Felipe Pantone - Chromadyna micap #3, 2020
Sweet Seals For You, Always
RMH
Misplaced Lens Cap

if i look back, i am lost

izzy's playlists!

ellievsbear
Mike Driver

⁂
wallacepolsom
No title available
DEAR READER
taylor price
Cosimo Galluzzi

JBB: An Artblog!

祝日 / Permanent Vacation
No title available
occasionally subtle
art blog(derogatory)

tannertan36
let's talk about Bridgerton tea, my ask is open

seen from United States
seen from United States
seen from United States
seen from Singapore
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from Saudi Arabia

seen from Türkiye

seen from United States

seen from United States
seen from United States
seen from India
seen from United States

seen from Malaysia

seen from United States
@49i00
Felipe Pantone - Chromadyna micap #3, 2020
perez saint bill
“I do not think that more information always makes a richer poem. I am attracted to ellipsis, to the unsaid, to suggestion, to eloquent, deliberate silence. The unsaid, for me, exerts great power: often I wish an entire poem could be made in this vocabulary. […] Such works inevitably allude to larger contexts; they haunt because they are not whole, though wholeness is implied: another time, a world in which they were whole, or were to have been whole, is implied.”
— Louise Glück, Proofs and Theories
From Pipenco Fw26
Erwin Wurm: ‘Palmers’ Series (1997)
Another, A/W 2002.
Ph. Glen Luchford
Akihiko Miyoshi, Artist Statement, 2004
Ada Limón, “Instructions on Not Giving Up” in The Carrying: Poems (originally published in 2017)