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@acetylene-eyes
Hans Bellmer (1902-1975)— Study for Anatomy of the Image [pencil on paper, 1950]
by @reincarnadine on IG
honestly? mind your own business ... ♡
Futanari - A Futanari Miracle with Nathaly Cherie and Eden Ivy (2024)
As a pornographic genre futanari is super problematic. (It's transgender appropriation/cosplay which substitutes cisgender women for trans women; however, at the present moment, it's particularly gross given the efforts by outspoken transphobic ass hats are actively trying to erase trans people from public life.)
All that said, I did not know this scene was futanari until I researched it. And although this revelation doesn't exactly sit well with me, this scene is extremely hot.
The digital cinematography conforms to the conventions and expectations of cinematic narrativity. It undermines pornographic tropes: instead of treating the plot as a context for the scene to follow, this creates a plot which serves as a context wherein a ritual of sacrilegious transgression unfolds. Within the context a bratty catholic school girl turns the tables on the abusive nun who has detained her for detention. The power dynamic is reversed and the student becomes the dominant force and the nun the submissive one.
Arguably my favorite part is that the nun doesn't managed to hold back very long. She comes after a short round of oral sex, the student undresses and before the nun's erection has a chance to abate, the student inserts her dick and rides it to a creampie finish, only to then immediately thread the twice milked cock into her ass where the nun comes thrice.
And that may actually be the most brilliant aspect of this scene, the way it includes semen as proof of orgasm but in a way where the emission of the fluid is fully integrated into the erotic impetus of the narrative. (I would go so far as to say the puddle of com that drips out of Eden Ivy's ass and dribbles on the nun's habit is texturally interesting and beautiful rendered.
Which begs the question if porn is about creating a fantasy, why not -- though the movie magic of montage -- imagine scenes where people fuck in ways it would be impossible for them to actually ever fuck in reality. Orgasmic effluvia are fascinating. Why confine them to just the end of the clip?
Juxtaposition as commentary.
Giacomo Sinapsi
Giuseppe Penone. Matrice di linfa – Ricordo d’infanzia (Lymph Matrix – Childhood Memory), 2007. Pencil, china ink and vegetal resin on Japanese paper.
https://giuseppepenone.com
Trevor Brown
_mrpov alex ero
Gay Pride (1990) by Catherine Opie
Source: Lesbians On The Loose (April 1995 • Issue 64 • Vol 6 No 4)