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Oh god it’s me
Don’t worry about it is me 🙃
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@1d-younglove
i feel targeted
Oh god it’s me
Don’t worry about it is me 🙃
Its all good, no worries
the worst is having a dream where someone loves you and you can practically feel them touching you and it feels so real and then you wake up and it’s like the life is being sucked out of you and the happiness just drains out of your body and you feel empty again
Source: [x]
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This is how the golden age of piracy ended.
The first mermaid to get tattoos :)
“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time.
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”
She protects her family.
Well... 🤷🏻♀️
Jurassic World did the Avatar thing where it made a gajillion dollars and left no cultural footprint whatsoever. Name your favorite Jurassic World character. What was your favorite line. It evaporated despite everyone seeing it.
WRONG fav character was the extra that ran away from the pterodactyls with two margheritas in hand
I remember posting somewhere once in a thread about why girls aren’t exploited in animation anymore where some guy said, “all the disney girls are drawn to be generally attractive, but I don’t think there are any eye-candy men… or are there? Are there any Disney men that lots of girls like?” and I mentioned Roger. Tons of girls replied agreeing with me and the original guy was like “wait, Roger? from 101 Dalmatians? What’s attractive about him, he’s tall and lanky and has a big nose, he isn’t muscley at all! Wouldn’t you all prefer Gaston or something? Or do you girls think his big nose is indicative of something else?” and I was like “no, you idiot, he’s a silly, goofy guy who likes animals and can play a bunch of instruments, that’s why he’s attractive. What’s the matter with you? Gaston, seriously?”
This is why we need more girls in animation. And more guys like Roger apparently.
This is why I laugh my ass of whenever dudes talk about how men are “objectified” by the media too. Because 9 times out of 10, what men think is “women objectifying men” are characters like Gaston.
And Gaston is NOT a woman-driven fantasy. Gaston is a male wish fulfillment fantasy. Gaston is not what women want, he is what men want to be. He is hyper-masculinity to an extreme degree, dripping with sexism and testosterone. The fact that men think that Gaston is what women want says an awful lot about those men.
While I don’t want to generalize, female fans tend to prefer a very different kind of male hero. We like the Rogers, the Milos, the Hercules. Genuinely kind, often awkward men who are sometimes vulnerable and respectful to women.
Yes, this is a generalization. I own up to that. But I think it’s important to remember that there is often VERY big difference between what MEN want to be and what women WANT in our media.
Reblogging this again because fucking this. And hell, even the muscley dudes (see: Khal Drogo, Hercules, Thor, Captain America) are loved, not because they are muscley, but because they are sweet and loving and adorable. We love Thor because his mispronounces “Hubble” as “Hooble,” not because of what he can do with a hammer.
Reblogging for the awesome comments.
I’m just here to say I love the animation of Roger so fucking much. look how fucking smooth and graceful and agile he is. 2d animation is amazing and i just want to hug it
All of this.
Okay, listen, to return briefly to the idea of Gaston: Beauty and the Beast is actually the first animated Disney screen play written by a woman. Linda Woolverton, the screenwriter, got a lot of attention for creating a self-proclaimed feminist heroine in 1991, but she also had a *lot* to say about Gaston. She didn’t stumble into that villain by mistake. She crafted him based on her own experiences with men and even her ex-boyfriends, and said: “To Gaston, Belle wasn’t a person; she was a possession. And I think it’s great for little boys to see that Beauty doesn’t choose him. Not only can they look at Gaston as an example of how not to treat women, but they can hopefully be taught by the Beast, a macho guy who is comfortable with his feelings and gentleness. He could teach a lot of men, in fact, about sensitivity.“
Not only is Gaston not a woman’s fantasy, he’s literally a woman’s horror story.
Reblogging for:
“The fact that men think that Gaston is what women want says an awful lot about those men.”
“Not only is Gaston not a woman’s fantasy, he’s literally a woman’s horror story.”
FREAKING YES
Reblogging because there was the whole post where extreme MRAs were saying that Gaston was the true hero of the story and that Belle should have picked him instead of Adam.
@twinklecupcake
bringing this one back
When I went to see Tangled with my family, I was terrified of having to talk about the movie afterwards because I related so much to Rapunzel, and I was sure my mom would hate the movie because it was so obvious that she was exactly like mother gothel. So when mom asked me afterwards if I liked it I gave a tepid non-answer. But then my mom started talking about how she loved the movie! And it slowly dawned on me that she also saw mother gothel as evil and abusive, but somehow didn’t make the connection that she and her were the same. My mom even made a comment to the effect of how, like rapunzel’s real mom, her love for me would always triumph or whatever. And she didn’t get it!
She didn’t see the similarities of how she locked me away in the house, or how she kept me under the tightest supervision under the guise of keeping me safe. I spent the entire mother knows best song stealing glances at her next to me in the theater just waiting for her to drag us out of the movie because she couldn’t stand to have her “love” portrayed as evil. And she didn’t see how the fact that she created her identity completely around being a mother and nothing else was like mother gothel’s dependency on rapunzel’s magic hair.
It was only after seeing her positive reaction to the movie, that I really understood the meaning of the phrase “everyone is the hero of their own story”. No one actually thinks they’re the villain, even if confronted with a painfully obvious rendering of their own actions done by someone they agree is rightly portrayed as evil.
“everyone is the hero of their own story”. No one actually thinks they’re the villain, even if confronted with a painfully obvious rendering of their own actions done by someone they agree is rightly portrayed as evil.
Nah y’all leaked every one direction album but now that the studio version of Medicine is out there somewhere where y’all at? Do your fuckin job thanks
Just cus i cant live off pasta doesnt mean i wont live off pasta
I lived off of almost nothing but spaghetti for 3 years straight and then they had to remove my colon.
That sounds like a you problem
earth sign antics
I think you handled it in precisely the right way by making a palpable example of something he could understand. He did not respond to normal techniques.
some trends i am really down for
being nice to people working in customer service
girls in thigh-highs
receiving $400,000
pasta
THIS SHOW IS SO PURE!
It’s worth noting that Kenneth spent the entire episode making the game (and the subsequent fight) as inclusive as possible for JJ and his disabled friends (all of whom were played by disabled actors/actresses).
BONUS:
Bonus #2
Of course I had to show the best part:
I wanna be a villain so I can just saunter everywhere. the heroes are always sprinting, always running. you ever seen darth vader run? hell no. and I ain’t about to either.
this has gained over 18,000 notes in the last 24 hours and I feel the need to tell y’all that I’ve never seen a star wars movie all the way through. when I wrote this I was 100% relying on the hope that he didn’t run in the films or some nerd was gonna drag my ass
This addition had enhanced this post 800%
I will always reblog this.
Wtf chris
show up. buss it open. leave immediately.