-Saint Margaret-
noise dept.
Keni

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wallacepolsom
cherry valley forever
Aqua Utopia|海の底で記憶を紡ぐ

tannertan36

Kiana Khansmith

❣ Chile in a Photography ❣
official daine visual archive

Product Placement
will byers stan first human second

pixel skylines
Jules of Nature

if i look back, i am lost
ojovivo

JVL
Lint Roller? I Barely Know Her

bliss lane

Andulka
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@accidentallyahermit
-Saint Margaret-
Art by • Ian Miller
The day awakens the night, 1905 - oil on canvas
— Gaetano Previati (Italy, 1852–1920)
John Singer Sargent - Frieze of the Prophets (1892)
Lunar night
Ivan Aivazovsky, 1899
Oil on canvas, 45 × 73 cm
Queen Spanking Pawn - Bryan Charnley 1989
Hannah Hoch
The Father
1920
Austin Osman Spare, The Sun (Tarot Card), 1906
Marc Chagall (1887-1985). Moïse meurt en vue de la terre promise, où il ne devait pas entrer (Deutéronome,XXXIV,1 5), or, "Moses died looking to the Promised Land, where he should not enter (Deuteronomy XXXIV, 1 5)," c. 1956.
I've been fixating on the story of Moses since watching The Ten Commandments about a month ago. At the heart of his story lies a terrible, troubling, heartbreaking reality--or multiple heartbreaking, troubling realities, as is often the case with Old Testament stories. He took hundreds, maybe thousands, of lives to fulfill the will of God, and through a moment of human ego was denied access to the Promised Land.
The portrayal of Moses in Ten Commandments reminds me of how the Kwisatz Haderach was exulted by the Fremen in Dune. Both Paul Atreides and Moses fulfill their wonderful, terrible divine destinies at the cost of human life. Troubling implications about destiny, no easy answers, lots to chew on.
The Defence of the Sampo, by Joseph Alanen, ca 1910
In Finnish mythology, the Sampo (sometimes known as Sammas) was a magical artifact forged by the "Eternal Hammerer" Ilmarinen that brought riches and good fortune to its holder.
The Raft of the Medusa (1819) by Théodore Gericault. Musée du Louvre.
Jean Gabriel Domergue (1889-1962), ''The Sketch'', Christmas Number, 1923
Leonor Fini (1907-1996), 'Gardienne des phoenix', 1952
Norman Saunders, cover art for "Dime Detective", Aug 1950
'The Metamorphosis of Daphne'. Trapani, Italy. Coral figure; with gilt-copper mounts; on a later square wood base. 17th century.
Nicholas Hely Hutchinson aka Nicholas Hutchinson (British, b. 1955, Dorset, England) - Walking down to the Flooded River, Paintings: Oil on Canvas
Valentin Serov - Crow and canary (1896)