From "Before" by Ada Limón

祝日 / Permanent Vacation
noise dept.
taylor price
hello vonnie

No title available
Sade Olutola

Kiana Khansmith
No title available
Not today Justin

titsay
d e v o n
todays bird
almost home
Peter Solarz
i don't do bad sauce passes

★

pixel skylines
Xuebing Du
Three Goblin Art
NASA
seen from United States

seen from United States
seen from United States

seen from United States

seen from United States
seen from Greece
seen from United States
seen from Netherlands
seen from United States

seen from United States

seen from United States
seen from United States

seen from United States

seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
@01082017
From "Before" by Ada Limón
the role of the lover is the same as the role of the artist, if i love you i must make you aware of things you do not see
“TREES By Hermann Hesse “For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like ‘lonely’ persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow. Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life. A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail. A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that ‘God’ is in me. I trust that my labor is holy. Out of this trust I live. When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all. A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one’s suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother. So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.”
— Hermann Hesse
they were right btw. you have to dig yourself out of your grave over and over again
Anne Boyer
There’s still a brick inside my throat. I don’t have roots, just the brick. The brick is silence. I know that I must bury the brick in order to speak, but how do you bury something that has no body?
Victoria Chang, from Dear Memory: Letters on Writing, Silence, and Grief; “Dear Teacher,”
Juliette Drouet, from a letter to Victor Hugo, written on 1834
self-portrait I by Tove Ditlevsen
from blossoms by Li-Young Lee
“year in fashion” documentaries chronicling runway fashion by year (hour long each) 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008
"You survive this and in some terrible way, which I suppose no one can ever describe, you are compelled, you are corralled, you are bullwhipped into dealing with whatever it is that hurt you. And what is crucial here is that if it hurt you, that is not what’s important. Everybody’s hurt. What is important, what corrals you, what bullwhips you, what drives you, torments you, is that you must find some way of using this to connect you with everyone else alive. This is all you have to do it with. You must understand that your pain is trivial except insofar as you can use it to connect with other people’s pain; and insofar as you can do that with your pain, you can be released from it, and then hopefully it works the other way around too; insofar as I can tell you what it is to suffer, perhaps I can help you to suffer less."
- James Baldwin, The Artist's Struggle for Integrity
From Isabel Wilkerson’s Caste: The Origins of Our Discontents
~ W.S. Merwin
Jamaica Kincaid The Ugly Tourist (1988)
From Louise Perry’s A Case Against the Sexual Revolution
From Louise Perry’s A Case Against The Sexual Revolution
From Louise Perry’s A Case Against the Sexual Revolution
From Louise Perry’s book A Case Against the Sexual Revolution