#father and son bonding
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@2-1-4-7-8-2
#father and son bonding
         âHowâd you even find out? I didnât ââ Voice dropped, head shaking with a light scoff before he brought in a breath and those chocolate infused irides trailed back to the face of a man he didnât really know. A face he wasnât sure heâd ever actually recognize. Features of a father heâd NEVER known. Instead, all he saw was the news reports. The fear in his motherâs voice. The trail of disaster he always left behind him. âI meanâŠwhat makes you care so much? Yâthink Iâm lyinâ? Think my momâs makinâ it up?â
Erikâs patience slips, prematurely ( as ever ), Â more anger in his rejoinder than heâd intended: âI care because youâre my --â With visible effort, he stops himself from going any further. He couldnât let this go so poorly so quickly -- he couldnât start saying things and laying claim to labels he hadnât earned, no matter how painful what seemed like a rejection was proving to be.Â
He decides to be, without the fiery tone, direct; directness is the closest thing to respect Erik knows how to offer. At least he would know, should this fail, that he should let Peter be. âI care because Iâve lost enough family, Peter. The only family I've ever known, in fact.â Twice. âIâm not here to beg the prizes of fatherhood which I havenât earned. Iâm here to ask you if thereâs any type of relationship with me that you would want or accept.âÂ
As nature intended.Â
I might have totally missed it somewhere on your blog, but I was wondering what your thoughts on OCs was?
Iâm totally okay with OCs; sometimes, though, it can be a bit hard for my character to connect with them if they arenât x-men specific - in general people tend to assume their characters can bond with Erik based on Not Being Human but⊠thatâs not really the case. Erik bonds with mutants. Heâs not going to take up a different cause or necessarily be sympathetic to the plights of other âsupernaturalâ beings just because they arenât humans; that being said, he does form relationships with human beings but usually born from specific intimate circumstances. Itâs rare he connects enough to have a friendship grow with a complete stranger/non-mutant unless there is a purpose behind their beginning encounters.
edit: just an aside, though, I want to make it clear I think Tumblr is filled with incredible ocs. There are plenty of times Erik goes âmehâ at some ocs Iâd love to interact with.
Believe me, I wouldnât be here if I didnât have to. If we get you out of here, we do it my way. No killing.
      âI mean, it doesnât matter now right? You know. We donât have to like talk about it.â Anxiety gripped his frame, feet begging for the release of his natural speed. To get away from the situation. To leave the manâs STEELY gaze and avoid the conversation all together. That desperation remained the longer he stood, swaying from sole to sole, a v o i d i n g the older manâs features.
It matters to me. But that still doesnât make it necessary. He can feel the young man humming with the energy to get away, and if that wasnât enough, he looked supremely uncomfortable; Erik flounders for a moment. Perhaps this was a mistake, but Erik couldnât forgive no attempt on his own part; after all his family blood spilt, he canât walk away from someone who shares it. Not from a son of his, even if he feels like a stranger. âNot if you donât want to. Iâm not trying to waste your time, Peter.â
@2-1-4-7-8-2 liked for a starterÂ
Charles wasnât entirely sure where this conversation was going, although he could tell the other mutant was troubled. Could tell he came to him for more than simple board games. He didnât have to be a mind reader to note the expression that seemed t be weighing down Erikâs lips, his face looked tired, and it was no guess as to why. The last couple weeks had been full of non stop building, rebuilding what was destroyed. But it was more than mansions that had fallen recently.Â
Charles moved his bishop two spaces forwards, opening the path to obtain the other mutantâs queen. He was sure his adversary would notice the move, but the telepath wouldnât care if he lost the game they played. Heâd started playing to give Erik something to do with his hands. âYour move.âÂ
Erikâs mind is anywhere but the chessboard, despite his eyes boring into it; the school, his family, the young mutants heâs met here, his family, Charles, his family. It felt like a disrespect all itâs own to think of anything but them, and yet he had almost felt needed here for a little while... but as ever, staying still, finding a home among Charlesâ friends and students, it all felt like a mismatch despite wishing it didnât.
Erik blinks, trying to pull away from the path heâs wearing ragged into his mind, of more and more thoughts as the hours grew into night. He grows restless when itâs dark. âI saw that.â His lips lift slightly at the corners as he tries to insert himself back into the game, taking a careful but mostly defensive turn. It seems winning isnât much on his mind for once, either.  Time for one of Erikâs stellar attempts at conversation: âRaven told me about Peter. Did you know?â
    âDu bist nicht ein Greis,â Anya laughs, naturally slipping  into German in her fatherâs company. It feels strange to speak in English with him, her father, who taught her to speak her first words in a different tongue. No matter, itâs good practice, and her English is very poor. She stands and follows him into the kitchen, despite being able to see him perfectly well from where she has been sitting.Â
âIt smells good,â She assures him, smiling  as she leans against the counter. âI miss mamaâs cooking.â She mutters and her smile turns sad. âBut yours is the next best thing.Â
German feels perfectly natural, and consequently heâd almost grown an aversion to it. It felt like home when he felt he had no home to go back to, and instead of keeping it close, heâd tried to banish it wherever possible rather than be reminded of his heart when it was inconvenient. It feels hard to justify having ever been that man when heâs around her, and yet all the more understandable... Seeing her now, the woman she had become, her death feels even more a crime that deserved vengeance, even if he somewhat selfishly believes it is his own personal miracle that she survived. She made him better, but had also once made him terrible with grief, and he had felt that shame every time his tongue had used the language of his family in their absence. His families. Using it again came slowly, shyly, but her ease with it acts as a coaxing method that his ragged soul can accept.
âSo hoffe ich."Â
After a few minutes, a smile never quite leaving his normally somber face, he offers her the spoon heâs cooking with, a bit of the hash heâs making on the end. âTaste. Mehr Pfeffer?â
-signs on- -immediately rants at someones inbox about Dadneto before ive checked even a single notification-
   âI do too,â Anya protests, knowing she doesnât. But she wants her father to think she is strong and capable. Even if she is neither, he makes her want to be, so that she can be more like him.Â
   âBut you can if you want to, papa.â She smiles as she looks up at him, âI suppose I am a bit hungry.âÂ
Erik gives her a skeptical smile. Stubborn. He will insist ( and often does ) that itâs a trait solely inherited from her mother, when in and of itself his insistence is evidence she inherited it from them both.Â
âI do,â he rejoins, standing to make for his ( their ) kitchen, in which he is still quite visible from where she sits. Heâs gathering things he wants to use on the counter as he speaks, a few potatoes, more than one kind of sausage, fresh bread... Heâs made a reputation as little more than a recluse since he came to this small town, and yet the surprised and welcoming faces of the venders this morning at the local market seem to have considerably buoyed his spirits. ( My daughter is home, heâd told them. How wonderful, theyâd replied. ) The positivity stoked the quiet hope he was nurturing about the new life he and his daughter might now share, reunited. âNow I may not be as good a cook as your mother was... but give ein Greis a chance."
// I just saw a tag on a fic on ao3 that was like âletâs face it Erik probably hits his kidsâ and have we been watching the same films????
what the fuck. what the fuck.
Anonymously tell me what you think of my character portrayal.
  She should know something is wrong by the way he sounds. She should know that heâs acting, heâs enacting his own plan because of the calm in his voice. When heâd been so earnest and adamant only moments before.
  But she doesnât. She only thinks sheâs won the argument, that the window shattering is a sign sheâs convinced him to move outside the blast radius and contain from the exterior. To shield others in the event she cannot stop the explosion herself.
  Itâs when he says I love you that she stops. Just for a second. Because then sheâs moving under his power. Before she can do more than gasp, sheâs out of the building, thereâs blue sky above her head, then gravel and solid tar under her body. Sheâs on a rooftop. He literally threw her out of the building.
  As soon as she has that thought, panic seizes her whole body. Gravel scatters everywhere as she scrambles to get up. To call out his name in nothing but pure fear and anger.
  â ERIK!âÂ
It would have required far more effort to contain it and take it elsewhere than to contain it until the building was cleared; if heâs honest it was his intention all along, to let the destruction serve as an example to the onlooking human beings of what their bigoted brothers and sisters were capable of... even if he wanted to do differently, there wasnât time to extricate the explosive without destroying one part of the building or another to do it.
With thousands of onlookers suddenly scattering, the top half of the building makes a sound like a portal opening to hell; in less than a second, every speck or chunk of rubble and ash is suspended, swirling with fire from the explosion inside a massive electromagnetic sphere. Erik is just on the other side of it, obscured from her view, waiting for the last of the mutants to flee the block - once they have, the hard part begins. The energy seems to consume itself, the sphere shrinking inward and giving it the very perplexing image of an explosion in reverse as the building collapses inwardly, and is finally reduced to a pile of burning ash and concrete. The entire scene probably only lasts two or three minutes, and not a single life was lost.
As though heâd been there the entire time, Erikâs feet touch down silently on the rooftop, behind her where she looking on. He knows sheâs looking for him. Slowly, he releases the hold on her arm as he approaches. â...Kein MĂ€rtyrer noch.â
fcst:
      No, his mind is not for rent, to any God or government.               Always hopeful yet discontent, he knows changes arenât permanent.
                       PETER MAXIMOFF( written by faith )
  Goddammit, she doesnât have time for this. For him to break her concentration by saying her nameâher full name, her first nameâlike that. For the feeling in her metal arm that could only be him. Him under her skin. In her head. In her trembling hands she has to make into fists because she has to do this.Â
  â Donât youâŠâ She canât even finish the command, because she means it to be a command. Her throat squeezes tight and only through sheer force of will does she keep useless tears out of her eyes. A minute and ten. â Donât you ask me to do that. Donât you ask me to justâjust sit by and let you martyr yourself for your cause! This isnât about someone oppressing mutants! This is about a lethal explosion and stopping it from happening! I wonât leave you to do this! You get the hell out!â
  She wonât argue with him a second long. Seconds they donât have but she intends to make sure he has. Erik is logical. Heâll understand that the most cost effective use of his power is to shield others, not waste time trying to separate her from the bomb he may or may not be able to handle. He wonât listen to reason, so sheâll force his hand.
Sohn von einem Weibchen. He knew from the start she wasnât going to listen to him, and while it was one of his favorite traits in her in any other instance, he was now growing visibly distressed by her protestations. He couldnât afford to be losing focus to the fear for her safety when he needed his concentration to contain what could potentially be a massive blast.
He thinks about addressing everything she has just said, but heâs losing time too quickly; his mind picks out the most important bits before he shatters out a window behind her by warping the frame, knowing he has to distract her while he does what comes next with words: âThis isnât about my cause, this is about you. I love you...â Donât be angry with me.
With a final look of apology, he sends her flying out the open window, toward an adjacent rooftop several hundred yards away; she can attempt to fly back if she wants, but he will be holding her there mercilessly.
"MAGNETO LOOKS LIKE A COLOR BLIND DILDO MORE AT 11!"