William Morgan, Scheininger Clinic, Jacksonville, Florida, 1981-1982
cherry valley forever
The Bowery Presents
No title available
Today's Document
The Stonewall Inn
One Nice Bug Per Day
Fai_Ryy
Mike Driver

Jar Jar Binks Fan Club
Cosmic Funnies

ellievsbear
he wasn't even looking at me and he found me
h

gracie abrams
noise dept.
sheepfilms

No title available
No title available
Game of Thrones Daily
Claire Keane

seen from Spain
seen from United States

seen from Malaysia
seen from Bangladesh
seen from Germany
seen from Jordan
seen from Jordan
seen from Bulgaria
seen from Poland
seen from Nepal
seen from Brazil
seen from Ukraine
seen from Saudi Arabia

seen from United States
seen from United States

seen from India
seen from Türkiye

seen from France

seen from Malaysia

seen from Germany
@546920
William Morgan, Scheininger Clinic, Jacksonville, Florida, 1981-1982
Cesare Leonardi
(via boisonnas_fred_alpes_valaisannes_1979_p119.jpg (1277×1775))
“Toward a Concrete Utopia: Architecture in Yugoslavia, 1948-1980,” now on view at the Museum of Modern Art in New York
“ I am honoured, humbled and delighted to receive the Mario Pani Award here in Mexico City. I would like to first thank to Dr. Sonia Barnetche, for presenting me with the prize and Dr. Bernardo Gómez-Pimienta, Director of the School of Architecture at Anáhuac University.
There are many people who contribute to my work and who I want to thank: the engineer Patrick Gartmann, with whom I have developed a holistic constructive awareness; the dedicated employees in my office who translate my work into reality; the teaching assistants at the Academy of Architecture in Mendrisio who water the experimental ground, from which many ideas arise; the architectural theoretician Markus Breitschmid, with whom I have developed a life position that in the coming weeks will be published as a book with the title "Non-Referential Architecture"; the publisher Dino Simonett, who houses my work within the most beautiful books in the world; and last but certainly not least, this prize also goes to my wife Tamara, an architect as well, for being the person who I can dream with and imagine new possibilities.
With my work, I aim to express something which is genuine, while at the same time as general and as close to the truth as possible – in the sense of not ideological. In other words, I aim for an architecture that is "non-referential".
I believe that in our time an architect should know the needs of our society but not act as a sociologist, should be engaged in the environment, but not act as an environmentalist, should realize building construction, but not understand quantity as a value.
My work is more cultural than political.
I understand my role as an architect as one who thinks and creates space. Spaces give buildings - by means of their presence - subjective universal validity. I make buildings that make sense and I build for the people. “
VALERIO OLGIATI
Mexico City, March 14, 2018
giancarlo de carlo
Underwater Ballet
Anne Ten Donkelaar
01016CM d050 by Fondamenta
saint iosif cave
botanical garden in mount lofty australia
Underground Circuit
Macheta pentru proiectul de diplomă al Ioanei Grigorescu din 1947, cu tema Școală de Arhitectură
Apoio engastrado
Pacheco 1930
aviary Cedric Price