Theory of flight, Edouard Taufenbach & Bastien Pourtout

roma★
YOU ARE THE REASON
Mike Driver
let's talk about Bridgerton tea, my ask is open
Keni
Cosmic Funnies

pixel skylines
One Nice Bug Per Day

Janaina Medeiros
hello vonnie

shark vs the universe
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Kaledo Art
Jules of Nature
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★
Sade Olutola

if i look back, i am lost
he wasn't even looking at me and he found me

izzy's playlists!
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@zhaojanelle
Theory of flight, Edouard Taufenbach & Bastien Pourtout
“One doesn’t need a contemporary sense of gay identity to see that there is something wonderfully queer in Wood’s world. Lay aside the many images with overtly homoerotic subject matter, and you still have a large body of work in which lines are being crossed, categories jumbled and expectations confounded.” Read more on Grant Wood: American Gothic and Other Fables in the Washington Post.
[Grant Wood (1891–1942), Spring in Town, 1941. Oil on wood, 26 x 24 1⁄2 in. (66 x 62.2 cm). Swope Art Museum, Terre Haute, Indiana 1941.30. © Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY]
Gray Matters at Stand Up Comedy
True
Autumn is a hard time for reading outside 🍃📚
me af
reblog af
Read it here http://www.thoughts-on.net/everything/#guilt-and-the-female-body
Watch: Gaten Matarazzo opens up about living with cleidocranial dysplasia — and the massive rejection he’s faced
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DRAG THEM NEIL
This is so accurate it hurts
When Art Lovers Speak Emoji: Cantor Fine Art Turns Famous Artists into Digital Illustrations
“I wear my clothes, my clothes don’t wear me.” -Cher
Love love love
25 examples of male privilege from a trans guy’s perspective
But just as fascinating as it was to witness my mental and physical changes, it was just as equal of an adjustment to comprehend how other people were responding to me.
In short, I was being treated better by everyday America because people were reading me as a young, white, straight (?!) male. And I recognized many new privileges that came my way because of it.
after a long day being nice
pollynor
Lol
The women in Sally Nixon’s illustrations don’t know that we can see them. They’re not posing, smiling, or doing anything all that interesting, and this is what makes Nixon’s works fascinating.
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