THE PITT — S02E13 7:00PM

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KIROKAZE
occasionally subtle
Show & Tell

roma★

❣ Chile in a Photography ❣
we're not kids anymore.
YOU ARE THE REASON
$LAYYYTER
Game of Thrones Daily
Mike Driver
Not today Justin

Product Placement
Today's Document
Lint Roller? I Barely Know Her
Cosimo Galluzzi
RMH

⁂

Andulka
DEAR READER
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@zyggaena
THE PITT — S02E13 7:00PM
doing things at the right age is literally a made up concept. you can start/pursue anything at any age. btw.
remember remember
Wow. So, when? Since our, uh, rookie season. Since your rookie season? No, it's not true. Since before that. Not helpful.
(insp.)
THE OFFICE — 5.08 “Frame Toby”
in the wake of your sunshine, i've never felt so glum
GLUM (2025) Hayley Williams, Official Music Video | dir. AJ Gibboney & Zac Farro
BAN ON CONVERSION PRACTICES IN THE EU. GO SIGN IT. DEADLINE IS FUCKING MAY 17. WE'RE STILL MISSING 800.000 signatures. FUCKING DO IT.
Give your support !
Please sign this if you are a citizen of an eu country
Everyone(!) please also reblog this so we can reach as many EU citizens as possible!
not to be a nerd but it’s so crazy how he (Bernini) really did that from cold hard stone……. truly a spectacle, truly breathtaking, an honor to behold
I think you should know he was 23 when he finished this and the ass gets a lot of attention but the hand on Persepina’s side/tummy is also exquisite
before i saw the caption I knew that HAD to be bernini.
I try not to make sweeping statements but I think there’s a case to be made for bernini as the greater sculptor there’s ever been.
here’s his bust of costanza bonarelli
here’s apollo and daphne from the front, where she’s mostly human
from the back, where she’s mostly tree
and details
this is the one art form I genuinely just cannot get my brain to accept as real. I’ve watched sped-up videos of it being done, read about it, seen in-progress marble statues and I still just can’t get it to sink in or stick. My mind doesn’t want to believe that any person has ever been able to start with a big block and break little bits off of it until it looks like a finely detailed person. At some point it has no recognizable shape and they still know where and how deep they should take a chip out of it that’ll still be the right decision 50,000 fucking chips later?!?
The Ecstasy of Saint Teresa has a hidden skylight for gold rays of actual light to shine down on their expressions and clothes and clouds.
Hi yes I have been there and seen all of these IRL and I have some more pictures to share:
Insanely detailed feet with veins from “Aeneas, Anchises, and Ascanius”
Another foot from the same statue because a) he textured underside of the foot and the folds of skin in the arch and b) can you see the light coming through the thin marble between the toes?
One of the mouths of Cerberus from “The Rape of Prosperina”.
Prosperina/Persephone’s facial expression and HAIR TEXTURE
Hades’ hair as well - this man was entirely too good at making CURLS out of ROCK.
A (poorly lit) close-up on the tree textures from “Apollo and Daphne”.
Hand, sling, and rock from “David” which I think deserves to be at LEAST as well-known as Michelangelo’s. Saw them two days apart and I prefer Bernini, honestly.
Facial expression from “David” - I just love the character in this so much.
Kind of a weird angle but look at the texturing on the sling pouch!!!
We also got to see one of Bernini’s earliest works (possibly his very first) in the Uffizi; it’s not currently on display, unfortunately, but look at this:
Forgive the poor photo quality but. He was 14 when he carved this. FOURTEEN.
Man was a straight-up wizard.
In conclusion: if you get the chance to visit the Borghese Gallery in Rome (which has the most Bernini sculptures gathered in one place), do it. The “Ecstasy of St. Theresa” is in a church a short walk away from there, too, and well worth a visit. There are also several more Berninis in churches around Rome which can be visited for free or for a nominal donation! Just… be smarter than we were and make sure you’re not trying to visit them on days they have services.
In a Roman Osteria (1866) - Carl Bloch
“Death blowing bubbles,” 18th century. The bubbles symbolize life’s fragility. This plaster work appears on the ceiling of Holy Grave Chapel in Michaelsberg Abbey, Bamberg, Germany. (+)
I decided to enter ‘The Great Sheffield Art Show’ this year with the above artworks and I’m delighted to say that all six of my entrants were selected for the show. It’s an amazing event showcasing a fantastic mix of art for all tastes & I’m so pleased to be part of it.
Wow that's a really big gecko
NCUTI GATWA in DOCTOR WHO'S 'THE CHURCH ON RUBY ROAD'
DOCTOR WHO | The Giggle
Art by Katherine Blower 🍂
When were you born?
On an even month and an even day
On an even month and an odd day
On an odd month and an even day
On an odd month and an odd day