silly wee man’s catching up on his washing. x
(click on the drawing for better quality!)
taylor price
we're not kids anymore.
2025 on Tumblr: Trends That Defined the Year
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oozey mess
Sweet Seals For You, Always
AnasAbdin
Cosmic Funnies

blake kathryn

tannertan36
cherry valley forever
Xuebing Du
Jules of Nature
Cosimo Galluzzi
sheepfilms
trying on a metaphor

★
$LAYYYTER
Claire Keane

Love Begins

seen from Singapore
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@2d-aches
silly wee man’s catching up on his washing. x
(click on the drawing for better quality!)
Stray light, Clarissa M Bonet
[Image ID: a black and white typography edit that reads, in all caps, "the homosexual and the transsexual must always seek to liberate the other for they fight the same fight!" in the middle of the image is a dandelion with a bloom, buds, leaves, and exposed roots. behind the dandelion is a black square. the image is framed by a black square. the entire image is textured to look aged and photocopied. /End ID]
click for quality (instagram) (my shop) (get it as a print) (shirts & more)
now available as a sticker
❤️🔥 Immortality
my bestie gave me a stick n poke so now i have t4t on me forever <3
ana mendieta “people looking at blood, moffit, iowa” 1973
“In this piece, Mendieta spilled a large amount of what appeared to be chunky blood over a doorway and sidewalk on an Iowa City street. Then she removed herself from the scene and, from a distance, photographed the reactions of various passersby. […] It intimates to passersby that a grievous and dramatic injury has taken place, but it gives no explanation and, more important, no recourse to action. It may incite horror, concern, compassion, and revulsion—in short, pity and fear—but it doesn’t offer anywhere for these feelings to go. […] Each pedestrian’s only real choice is to walk on by, which looks from the outside—and likely felt, on the inside—like an uncaring abandonment, even if of an indeterminate or imaginary entity. […] And somewhere out of sight lurks Mendieta, a voyeur of each passerby’s involuntary voyeurism. […] People Looking at Blood says, Look at this pile of carnage, with no clear story, source, assailant, or victim. Just look at it. Now look at others looking at it. (And I will be looking at you looking.)”
— The Art of Cruelty, Maggie Nelson
Ana Mendieta was murdered by her husband and fellow artist Carl Andre. This work became a self fulfilling prophecy and meditation on tragedy, the nature of violence, and peoples unwillingness to help.
And no I will not shut up about this.
By the way, her husband never went to prison for what he did.
But it’s NOT about unwillingness to help! It’s NOT about people not caring!! It’s so very explicitly the opposite!!!
I’ve BEEN in this situation. You walk past an old crime scene, or the place where an accident happened, and you see evidence of something terrible. If it’s old, maybe broken glass, or scuff marks.
But sometimes, you’re too late. Sometimes someone is on the ground, and EMTs are already helping, and the only helpful thing you can do you is move on, refuse to linger, refuse to form a crowd.
Sometimes there’s dried blood, or fresh blood, but when you look around you can’t find anyone hurt or needing help. Whatever happened, it has happened without you, and you can’t undo it or make it better. You could contact an authority, report what you’ve seen, but that’s just sharing information. It doesn’t FEEL like helping.
Humans are by nature incredibly compassionate creatures. What is more heartbreaking to an animal designed to bring comfort than a pain that cannot be comforted? A hurt that cannot be soothed?
You are confronted by this helplessness, and it looks you in the face and says, “It’s too late for you to fix this. You must move on, and hope that next time, you aren’t.” And then you do. You have to. There is no other choice.
Ana Mendieta’s piece is not condemning the observed- it’s mourning their directionless compassion, their grief, their uncertainty- their concern and hope offered to someone or something they will never know, never speak to, never be able to help.
It says that we love each other, that we care for one another, and that even if we are lost and no one ever finds us, we are cared for long after we are gone, and by people who never knew our names.
Our outrage at her death only proves this. Now that we know her life ended tragically, what will you do? What CAN you do? Nothing. You will observe the blood, experience something that cannot be captured on film, and move on.
Does free will exist?
yeah
just two brofriends too high to remember they’re from space
(fanart is basically neo pop art, right? 👀)
for more check out my instagram @/art.hur.frain :)
Ah yes. The lesbian aesthetic.
Bug Goth gf and pink gf.
The art from “the Upstairs” section is by Trevor Henderson or @/slimyswampghost on twitter! This is worldbuilding for the Liminal Laugh Toys Corp ARG. No, you may not change the lore of my story. I see y’all in the tags, knock it off. If you have questions, just send an ask, this is an ask blog after all.
Apple iMac G3 "Flower Power" (2001)
my favorite thing is to say "investing in" instead of "buying"
just closed on a big deal with a major grocery chain vis-a-vis the procurement of some fresh strawberries
I remember reading this story of this guy who met his wife at a Star Trek convention but she spoke Portuguese and he spoke French but they both could speak Klingon and that’s how they communicated through the first few months of their relationship until they learned each other’s languages
Love wins
life is a high way
im gonna ride it with my bong
the best part of being alive is seeing people you know use your little turns of speech. actually
nonbinary robots are cool and all but imagine a robot designed to be genderless and it sees a girl and is like “wtf girls are cute im a girl now” and the scientists are like u cant do this thing but she is already out the door