Cookie Run:Kingdom Official!
The Stonewall Inn
Noah Kahan

@theartofmadeline

shark vs the universe

pixel skylines
Doug Jones

tannertan36

Jimmy Eat World
The Bowery Presents

#extradirty

roma★
No title available
EXPECTATIONS
$LAYYYTER
PUT YOUR BEARD IN MY MOUTH

ellievsbear
"I'm Dorothy Gale from Kansas"
𓃗
Not today Justin

seen from Malaysia
seen from Poland

seen from Türkiye
seen from Venezuela
seen from Bangladesh

seen from Türkiye
seen from Hungary
seen from Tunisia

seen from Germany
seen from Türkiye
seen from United States
seen from United States
seen from Thailand

seen from Malaysia

seen from Latvia

seen from Mexico

seen from Bangladesh
seen from Ecuador
seen from Ecuador

seen from Malaysia
@zweite-natur
RIP George Floyd, May 25, 2020. My mom took these pictures from her building in Saint Paul on May 28. Fuck the police. Burn it to the ground. There's no justice and no accountability. People don't forget.
Bill Traylor
Dog fight with writing
WB, from “A Tour of German Inflation"
Whereas the obscure impulse of the animal-as innumerable anecdotes relate-detects, as danger approaches, a way of escape that still seems invisible, this society, each of whose members cares only for his own abject well-being, falls victim, with animal insensibility but without the insensate intuition of animals, as a blind mass, to even the most obvious danger, and the diversity of individual goals is immaterial in face of the identity of the determining forces. Again and again it has been shown that society's attachment to its familiar and long-since-forfeited life is so rigid as to nullify the genuinely human application of intellect, forethought, even in dire peril. So that in this society the picture of imbecility is complete: uncertainty, indeed perversion of vital instincts, and impotence, indeed decay of the intellect. This is the condition of the entire German bourgeoisie.
Walter Benjamin
WB, from “A Tour of German Inflation"
In the stock of phraseology that lays bare the amalgam of stupidity and cowardice constituting the mode of life of the German bourgeois, the locution referring to impending catastrophe-that "things can't go on like this" -is particularly noteworthy. The helpless fixation on notions of security and property deriving from past decades keeps the average citizen from perceiving the quite remarkable stabilities of an entirely new kind that underlie the present situation. Because the relative stabilization of the prewar years benefited him, he feels compelled to regard any state that dispossesses him as unstable. But stable conditions need by no means be pleasant conditions, and even before the war there were strata for whom stabilized conditions amounted to stabilized wretchedness. To decline is no less stable, no more surprising, than to rise. Only a view that acknowledges downfall as the sole reason for the present situation can advance beyond enervating amazement at what is daily repeated, and perceive the phenomena of decline as stability itself and rescue alone as extraordinary, verging on the marvellous and incomprehensible. People in the national communities of Central Europe live like the inhabitants of an encircled town whose provisions and gunpowder are running out and for whom deliverance is, by human reasoning, scarcely to be expected-a case in which surrender, perhaps unconditional, should be most seriously considered. But the silent, invisible power that Central Europe feels opposing it does not negotiate. Nothing, therefore, remains but to direct the gaze, in the perpetual expectation of the final onslaught, on nothing except the extraordinary event in which alone salvation now lies. But this necessary state of intense and uncomplaining attention could, because we are in mysterious contact with the powers besieging us, really call forth a miracle. Conversely, the assumption that things cannot go on like this will one day find itself apprised of the fact that for the suffering of individuals as of communities there is only one limit beyond which things cannot go: annihilation.
Charles E. Burchfield (1893-1967),
Oncoming Spring, 1954;
watercolor on paper mounted on board, 29 1/2 x 39 5/8 inches; Burchfield Penney Art Center
It so happens that Maréchal, in addition to inspiring the French Republican Calendar, took part in this conspiracy—known as the Conspiracy of the Equals—where he played a key role: he wrote the group’s manifesto, the Manifeste des Egaux (Manifesto of the Equals), an important precursor to the Communist Manifesto of 1848. A few years before writing their manifesto, Marx and Engels attempted to organize a German translation of an account of the Conspiracy by another of its chief participants, Phillipe Buonarroti, which revealed Sylvain Maréchal as the author of the Manifesto of the Equals.
Joseph Albernaz. First Nature, Last Nature: Sylvain Maréchal Recounting Revolution.
BTW I feel this is by far the most encompassing and the most incisive account of anti-ICE activity in Chicago, or any city.
Robert Motherwell
Elegy to the Spanish Republic XXXIV
1953-1954.
80 x 100 inches.
Albright-Knox Art Gallery.