Silver ring, Greek and Roman Art
Fletcher Fund, 1925 Metropolitan Museum of Art, New York, NY Medium: Silver
http://www.metmuseum.org/art/collection/search/251881
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Claire Keane
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bliss lane

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oozey mess
occasionally subtle
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Silver ring, Greek and Roman Art
Fletcher Fund, 1925 Metropolitan Museum of Art, New York, NY Medium: Silver
http://www.metmuseum.org/art/collection/search/251881
Rendering of my new design for a concrete and glass sidewalk vase coming soon
“St. Peter’s Basilica"
Virgil Abloh c/o Alex Shuey
copyright pending
2020 release
@virgilabloh
Hidden Ruhe
Notre Dame du Haut, Ronchamp
I like this too
Finally Foo+Foo
Old Land l, ll, and lll Postcard Kacper Abolik, 2016
Paul Peng
return of the royal court painter
Gully Monitoring
Tungkwan, China
One of the most radical solutions in the field of shelter is represented by the underground towns and villages in the Chinese loess belts. Loess is silt, transported and deposited by the wind. Because of its great softness and high porosity, it can be easily carved. In places, roads have been cut as much as 40 feet deep into the original level by the action of wheels. In the provinces of Honnan, Shansi, Shensi, and Kansu about ten million people live in dwellings hollowed out from loess.
The dark squares in the flat landscape are pits an eighth of an acre in area, or about the size of a tennis court. Their vertical sides are 25 to 30 feet high. L-shaped staircases lead to the apartments below who rooms are about 30 feet deep and 15 feet wide, and measure about 15 feet to the top of the vaulted ceiling. They are lighted and aired by openings that give onto the courtyard.
From the top one can only see small trees placed carefully above each staircase that leads downward. The tree acts as the official sign of the house, so you don’t describe your house to visitors or give a house number but tell them about your tree.
Architecture Without Architects // Bernard Rudofsky
Eames House
Travis Scott
Kacper Abolik
2016
Acrylic and pastel on canvas
60 x 60 cm.