So I just saw Stalker (1979)
Whoa, ok. Where to start with Stalker?
Released in 1979, directed by Andrei Tarkovsky, and written by brothers Arkandy and Boris Strugatsky based on their novel “Roadside Picnic.” Stalker is, to put it as simply as I can possibly attempt to, a hell of a crazy ride.
From one angle the film seems quite small and intimate as there are only three characters during the vast majority of Stalker’s two hour and forty minute runtime. It follows the titular Stalker, a mysterious guide leading the equally ambiguously named Professor and Writer far into the ominous, military guarded area known as the “Zone.” The Zone is the area around the fall of a meteor or alien thing (the film isn’t quite clear) which contains a room that people believe can make your deepest desire a reality.
Through the sometimes-too-lofty-for-my-taste dialogue we learn about our three protagonists, what they hope to gain in the room and more broadly what they believe of themselves, each other, and the world at large. And it’s probably no coincidence that the two people the Stalker is ferrying to the Room are a scientist and an artist. Two opposite perspectives. And the Stalker himself seems to fill a perspective between these two extremes, a more spiritual one.
But quite literally surrounding the intimate tale of obtaining your heart’s desire there is the Zone. What was once a town has been reclaimed by dense plant growth and endless pools of water covering the vestiges of what was: crumbling concrete of old building, rotting telephone poles, submerged floor tile. A place of mystery and magic, of quiet danger that seldom in the movie do we ever see in action but even still it exudes an air of unknown danger. As if it could strike you down at its whim.
The whole experience of Stalker is dense and slow. There was obviously great care put into each frame of the film and vast stretches of silence seem to be there to allow you to take in the post-apocalyptic beauty of the Zone, or to let the Zone take you!
I’m conflicted to say that I really felt the film’s length as I did notice how long it was going but I was none-the-less hooked by its alluring mystery. Every second of the film my head filled with more and more questions:
Will they make it out of the Zone?
Why spend all these resources guarding the Zone?
What, exactly, is going on?
Man that bomb looks like a thermos…
And only a very, very select few answers are ever given to anything. Nothing is clear cut, and even at the end of the film I have enormous trouble wrapping my head around the whole thing.
Stalker is definitely not a movie for everyone as I can certainly see it boring a great many people, and I can’t blame anyone for it. But it offers your mind a seemingly endless buffet of things to ponder and though I feel it’s maybe a little too vague and obtuse for me I’d certainly watch it again, especially if I had the opportunity to see it on the big screen.