Always Tired.

Spooky girl from Philly.

[huariqueje]

Le Pèlerin, The Pilgrim   -   René Magritte 1966

Belgian 1898-1967 

[philamuseum]

What can the past tell us about the present? Artist Jitish Kallat revisits a letter from Gandhi to Hitler on the eve of World War II in his immersive installation “Covering Letter.” In revisiting this historical document, Kallat calls attention to the possibilities of peace and tolerance in a world plagued by violence.

Installation view of “Covering Letter,” 2016, by Jitish Kallat (Gift of Ajay Raju)

[your-lovers-and-drifters]

Strangers on a Train, 1951

[space-boob]

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Do you wanna come over later, to my house? Listen to your favorite songs, We’ll pretend the words ain’t true, they don’t mean anything to you

[theswampsofsadness-deactivated2]

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Billie Holiday - Gloomy Sunday

[mschristinamaria]

Salvador Dali’s dream sequence for Spellbound by Alfred Hitchcock/Fritz Lang’s Metropolis

[aura-eden]

René Magritte, The Lovers I and II, 1928

[polvoenlosojos]

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Billie Holiday - These Foolish Things 

[nevver]

In lieu of flowers, Megan Howland

[tergiverse-blog]

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The Mamas & The Papas | Dream a Little Dream of Me 

[malignantlyuseless-deactivated2]

GESPENSTER GESCHICHTEN #1035

[supernugget42]

[hypersexualfangirl-deactivated2]

file this under the shit-load of under appreciated people who you never learn about in school

[fanboy-trav-deactivated20190424]

By fucking hand, bro.

[tarynel]

you always hear about the first man on the moon but never this 

[thebenjamins-thebenjamins]

[chyserratops]

[365filmsbyauroranocte]

“Birds just don’t go around attacking people without no reason.”

The Birds (Alfred Hitchcock, 1963): empty spaces

[absolutelynormalchaos]

Me feeling OK.

[bogatyr]

Jacques-Louis David: Madame Recamier, 1800. Oil on canvas, 173×243 cm. Paris, Louvre

René Magritte: Perspective I: David’s Madame Recamier, 1950. Oil on canvas, 60×80 cm. [ x ]