a hymn to war | a tog + acotar story | prologue SNIPPET
summary: set 80 years after acofas & koa | Prythian and Erilea have been opened to each other ever since a portal connecting the two worlds was found. Queen Aelin Galathynius has signed a secret peace treaty with the High Lady and High Lord of the Night Court, thus fortifying their friendship, and the union of their families. But when the other High Lords of Prythian discover the Night Courtâs secret friends, they are intent on seeing them as foes, and Eris Vanserra is ready to take the opportunity to further destroy what little is left of Prythianâs unity.Â
In a world remade by peace, you can hear the faraway drums of war that can - and shall - destroy it once again.
a/n: this story will touch on most of the tog + acotar characters, as well as introduce their children. you do not have to read my other gen 2 stories or headcanons to read a hymn to war, but this is a direct continuation of Suns and Stars.
hereâs my other gen 2 stories:
- Heirs of the Sun: Â post-koa || it begins two and a half-years after the war, and Erilea has slowly been rebuilt into a better world. Through various points of view, we see how all our friends managed to heal ever since, and what their lives have in store for them now that the sun has the chance to shine.
- The Archer. The Prey: they say with great power, comes great responsability. Hereâs the part they donât tell you: with great power, comes great loneliness, too. And the Prince of Adarlan knows loneliness all too well. (Hollin and Evangelineâs story)
- Suns and Stars:Â set in the future in both the throne of glass and acotar worlds. this is the story of the gen 2, where we will see the lives of our old favourites, as well as tell the stories of their children. Will the two worlds be eternal enemies, or fight to keep the peace together?
- To the Stars: set a couple of years after Suns and Stars || Imagine Feyre and Rhysand have a child, and name him Aidan. Imagine him growing up to be a quiet, loving ~slightly brooding~ male, just like his father. Imagine the aching loneliness he would feel and not understand. Imagine he falls in love with a human girl. That lives in a completely different world.Â
- If I Loved You Less:Â set in the future, where rhysand and feyreâs second son falls in love with a human girl | When you receive news that youâre about to be an uncle for the first time, it just doesnât seem possible that anything can come along and ruin it. Except for, you know, your Seer aunt having a vision of your human mate becoming fae under Dangerous Circumstances.
- The First Snow: second epilogue to Suns and Stars, depicting the events of the tog + acotar gen 2 story starting at the end of Suns and Stars, until a few years into the future.
rating: explicit | | masterlist | ask box | gen 2 page
~the worlds, books, and any recognizable characters belong to sarah j maas~
56 years after the events of acofas
Vanserra Manor, Autumn Court, Prythian
A shrill cry echoes through the manor.
Eris Vanserra grits his teeth, head bent over his dark mahogany desk. In front of him there is a map. Beyond him, there is world painted grey through a fogged up window that greets him with the icy reminder that this season will be a particularly cold one. There has not been a warm autumn day in decades, and Eris Vanserra has no intention of changing that, even though his powers have roots in these lands; even if he himself is autumn; even if his people further in the north have come knocking on his door complaining about no crops and bad harvests and wood that never burns for long.
Well. Where he is concerned, it is their own fault for not preparing beforehand. For taking this land and what t gives them for granted.
Another cry reverberates through the walls, and in a moment of blind rage he stands, and his desk is sent flying. Glass shatters at his feet, and mahogany leaves splinters on his dark floors. Eris ignores the cracks under his boots as he marches out of his office, and into the halls of the cold, silent manor that his father left him
Perhaps left is not the right term, not when one has to pry a crown from your fatherâs bloody hands and destroy the rest of your siblings to keep it.
But it is his all the same.
The cries become louder, and louder. He cannot stand it.
His wife goes still as tones as he opens the doors to her chambers. He cannot see the crying babe in her arms, hidden by her turned back and her dark hair, and he does not care to, either. He barely takes notice of his third child, his presence as soft as a dim light as he sits at the corner of the room, a book he cannot yet read opened on his lap. The child looks on as he father enters the room, every muscle locking into place, gaze travelling between his motherâs gentle face, to his fatherâs angry scowl. Involuntarily, his shoulders sink.
âShut him up,â Eris snarls low, hand on the door handle. âHeâs been howling for hours.â
The Lady of Autumn almost pretends her husband is not there. She is now the mother of four healthy males, so she is more than used to being a carer - and a calm one at that. But where calm begins and stoicism beginsâŠ
That is another question.
She was raised specially for him. Beron had known her father and grandfather - a good enough high-born family. In fact, because her and Eris had been close in age when they were introduced, they had become fast friends. And, perhaps, Eris might have once cared for her. Even loved her to an extend, even. He had yet to figure out how many children ago that was. Now, he dark hair and hazel eyes and pretty hips did nothing for him. After all, his wife had pulled away from him long ago. Sometimes she dared to look at him as if she despised him. And most times, the feeling was mutual.
Swaying the child slowly against her chest, and without turning her eyes to her husband, she says, âHe is ill again, Eris. Babes are allowed to fall ill every now and then, too. It is perfectly normal. Give him time.â
Erisâ lip curls. âHeâs a weakling.â
The Ladyâs back straightens, and slowly she turns. The childâs eyes move from the nonsensical symbols to look up, but the moment he meets his motherâs warning eyes, he promptly looks away.
Her gaze falls on her husbandâs face. âHe is no such thing. If you had held him once, only once, you would know that to be untrue.â
âThey do not need holding,â Eris snarls back, âthey need discipline. Something you cannot give them.â
A glimpse of surrow kisses her eyes, but the Lady blinks it away before Eris can sense it. âEris,â she murmurs, âhe is only a little boy.â
Eris looks her over. And finally, his eyes turn to the other child, alone in the corner, but the child knows not to look up. âI want him to be ready by dawn. His brothers will begin training him.â
The Lady raises her chin. âThey will do no such thing,â she says, and her voice still maintains an emperious grace about it. She tucks her baby into her shoulder and tries to refrain showing her teeth. âHe is a child still.â
âNo.â Her composure seems to rattle. A curtain falling. A mask taken away. She swallows her pride, familiar fear consuming her - not fear of the dangerous glint in her husbandâs eyes, but the fear that comes with nearing loss. âEris,â she whispers, âplease. Fraser is too young. Train him when he is old enough, so that he may learn faster. He barely knows his letters yet.â
Eris clenches his teeth. âHow old is he now?â
The Lady does not dare to breathe in relief. âOnly six.â
Erisâ eyes snap to Fraser, analysing, and the boy looks toward his mother, fear bubbling over the surface, almost, almost showing.
The lady looks between her husband and her third child, and with her free hand, she reaches out toward him. âFraser,â she says, keeping the calm in her voice. âCome here.â
Obediently, the child moves to her side, taking her hand, half hidden by her skirts, his eyes turning to his crying baby brother.
âLook at the way he moves,â she continues, adressing her husband. âStill has the walk of a child. How do you expect him to hold a sword?â
Her voice turns softer then, inexplicably. Like a caress. âEris.â She says his name as if she might have once said it. Tenderly. âSpare your son for a couple of years. That is all I ask.â
Eris shakes his head. âYou coddle them.â
Fraser sees his motherâs eye twitch. A slight tremble of her bottom lip. Things that might have escaped everyoneâs notice - even his fatherâs - but Fraser was attentive. Even this young, heâs already learned to capture the things that normally others do not look for. He sees nervousness. He recognizes it in his mother, because he recognizes it in himself, too.
âAnd you,â she hisses, âruin them.â
âPaloma,â Eris growls low - a warning. But Fraserâs mother turns her back on Eris, swaying the babe in her arms while keeping Fraser close to her. Those unusual hazel eyes of her turn to the window, watching the grey skies above, and Fraser is somehow reminded of the birds his father keeps caged in the gardens, always looking up at their ceiling, wishing they saw blue skies instead of iron.
Eris gives her a glare, and disgust lives in his gaze as he looks down at Fraser. It is a look he will remember for the rest of his life, before his father turns on his heel, and slams the doors closed.
His brother cries harder in his motherâs arms.
Paloma lets out a shaking breath.
She looks down at Fraser, brows pinched together. âYes, my love.â
âWhatâs wrong with Jerek?â He asks, frowning at his little brother.
Despite it all, his mother gives him a faint little smile. âTummy pains. You had them too, when you were very small.â
âWhatâs a weakling?â
Paloma loses her smile. âFraser,â she murmurs, âdo not ever repeat that word.â
âSorry,â says Fraser, âbut what is it?â
âIt means - someone who is not strong enough.â Jerek finally calms a little, exhaustion creeping in. Paloma sways him gently kissing the top of his head. âBut that is an ugly word, and it does not apply to your brother or to you. If anything, it applies to your father.â
Fraser pauses as his motherâs eyes turn to the window once more. A raging growl comes from the gardens below, and Fraser stands on his tiptoes, hands on the cold, marbled windowsill.
His mother and him watch as as his two older brothers train with each other among the oak trees. Crius manages to get his brother on the ground, but Octavian is lighter and faster, and swings his arm fast, catching Crius and his jaw by surprise. Criusâ blood drips on the grass. Laughter is heard. Turning his gaze away, Fraser watches his mother instead, and her downcast eyes. He can recognize the sadness in her gaze as she looks out the window at her two sons. Fraser has seen it endless times before.
âI do not want to train,â Fraser says, perhaps to his mother, but mostly to himself.
He does not like blood. He does not like the sight of it, nor the smell of it.Â
His mother pulls him close. Jerek sleeps at her shoulder. âI will keep you from that,â she gestures toward the window, âfor as long as I can, my love. But there will come a day when I will not be able to keep you from your father, and you must remain strong. Do you understand me, Fraser?â
Fraser lowers his eyes. âI must not be⊠a weakling.â
Paloma takes in a sharp breath. âYou will never be your father. Neither will your brother.â
Fraserâs gaze finds his brother, asleep, half hidden in the crook of their motherâs neck.Â
âOne day,â Paloma murmurs, âyou will know what I mean. And I will need you to protect yourself. And your brother, too. He will need you someday.â
âYou are an older brother,â Paloma says. âOlder brothers are protectors.â
Fraser does not understand for his older brothers have never been protective of him before, but as it is common in young minds, another thought occurs to him before he can finish the last one. âWhat are they training for, mama?â
Paloma closes her eyes for a single moment, and when Fraser tries to lean into the windowsill again, she drops the curtains. The room is only lit in candlelight now. For a long second, she does not speak. And then, under her breath, so as not to wake the baby, she says, âFor war, child.â
She seems to speak to herself then, rather than to Fraser. âThere is always a war.â A long pause, her eyes lost in the little fires around the chamber. âI have to do something before he takes you from me, too.â
Fraserâs heart races for a moment at the thought of being parted from his mother, but Paloma quickly comes back to herself and touches his cheek. âNevermind, my love. It is time for bed.â
Fraser helps his mother gently place Jerek in his cot. âGo on,â she says softly, and smiles as Fraser delicately places a blanket over his brother.
His mother tucks him in. Her bed is only a few feet away, but to Fraser the room feels as if it might extend to the other side of the world. Paloma sees the worry in her sonâs eyes and gently pulls his copper hair away from his face. Those dark eyes - her eyes - look up at her, glinting in candlelight.
âCan we keep the candles burning tonight?â Fraser asks in a single, soft breath. âJust for a little while?â
âDo not fret, child,â Paloma says to him. âThe darkness is nothing to be afraid of. You will know it. It shall be your friend, someday.â
âSleep, my darling boy,â she murmurs, âI will be here, worry not.â
The Lady of Autumn kisses her children goodnight.
She watches the last flame in her nightstand flicker and twist on itself, like a dance. She remembers dancing. She remembers parties and music and light and excitment, a dashing smile and a courteous hand and a gentle kiss and a whispered I love you. She remembers a flame that once shined bright.
Without another thought, nor care, she purses her lips.
a/n: AHHHHHHHHHHH. Another gen 2 fic you say? APPARENTLY SO. *sighs* I hope yaâll arenât getting bored or tired of the gen 2, but do let me know how you feel about this so far. i wouldnât want to write something you guys are not enjoying, so any feedback is absolutely appreciated! thank you all so much for reading, and hopefully i will see you for the next part!
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