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Be still sometimes. Let it fall sometimes.

This is a poem for someone who is juggling her life. Be still sometimes. Be still sometimes.

It needs repeating over and over to catch her attention over and over, as someone who is juggling her life finds it difficult to hear.

Be still sometimes. Be still sometimes. Let it all fall sometimes.

~ Rose Cook, from “A Poem for Someone Who is Juggling Her Life” in Notes From a Bright Field (Cultured Llama, July, 2013)

hyperallergic

CHICAGO — In 1958, Leo Castelli mounted the first solo exhibition of paintings by the American artist Jasper Johns. Johns challenged the hegemony of the brushstroke by paralyzing it in thick encaustic, shaking the pillars of the reigning Abstract Expressionist movement and deflecting the course of modernism. That same year, in the region of Thonburi on the west bank of the Chao Phraya River near Bangkok, the self-taught Thai artist Tang Chang (also known as Chang Sae-tang) made his first abstract painting. To our knowledge, uninfluenced by his Western contemporaries, he created vigorous compositions infused with poetic gestures. Eventually foregoing the brush altogether in favor of the dynamism of his own fingers, hands, and arms, he also pioneered a new, verbally sparse style of poetry characterized by successive iterations of words and unconventional spacing that coalesced into visually recognizable forms — typographical poems redolent of Apollinaire’s calligrammes and e.e. cummings’s staccato rhythms.

(via A Pioneering Thai Artist in America)