Zolachrome

Original fine art & stock photography by Steve Mansfield-Devine. All images are my own work. Please do not re-post.

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From my series 'Life in the Country'.

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From my series 'Life in the Country'

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This is from a series I'm calling 'Pagan Places'.

Steve Mansfield-Devine | Linktree

Writer, journalist and photographer

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My latest piece in Cameralux (Medium sub required). Are photographic 'memories' as unreliable as those in our minds?

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Cat art. This is why we can't have anything nice.

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Our gorgeous boy Cézanne passed a couple of weeks ago. Missing him like crazy. Especially today, for some reason.

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The 16th-Century grille over our living room window. We're still not sure of the significance of the fleur-de-lys inside an inverted heart (the same design is in the stonework above the door and window).

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Is it street photography or voyeurism? You decide. My latest article in Cameralux (Medium sub required).

Privacy vs Expression the murky ethics of street photography

VIEWPOINT Privacy vs expression: the ill-defined ethics of street photography It’s a popular hashtag and a long-established practice, but do

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Moving home

I’m in the process of moving my portfolio site to a new home. The new site is up and running at Zolachrome.com. I’ll be adding new sections to the portfolio section over the next couple of weeks, but there’s plenty to see there now. What you won’t find there is a blog. Most of my recent writing about photography has been published via Cameralux, which is hosted on Medium (a Medium account is…

Moving home

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The power of words and photographs

The interplay between text and image is complex and potentially powerful, and so easy to get wrong.

New article on Cameralux - on using words with images.

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My local station and pub, Wembley, c.1979.

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Photographing imaginary monuments in the landscape

In landscape photography, the significance of the scene owes as much to your imagination as it does to the subject itself.

New in Cameralux, on Medium.

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Telling a story in a photograph

It is possible to evoke a narrative with just one frame — if you engage with the viewer’s imagination.

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Final pic shot on infrared film in Brighton in the late 1970s.

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Brighton on infrared film. Late 1970s.

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It's decades since I took this picture, but I can still remember my girlfriend's sigh of relief.

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Mayenne river.

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