24hrs Project

The 24 hours Project is an experimental platform, which takes place between exhibitions at TART Zürich. What happens during the deconstruction and reconstruction phases? The 24 hours Project intends to show that during the " idle phase " various settings can take place within a gallery. Artists are invited to take over the space for 24 hours to meet, share, process, participate, perform, showcase, experiment. Address: Tart, Gotthardstrasse 54, 8002 Zürich, CH Contact: [email protected] Project curated by www.annelaurefranchette.com

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Lucien Wampfler in the 24hrs Project

“eine Wahrheit über die Gegenwart”

arrival: 31 May 2018 at 18:46 departure: 1 June 2018 at 16:59 24-Hour Performance Man richtet sich in seinem Dasein ein, dekoriert es, macht es sich Stück für Stück wohnlich, gemütlich, vertraut. Wiederholungen, Gewohnheiten. Ein Gefühl der Sicherheit, der Selbstwirksamkeit. Doch die Wahrscheinlichkeit öffnet dem Zufall die Tür. Konfrontation mit der unbequemen Realität - Konfrontation mit der unabänderlichen Vergänglichkeit allen Seins. Zusammenbruch der konstruierten Daseinswelt. Ganz auf sich zurückgeworfen, auf die kalte Erde. Ein Gefühl der Angst, Ohnmacht, Wut. Das menschliche Bewusstsein, zur Revolte fähig und vielleicht dazu verdammt. Was bleibt. S.C. Lucien ist 1989 in Genf geboren. Zuerst studierte er Psychologie in Genf, Berlin und Zürich. Unzufrieden mit der Wissenschaft und nicht fähig, seine Vorstellung der Welt zu akzeptieren, wandte er sich der Kunst zu. Seine Geste versucht, gewisse Wahrheiten zu erforschen. Er studiert derzeit Kunst & Medien an der Zürcher Hochschule der Künste. Er lebt und arbeitet in Zürich. www.hallogurke.com

English version We make ourselves at home within our own existence, we decorate it, step by step making it feel homely, comfortable, familiar. Repetitions, habits. A feeling of security, of self-efficiency. But probability opens the door to coincidences. Confrontation with the uncomfortable reality – confrontation with the unalterable transience of all existence. Collapse of the constructed world. Thrown back at ourselves, on the cold earth. A feeling of fear, powerlessness, anger. The human consciousness, able to revolt and maybe doomed too. What remains. S.C. Lucien was born in Geneva in 1989. He first studied Psychology in Geneva, Berlin and Zurich. Unsatisfied with science and not able to accept its conception of the world, he turned to art. His gesture tries to explore certain truths. He currently studies Art & Media at the Zurich University of the Arts. He lives and works in Zurich. www.hallogurke.com

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Anna Rubi & Eirini Sourgiadaki in Kulturfolger & 24hrs Project

31.1.2018, from 6pm “We have all the time in the world” 01.2.2018, until 6pm “Forever Royalties”, Where: Kulturfolger, Idastrasse 46, 8004 Zürich 02.2.2018, from 6pm “We work hard on a big big plan” 03.2.2018, until 6pm “We work hard on a big big plan” Where: 24hrs Project at TART, Gotthardstrasse 54, 8002 Zürich 

Event page HERE Anna Rubi and Eirini Sourgiadaki became an artistic duo in 2015. Experimentation plays an important role in their work with a focus on unusual narration modes, balancing between fiction and reality and the use of multiple platforms. They met in Zurich while studying Transdisciplinarity in the Arts (ZHDK). Since then they share their interest in culture hacking and travelling to uncommon and common places - mental and geographical ones. Works they realized together have been presented in the Z+Showroom ZHdK (Zurich, 2016), the London Biennale Manila Pollination (Manila - Berlin, 2016) and MyMuseum (Budapest, 2017) In Kulturfolger they present one video triptych per day, respectively on the topics on Waiting (Time) and Empathy (Luxury), “We have all the time in the world” and “Forever Royalties”, both realized through a complex and restricted way of storytelling. In the 24hrs Project, they present the two triptychs alongside a third work called “We buy gold ltd” which takes the form of a series of five prints, which tell a metaphorical success-and-failure story about the gold market in the Europe of crisis. Anna Rubi completed her bachelor studies in the Moholy-Nagy University of Art and Design in the media design in Budapest. After receiving her diploma, she was awarded with the Swiss Government Excellence Scholarship. In 2015 she graduated from the Zürich University of the Arts in transdisciplinary art (MA). She is a member of FKSE (Studio of Young Artists’ Association) and has been working in the field of video art, film and performance. At the moment she is collaborating with Hungarian Civil Liberties Union as a documentary film maker. Eirini Sourgiadaki holds a BA in Sociology and a MA in Cultural Management from Panteion University of Social and Political Science in Athens. She has also studied Greek and English/American Poetry and has been trained as a dancer. In 2017 she graduated from MA Transdisciplinarity in the Arts, awarded with the Hirschmann Stipendium, ZHdK Fonds Design & Kunst and the ZHdK Avina Fonds with her project “Metaphorai”. Between 2010 and 2017 she has published four books (fiction, poetry) in Athens and Zurich. She is collaborating with the Theaterhaus Gessnerallee Zürich for her event series “The Analog Session” and since November 2017 she is a PhD candidate by Prof. Giaco Schiesser (ZHdK / Kunstuniversität Linz) Kulturfolger is a Zürich based not for profit art space curated by Lisa Lee Benjamin, Marcel Schock & Petra Tomljanovic Idastrasse 46, Zurich The 24hrs Project is a not for profit platform curated by Anne-Laure Franchette and hosted by TART Zürich Gotthardstrasse 54, Zurich

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“Vivid orbit”, Ahmed Mohsen Mansour in the 24hrs Project

From the 24th of January at 18:00 to the 25th of January at 18:00

Ahmed Mohsen Mansour (*1987) is an Egyptian Artist based in Cairo and currently in residence at Rote Fabrik, Zürich, thanks to Pro Helvetia Cairo. Mansour has participated in several exhibitions and workshops within the fields of video, photography and animation in Egypt, USA, UK, Italy, Germany, France, Slovakia, Spain, Emirates and Saudi Arabia. Mansour’s work is based on memories of events he has been involved in. Fascinated by the endless oscillation of the human condition, he looks at what can start as a triumph and turns into a manifesto of defeat, leaving a sense of what could have been. He distorts those phenomenons through diligent personal practice, leaving the viewer with a testament from the edges of his world.

Event page HERE

ahmedmohsenmansour.com

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“Leak *6″, Nicola Genovese in the 24hrs Project at Kunst 17 Zürich

Leak *6 (When boundaries burn)

“It is all about geography, territories to defend or rather territories to exploit. And then again the weight of the past, the weight of the ruins, the impossibility to get rid of the origin myth, of the daily rituals. Again, again us, the whites. It is a potential set of weapons, of body fragments, of sex toys. It is a leak, you cannot stop it. It is there, underneath the carpet in the living room. Controlling won't help you.“ On the evening of the opening of Kunst 17, Nicola Genovese will present the full performance “Leak *6“, activating the installation, in an attempt to give life or rather a new meaning to the sculptural fragments. Decomposing the action into sections, he will then interact with specific parts of the installation, every 24 hours. "Nicola Genovese is a foreign artist, his universe runs parallel, in the gap between the cloudy sky and a car's window. We went to look for him, in the type of place where the train station is always far from the town. We had to walk: the landscape surrounded us with no escape route. We discovered upward forces that exist among pompous buildings and unscrupulous scaffolding. Totems of a close civilization that encumber long distances. World branches that could turn into springboards and view points. And we stayed there, hanging between a destructive premonition and the instinct to step over. On the earth. Meanwhile, geography was turning into science fiction." Francesco Ragazzi Urbano http://www.nicolagenovese.org/ On/Off Booth A13 | ABB Hall 550 | Ricarda-Huch-Strasse | 8050 Zürich-Oerlikon | http://www.onoff.today/ Opening Hours: Thursday 26th October: 16:00h - 22:00h Friday 27th October: 12:00h - 20:00h Saturday 28th | Sunday 29th October 11:00h - 19:00h

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“What we do, when and for how long we do it”, Gregor Vogel in the 24hrs project

Opens: 18.10.2017, 1pm Apéro: 18.10.2017, 7pm Closes: 19.10.2017, 1pm We invite you to witness and take part in the process of „What we do, when and for how long we do it“ from 1pm on Wednesday 18th of October until 1pm on Thursday 19th of October. A public apero will be taking place on Wednesday 18th of October at 7pm. Join us for drinks and snacks then ;) Gregor Vogel (1993) is a multimedia artist based in Zürich. Using multiple platforms and formats, his practice trespasses the borders between mediums. He is currently working with installation, sound and performance. Exploring the natural state of things, Vogel investigates the constructed and cultural rules of his chosen mediums. Attempting to identify the core and the relevance of the structures at play, he looks for the balance between the essential and the ornament. In the recent work „here“ he used a pure data patch to create a sound piece that didn’t rely on predominant musical arrangements. For the 24hrs Project, Vogel presents „What we do, when and for how long we do it“, an installation using a site- and time-specific process. Being aware of the audience as a potential component, the artist invites the visitors to speed up or slow down the procedure at play within the work, investigating the relation between time and space. Website: www.gregor-vogel.com  

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“Vagina Soup & Formal Fuckers”, Christina Jonsson in the 24hrs Project

2 June - 3 June 2 18:00 to 18:00 Tart, Gotthardstrasse 54, 8002 Zürich, Switzerland

Event Page HERE

"She lays down, she gets up, she gets around and when she can’t dance no more she gets into the kitchen heating up the situation. Eventually the kitchen has become her studio, and her studio has been a Café, a Hotel and a Garden when it isn't a travelling soup laboratory exhibiting some of her major Fuck-Ups. The kitchen and its dynamics is of major interest in the actual research and productions of the artist and this is why she stirs her Vagina Soup everywhere she goes. She takes care of employing mostly fuckable vegetables, adding some tomato juice. She follows no recipe in her kitchen works, sticking to love, meditation, some painting and hard work. Even though she takes distance from the old school and traditional imperialisms, she considers herself to be a European multiple (Christina, Christian & Christ ). Sharing fucking soups and Fuck-Up Cakes with the public are part of the whole experience, as we know now, that we become not only what we believe but also what we eat. And art has to be nutritious." With the intention of investigating the relational attraction within art and art display, Christina Jonsson puts up situations where stuff mingles with persons and people mingle with each other getting together and the whole thing becomes a big hot Soup, all the rest being nothing but formalities. As she tries to get a hand on the fugitive borderline running between intimacy and formalities, she also investigates notions of public and private voices and domains. Christina Jonsson  also works with the intention of fixing formalities, and she has been taking care of making ever lasting traces of these bagatells. By observing them in time and space, notes have been taken and pictures have been painted. Formally she will be showing off as she stirs the soup all around the clock, if she isn't of course too tired to do so. Then, probably someone else will do it. She will host and perform the show all around the clock and she will be respectful with respectful visitors, all around the clock. The others, whoever they might be, will not be allowed in and if they’re already in, they will be shown the door. Christina Jonsson is a native Dane, travelling around the old European continent in an eternal state of professional tourism. After a classic education, which included linguistic studies in Denmark, she travelled to Italy and worked as a go-go dancer around the country, from Rimini to Rome and from Verona to Bari (the famous Cubista’s ). Eventually she joined the fine art academy in Ravenna, completing her studies in 2004 (cum laude). Afterwards she travelled to Lausanne and was invited to join an artist residency at the private art school Têtard. Employment and multiple ongoing collaborations followed. She Joined the HES-ECAV (Walis) to study Art in Public Spheres, obtaining  her master degree in 2012 (cum laude). In 2011 she co-founded the art space Saint-Valentin (Lausanne ) and the CultureHotel (Leysin), initiating from 2016, a program of artistic residencies. Her works have been in shows more or less regularly since 1999. Lately, solo shows have been on in Copenhagen (Udstillingsstedet Sydhavn Station), Bienne (Local-Int), Geneva (Milkshake Agency). www.jonssonchristina.wordpress.com www.saint-valentin.biz www.tetard.ch

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“LOVEFASHIONARTLOVEFASHIONARTLOVEFASHIONART”, STELLA and Friends in the 24hrs Project

From Thursday 20th October at 18.00 to Friday 21th of October at 18.00

Address: Tart, Gotthardstraase 54, 8002 Zürich

Click here to access the event page

Smoke No. 13 presents:

STELLA *** Jack Pryce *** Selina Zürrer *** Ivona Brdjnović *** Ten-Shi *** Nino *** Joel Basman***Christopher Compagnon *** Irma Hirsl *** Rebecca *** Michelle Steinbeck *** Tharaneh Wanner***Anic Fraefel *** Luca Duran *** Aron Hirsl *** Naum Hirsl *** Signe Fleischmann***Anne-Laure Franchette *** Gilles Jacot *** Martina Mächler *** Lynne Kouassi *** Mia Snail***Cathrin Jarema *** Oriana Tundo *** JULIJA *** Gregory Hari *** Franziska Mancia We celebrate art on paper with love and food and music! doors are open at 6pm food is ready at 7pm and after and after and after and longer and longer…………………..!!! come! come! come! c'est très catalouge! LOVEFASHIONARTLOVEFASHIONARTLOVEFASHIONART http://www.stellastellastella.com/

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“RGB Street”, Colin Guillemet in the 24hrs Project

From Thursday 13th October at 18.00 to Friday 14th of October at 18.00 Address: Tart, Gotthardstraase 54, 8002 Zürich Click HERE to access the event page

http://www.colinguillemet.com/

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“Contraint à courir après des ombres plus séduisantes que la réalité ; essays on shadows”, Amélie Brisson-Darveau in the 24hrs Project

From Thursday 6th October at 18.00 to Friday 7th of October at 18.00 Address: Tart, Gotthardstraase 54, 8002 Zürich Click here to access the event page

What is the texture of a shadow”, is the question interlacing my entire artistic practice. In this project, my interest focus on the use of shadows in film noir - and its relations to neorealist and expressionist movies - as a way to transform the subjectivity of its figure. Furthermore, how these plays between shadows and light contributes to craft aestheticized monsters? The project consists in different essays taking parts in a larger series on the depersonalization of the shadow. The essays take the form of animated wood boxes investigating ways of distortion, transformation and depersonalization of the figure through contrast of textures of light and shadow on different scenography structures (architecture and textiles). The boxes generate resonances between different areas of my researches on shadow theatres and marionettes (from Sophie Taeuber Arp), dreams, scenographies from film noir, expressionist and neorealist, sounds, lines of textuality, Plato’s theory of forms, Meyerhold’s studies on movement, and the Triadisches Ballett from Oskar Schlemmer. Animated from inside and outside the boxes (by transforming the exhibition space in an animated scenography), I am interested in the assemblage of two spaces: the filmic space and the real space. The public is invited to activate the boxes by moving elements of the scenography or their own body to experiment with casting shadows. (inspired dialog from Le notti biache).

http://www.ameliebd.com/

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Hospiz der Faulheit in the 24hrs Project

From Thursday 6th July at 18.00 to Friday 7th of July at 18.00

Click here to access the event page

«Was an dir nicht stimmt, sind deine Schulden», sagen sie.  «Du arbeitest nicht. Es gelingt dir nicht, deine Schulden gegenüber der Gesellschaft zu begleichen. Aber du hast Entwicklungspotenzial. Wir geben dir eine Chance. Es gibt eine Therapie. Sie nennt sich Governance», sagen sie. Sie fragen: «Du fühlst dich doch schuldig für deine Schulden? Oder etwa nicht?» 

Aber wir haben uns längst entschieden nicht auf diese Weise, nicht dermassen zu partizipieren. Wir bezahlen unsere Schulden nicht und suchen stets nach Ausflüchten aus dem Imperativ der Produktion, der uns krankmachenden «Krank-Macht». Der Imperativ der Produktion besetzt unsere Körper und ermahnt uns ständig, dass wir krank sind, wenn wir uns nicht den Disziplinartechnologien der Produktivität unterwerfen. Prekarisierung und Verschuldung. Unsicherheit. Ein disziplinärer Zwang welcher die Verbindung zwischen der Expansion von Herrschaft und der Steigerung von Arbeitsfähigkeit und Arbeitskraft ermöglicht.

«Sei endlich vernünftig! Wir haben dir doch humanistische Werte eingebläut!», sagen sie,  die aufklärerischen Moralisten.

«Humanismus? Welcher Humanismus? Der marxistische, nationalsozialistische oder stalinistische? Der existenzialistische, evolutionäre oder gar der universale Humanismus?», fragst du dich. Genau wie wir, lehnst du die Vorstellung von einer nicht proletarisierten Plebs ab. Das ist nur eine Strategie, um uns gegen unsere Kompliz*innen aufzuhetzen. Plebs? Prekariat? Halbwelt? Lumpen? Du akzeptierst weder die Manipulation durch die ganzen literarischen, journalistischen, pathologo-medizinischen, soziologischen, anthropozentrischen Darstellungen, noch bist du bereit die äusserst miserablen Bedingungen anzunehmen, die man dir mittels asymmetrischer Rechtssprechung aufzwingen will.

Auch wenn dir klar ist, dass jegliche Subjektivierung und soziale Beziehungen stets von neuem produktiv gemacht und ausgebeutet werden, läufst du zu düsteren Hinterzimmern über. Dort wo das prekäre Vertrauen in der Mitwisser*innenschaft um die Existenz eines sicheren Raumes oder kriminellen Aktes eine andere, unsichere Seite des Gemeinsamen zeigt. Im gegenseitigen Schenken von Zeit und in der Schreibbewegung finden wir den Rausch des ausfransenden Gemeinsamen. Alles was darin Platz nimmt, fördert das Entstehen neuer Ströme. In unserer gemeinsamen Praxis wird deutlich, was Schreiben eigentlich sein sollte: Leben statt Arbeit, Ekstase statt Disziplin, Umarmung statt Distanz.

Aus dem Hinterzimmer grüsst dich dein Hospiz der Faulheit

http://www.hospizderfaulheit.net/

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“if it's not going to be fired, it shouldn't be hanging there”, Eleonora Meier in the 24hrs Project

From Thursday 11th February at 18.00 to Friday 12th of February at 18.00

Click here to access the event page

" Everything has to be necessary in order to justify its presence. With this in mind she painted this series of five water-colour paintings. The studio of Cekov, vitrines of castello Sforzesco, the exhibition space of a friend, two interior views of the replica of the scarface villa built by a true mafia boss. Real spaces which become theatre settings. The paradox of theatre is that just theatre, which is of all the place of falsehood, of invention, representation, becomes the place of possible truth. Therefore of truths. "

http://www.eleonorameier.com/

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“Every Art Work can be famous for 24 hours”, Patricia Bianchi in the 24hrs Project

Bettina Diel, Marco Fedele di Catrano, Jan Hostettler, Matthias Liechti, Sandra Kühne, Anja Schori, Marco Scorti, Pascal Sidler, Patrizia Vitali Kuratiert von Patricia Bianchi für die 24hrs Project Vernissage 19. November, ab 18 Uhr mit Bar «Who's afraid of Red, Yellow and Blue» oder Trinken nach Farben. (Eine Arbeit von Sebastian Mundwiler mit Jan Hostettler)

Geöffnet am Freitag, 20. November 10-18 Uhr

Address: Tart, Gotthardstraase 54, 8002 Zürich

Click here for the event page

«Every Art Work can be famous for 24 hours» beschäftigt sich mit diesem immer wiederkehrenden Kunstszenario. Gleich dem Ausdruck «In the future, everyone will be famous for 15 minutes» der von Andy Warhol geprägt wurde und ursprünglich vom Philosophen Marshall McLuhan stammt, bezieht sich die Ausstellung auf die Flüchtigkeit von Bekanntheit, Ruhm, Bedeutung und die Ablenkung und Schnelllebigkeit auf neue und weitere Kunstwerke, sobald die Aufmerksamkeitsspanne des Betrachters erschöpft ist. Zu dieser Ausstellung lädt die Kuratorin Patricia Bianchi zehn KünstlerInnen ein, die sich in ihrer künstlerischen Tätigkeit mit unterschiedliche Inhalten, Vorgehens- und Arbeitsweisen auseinandersetzen. Im Vorfeld kaufte die Kuratorin in verschiedenen Brockenhäusern in Zürich und Umgebung nach Belieben Bilder, die sie je nach persönlichem empfinden, gefallen und subjektiver Wahrnehmung ausgewählt hat. Second-Hand Kunstwerke, die aus welchen Grund auch immer in einem günstigen Warenhaus unter beliebig anderen auf ihren Kauf warten und von einem vermutlich unbekannten Künstler geschaffen wurden. Diese zehn ausgewählten Werke verloste die Kuratorin an die teilnehmenden KünstlerInnen mit der Aufforderung, damit etwas zu kreieren und diese Objekte als Ausgangslage und Inspiration zu verwenden. Was letztendlich mit den verlosten Bildern passiert, liegt im Ermessen der KünstlerInnen. Zur Umsetzung hatten die KünstlerInnen vier Wochen Zeit. Die neuen Kunstwerke werden für 24 Stunden in der Tart Galerie gezeigt und erhalten somit die Möglichkeit in diesem Zeitrahmen eine Berühmtheit zu erlangen. Dies kann über besondere Aufmerksamkeit durch die Presse und Medien sein, ein Interesse zum Kauf durch einen Sammler oder Institution. Im Kontext des Raumes der Galerie, der Aufwertung einer kuratierten Ausstellung durch eine Kuratorin und die Transformation der Objekte durch die eingeladenen KünstlerInnen soll der Wert der zuvor günstigen Brockiware gesteigert werden. Nur schon der Ort des Galerieraumes macht die neue Ästhetik der Kunstwerke zur Ware, die weisse Wand verwandelt alles was auf ihr erscheint und ändert die Bedeutung (Im Gegensatz zur Präsentation von Bildern in einer Brockenstube). Schafft es das einzelne Kunstwerk nicht, in 24 Stunden eine Berühmtheit zu erlangen, wird es an den Ort zurück gebracht, wo es vorher von der Kuratorin gekauft wurde - ins Brockenhaus.

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Zusammenkunft

Lucas Herzig & Marta Margnetti in the 24hrs Project

From Thursday 13th November at 18.00 to Friday 14th of November at 18.00

Address: Tart, Gotthardstraase 54, 8002 Zürich

Click here to access the event page

Marta Margnetti, 1989 in Mendrisio geboren, lebt und arbeitet in Bern, wo sie im Master in Contemporary Arts Practice (HKB, Bern) eingeschrieben ist. 2015 als Artist in residence bei FAC (Four à chaux, Saint Ursanne) und „Performing the Black Mountain Archive“ (Hamburger Bahnhof, Berlin), ist sie 2016 als Kandidatin für den Kunstpreis „Che c’è di nuovo“ im Kanton Tessin nominiert (2016, Lugano). Weiterhin ist sie Mitgründerin des unabhängigen Kunstraums Sonnenstube (Lugano). Durch den Gebrauch der Wiederholung und von Modulen interessiert sie sich für die Ökonomie des Materials und seiner Verteilung im Raum. Sie nutzt die Möglichkeit der endlosen Wiederholung durch den Gebrauch einfacher Mittel. Lucas Herzig, 1988 in Zürich geboren, arbeitet und lebt seit seinem Abschluss des Masters in Contemporary Arts Practice  an der HKB Bern (2015) in Zürich. 2016 wird er teilnehmender Künstler an der Plattform 16  Ausstellung (2016, Zürich) und Kandidat für den Kunstpreis „Che c’è di nuovo“ im Kanton Tessin (2016, Lugano) sein. Er erforscht die Grenzen zwischen Objekt und dessen Abbildung, Original und Kopie. Durch den plastischen Gebrauch von Materialien, die für einen zweidimensionalen Zweck bestimmt sind, versucht er eine Störung der Wahrnehmung und der Zuordnung zu erzeugen.

http://cargocollective.com/martamargnetti

http://lucasherzig.com/

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sheltering shared spaces and moments in friction

Olivia Wiederkehr in the 24hrs Project

From Thursday 6th November at 18.00 to Friday 7th of November at 18.00 Address: Tart, Gotthardstraase 54, 8002 Zürich Click here to access the event page

Eine performative Living_Sculpture für 20 Personen in 20 Schlafsäcken Mein Raum, dein Raum, unser Raum -  wieviel Raum braucht das? wieviele Momente füllen einen Raum? können Momente einen Raum füllen? und: was haben zwanzig Schlafsäcke mit einem Galerieraum zutun? "sheltering shared spaces and moments in friction" geht diesen Fragen live nach am Freitag Abend, zusammen mit zwanzig Performern. Wie das genau aussieht?…come and see

http://www.oh-wiederkehr.ch/

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Thank you to all the participants and visitors who made our summer program so special! We will be back this autumn so watch this space.

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Gianluca Trifilo zeigt seine ganz eigene Sichtweise auf Zürich.

“Ich brauche einen Schuss, denn ich schaff es nicht mehr.Mutter Oberin, leg an das Gewehr!Ich brauch ein druck auf mein Gewebe.Der Schuss macht mich selig, und es wärmt mich so sehr.”

Kommt vorbei: FR, 31.7.15 von 18.00 - 22.00 Uhr

SAT 1.8.15 von 10.00 - 18.00 Uhr

Wir freuen uns aufs letzte 24hrs-project vor der Sommerpause und Euer Kommen!

TART GALERIE Gotthardstrasse 54 8002 Zürich

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Der Pfeil is a Zurich-based collective that shifts between performative and fine arts. Of the two installations shown at TART gallery, one functions as an independent piece of art, while the other changes its appearance through a series of lengthy performative actions.

FOAM • SPORTS • COCKTAILS • RAINBOW FR 24th of July: 1830 - 2200 PERFORMANCE SA 25th of July: 1000 - 1800 INSTALLATION

Picture credit: clickclick

Tart, Gotthardstrasse 54, 8002 Zürich, Switzerland