video and she really likes it. I play my sisters stuff all the time, and they tell me, “This is cool,” or, “I don’t think you should necessarily be this depressing on this song,” haha. It’s always good to check with people who can be honest with you.
Your willingness to be depressing really resonates with your fans, though, and when you talk about anxiety.
I know. I feel like that’s why they always check, “Is he OK? Is he happy?” Yeah, I’m happy. There’s certain times that we like to take creative source from deep moments where I look for music, but that’s not necessarily how I’m feeling 24 hours a day. I’m all good. I’m chilling.
I liked seeing you act in the “Dusk Till Dawn” video. It plays off your reserved personality in a compelling way.
That was fun for me. I showed it to my mum and she said to me, “Ah, you look really confident, and it’s really cool to see you like that.” I turned and I said to her, “Well, I’m playing a character, that’s not me.” It’s easy to be confident when you’re being a guy who’s such a badass and doing crazy shit. I’ll tell you now, if that was me in real life with police standing that close to me, I’d be like, “Yo, I didn’t do shit! I do not need you to be that close in my vicinity.” Obviously for the sake of the drama it was fun to do it, and I’d like to do more of it.
Will you have more blockbuster-style videos like that?
I have an idea in my head, and I’m going to be doing a lot more than I did on the last record just ‘cause I feel more at ease, a little bit. I’m more chill this time around. I’m just like, “Alright, cool, let’s do it, whatever.” I’m down. I want my fans to understand that obviously I’m appreciating everything, and I’m thankful for their support, so I’ve got to show my face otherwise they’ll think I don’t really care, which I do. I need to show my face. I’m enjoying acting, so there’s going to be more of that in the videos.
Are you still a big reader?
I am. I read a lot as a kid. I don’t know if I’ve ever said this, but my granddad used to get me to read letters. He’s actually first-generation Pakistani. He was born in India, before India and Pakistan were divided. He came over, and he didn’t speak a lot of English, so he used to get me to read his letters to him when I was, like, 3 or 4. So I developed a real want to read things all the time. I would read books constantly as a child.
I’m still a reader. I’ve read a lot of different kinds of things. At the minute, I probably spend too much time reading conspiracy theory books that give my mind way too much information that I probably don’t need. I like reading books about aliens and space.
Did you see the eclipse?
I did. I didn’t see it too well — it was a bit cloudy where I was.
I want to know, have you been gardening in your backyard? Have you been working the land?
I am, how did you know that? I’ve been gardening a lot. I’ve got cucumber plants, tomato plants, onions, all kinds of crazy things growing. I just went to the local garden shop and bought seeds packets, read the instructions, and tried it at home.
I have a really big garden with my wife, with all these fruit trees.
That’s really cool. We’ve got some trees too — lemon trees and apple trees and grapes.
One fan question was: What does the new album tell us about you that we don’t already know?
I don’t know. I listen to a lot of different types of music, not just R&B, and I appreciate it. I enjoy doing all kinds of different music. I’ve been playing around with different stuff. I like a lot of U.K. garage music, and that was a heavy influence on me as well as the more classic American R&B. Craig David and stuff like that, and I was definitely drawing reference from them. We’ve got more songs like the one with PARTYNEXTDOOR. He’s cool. But there’s nothing that’s really some juicy gossip on there, or anything world-changing, haha. It’s just me.
I could keep inventing questions for you all day, but I feel like you’re in a good place with this album and I’m just happy to hear that. So I’ll let you go eat some fish and chips.
Haha, will do. Thank you, bruh. I’ll send you some donuts.
VIA THE FADER
zaynmalik: New Music Friday 🙌🏽 thanks @spotify zayn.at/DTDxNMF
Zayn posted this on his IG, Twitter and Facebook as well (07.09)
Nicholas Liddle: .@zaynmalik for @BritishGQ
zayn
ZAYN talks about working with Sia on new single "Dusk Till Dawn" and says an album is coming soon.
TRANSCRIPTION
Zane: “Zayn! What’s up man?”
Zayn: “Yo, what’s going on brah?”
Zane: “How you doin’ bud?”
Zayn: “I’m doing good, how are you?”
Zane: “I’m great. Freshly shaven. Ready for action. I’m talking about you by the way.”
Zayn: “Freshly shaven?” [chuckle] “Yeah.” [laughing] “I’m trying to look more like you brah.”
Zane: [laughing] You’ve got a long way to go pal. I hate to break it to you.”
Zayn: “It’s just one step at a time.”
Zane: “Congratualtions man. Your new music. This is exciting. It’s your collaboration with Sia. You know, we have this crazy huge headline movie coming, that is a music video. And this song Dusk Till Dawn, which officially welcomes you back. When you get ready to release a record like this after what you went through with Mind of Mine, how do you feel? How does Dusk Till Dawn make you feel?”
Zayn: “Uhm, I’m excited about this record. I think it’s evolution in sound. It’s still kinda the same thing, It’s still, you know, I think it’s still me, but it’s evolved a bit, it’s grown up and it’s got more of a purpose, let’s say, more of an identity, knows what it’s doing. So it feels good.”
Zane: “It’s a big record. I mean, you’ve already moved into that world, you know. You’ve already given us some big records and Sia has made an entire life out of giving us big records. How’s that collaboration, working with her, ‘cause she’s just a monster of melody.”
Zayn: “uhh, it was amazing. I kinda brought the song, with like, not a lot in mind for it actually to be honest. I was just doing it with an idea one night and then it was played to her and she liked it and she like did another melody on it and she just took it to like a completely different level. And then we just decided that it was a good thing to work together and then we just put the tune out. So yeah it’s worked well.
Zane: “Did you get the chance to actually collaborate together personally and I know it’s a strange question, but a lot of the time this stuff happens…”
Zayn: “Nah, we didn’t. Yeah we didn’t go to the studio together, we just kind of spoke between our managements and she heard the song and she did it really quick. It was kinda just done and then, we didn’t get the chance to go into the studio but I’d love to actually do something with her in the future. That’s be cool.”
Zane: “What’s this video saying bro? Like I’m looking at the artwork and I feel like I’m about to part with 15 bucks and go buy some popcorn and a feature film. Like what the hell? What is this video saying that you made with Mark Webb and Jemima Kirk? Like I mean the experience of making a video it looks blockbuster.”
Zayn: “It was a massive thing man. They’ve got us some wicked people involved with it and we just wanted to obviously up anything we’ve done before, so we felt like how can we do that? Let’s give them something a little bit different and you now make it exciting…”
Zane: “Are you acting in it? I mean, are you playing a role?”
Zayn: “A little bit yeah, a little bit yeah. There’s a little scene in it where I do a little bit of speaking. It’s nothing too major but it was fun to do and I enjoyed it.”
Zane: “So So far you’ve given us 3 singles since Mind of Mine. You gave us Still Got Time. Partynextdoor. Banger. Trashed it. Beats 1 here loved that record. I Don’t Wanna Live Forever, award-winning huge monstrous soundtrack with Taylor Swift and now we have Dusk Till Dawn. And it sorta feels to me like it’s a beginning of a new project. Is it safe to say this is the start of a new album?”
Zayn: “Ah, yeah it is. The next two singles will be out pretty soon and the album should be shortly after it so..”
Zane: “Wow wow wow wow. I’m not gonna go too deep into the album because you know we are excited about this record now, Dusk Till Dawn with Sia but just a little reflection for fans to keep us warm until the record comes out. You know you’ve kept it pretty secret, the making of this record has been secret. So how was the experience of making the record?”
Zayn: “It was fun. I’ve had the chance to work with a lot of people that I wanted to work with…”
Zane: “Good now let’s get specific and talk about … [laughing] Can you say at this point about anybody that you’ve collaborated with or are you keeping it to yourself?”
Zayn: “Yeah I’m kinda keeping it to myself at this point but I can say that there is some big people in there and there’s some people that you don’t expect me to collaborate with so that’s always interesting. But yeah, just wanna keep it under wraps for now.”
Zane: “This is exciting bro. Dusk Till Dawn featuring Sia. Zayn is back. The video no doubt impending any second now. And it’s really good to catch up with you briefly about your return. Congratulations man. It’s good to have music back from you. It’s good to catch up with you again.”
Zayn: “Thank you bro, you too.”
Uhm, I’m excited about this record. I think it’s evolution in sound. It’s still kinda the same thing, It’s still, you know, I think it’s still me, but it’s evolved a bit, it’s grown up and it’s got more of a purpose, let’s say, more of an identity, knows what it’s doing. So it feels good.
Zayn on Dusk Till Dawn (Beats1 with Zane Lowe)
Zayn via Gigi Hadid’s instagram story
Zayn for British GQ by Doug Inglish