Very excited to share these with my son
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Very excited to share these with my son
I just finished the Chronicles or Prydain by LLoyd Alexander and can see why it is considered one if the best fantasy series OAT. 2 quotes from the last couple of pages stood out to me. That being:
"A grower of turnips or a shaper of clay, a Commot farmer or a king-every man is a hero if he strives more for others than for himself alone."
And
"Not so long as men still hate and slay each other, when greed and anger goad them. Against these even a flaming sword cannot prevail, but only that portion of good in all men's hearts whose flame can never be quenched.''
This was genuinely such a good series and i cannot recommend it enough. All the characters go through so much growth over the 5 books. My favourite character was definitely Eilonwy. This series is so hope core Anyways thats it, aamiwaami out.
The Black Cauldron (1985)
Love an adventurer gal who just barges into the adventuring party every time they leave her behind
The Horned King from The Black Cauldron (1985) by Job.
I love how there's a guy who's like "All the harps in the world getting destroyed is absolutely worth hearing your grand tales"
THAT is a Bro 😂😂😂
Achren & Gwydion
"Find room, or make room, that's flat!"
Deeply enchanted with the fact that Taran's memories of Eilonwy are his most precious treasure — precious enough to rival actual in-world rare magical artifacts
Taran is such a hopeless romantic
I've done this scene a few times by now, but really, you can't have too many versions.
It's very heartwarming that after being apart for so long, Taran and Eilonwy finally get engaged-married in each other's arms
Thoughts on Taran Wanderer
...in which I write an essay.
*cracks knuckles*
The thing about the TW quest is that it’s not really about Eilonwy; it’s never been about Eilonwy, he just uses that as his excuse. If he actually thought for ten seconds that she gave a rat’s rear end about his parentage then he doesn’t know her or appreciate her enough to ask for her hand. I can imagine, if it ever actually came up, that she would tell him flat out that she didn’t care about his status and he would literally tell her she SHOULD care - like he knows better than she does whether their relationship is appropriate, and doesn’t even see how stupid and offensive that is.
TW is the book where Taran comes face to face with his own pride and vanity. That is what his quest is about. He really does hope and secretly believe he’s going to turn out to be a prince or a lord because he’s had his head turned by all those fairy tales in The Book of Three and he thinks that clearly, he has shown his worth so many times over, that PROVES he must be nobility because in his mind only high-born people behave nobly. That his actual lived experience contradicts this at every level is irrelevant; it’s the cognitive dissonance he lives with (and totally human, just look at the flaming garbage of current politics as a real-life example). And he wants to be noble...just because. Because that means he is Somebody besides some worthless Assistant Pig-Keeper. He wants to matter.
So until the experience with Craddoc he is able to lie to himself continually about what he’s looking for on this quest, and he indeed does a lot of heroic and noble things because that’s who he is underneath all the nonsense. But that’s why when he has to face the (apparent) truth that he is not nobly born but the poorest of the poor, it utterly destroys him. He doesn’t even wonder what Eilonwy would think because he’s too busy wallowing in self-pity and the crushing of his own dreams for /himself/ to be sensible and rationalize that if she loves him as a pig-keeper she’ll love him as a shepherd. And because he’s melodramatic Taran he thinks he’s being self-sacrificing for giving her up but he’s really being incredibly, horrendously selfish, not once considering how just being told to “forget him” would rip her heart out. I know I sound hypercritical here but it’s that paradox of, like, a suicide victim - it’s ok to be both compassionate toward that Level of unimaginable pain but also furious for how that act destroys everyone that loves them. And I really do think it’s what Lloyd was aiming for, BECAUSE...
...it takes the crisis of Craddoc’s fall to make Taran realize the depth of his own selfishness, that he could actually fantasize for a hot second about just leaving him to die. And this is not judgmental; most of us would probably feel the same way, because humans /are selfish/. Whether it’s a survival instinct in our DNA or the result of original sin - whatever your beliefs, we all have a streak of it, and it’s the true heroes who learn how to do the right thing in spite of it.
So then we have Craddoc’s confession and Taran’s near-death experience and he comes out of it not relieved to find out he’s not a shepherd’s son but just totally unmoored, because not only does he still not know who his parents are - he isn’t even the type of good guy he thought he was. As it turns out, when push came to shove he was just as fallible and selfish and vain and grasping as all the “common” people he was trying to rise above (It’s like he had forgotten all about Ellidyr and Morgant, two prime examples of royalty who were total frickwads). And so he’s still not ready to hope for Eilonwy at this point, because he realizes that without knowing who he really is, he can’t be anything to anyone.
It’s worth noting that it’s after this turning point that we see him beginning to mingle with common people. With the exception of Coll, and Aeddan and Alarca, every one of his companions, mentors, and acquaintances up to this point have been royalty, nobility, wizard, or some kind of Important Person. It’s Craddoc who gives him his first lengthy taste (Besides Coll, but we always take parental figures for granted) of what a poor but hard-working, proud and generous common man is. It’s a black mark and a big deal that Craddoc lies to him, but he’s still a sympathetic character who Taran comes to respect and love even as he resents him. Then after his crisis we get Llonio and all the Commot folks and for the first time he /gets/ the value of hard labor and craftsmanship beaten into him: prior to Craddoc he wouldn’t have cared or made the effort. (As a parent I can so sympathize with Coll here: “I tried to teach you smithing and it was oh, no, I wanna learn sword fighting, oh but you’ll learn it from THAT guy” - again, Lloyd got human nature so well.)
He wins his own self-respect back not through finding out he’s an orphaned prince or through magical revelation but through honest work and successful and humble leadership, and finding out that that’s who he really is after some of the pride and foolishness is burned away (or at least realizing it’s there and something he has to battle). It’s this that gives him a sense of his own identity so that by the time he looks into the Mirror of Llunet he has no need of it to tell him who he is, and that’s also the point where he realizes - FINALLY- that he’s worthy of Eilonwy. But he wouldn’t have been, prior to all of that; he would have been less of a man but just wouldn’t have known the real reason.
IMO if he had tried to draw Dyrnwyn at the end of TW he would have done so successfully. His accomplishments in THK are just gravy after this.
Jody Lee's cover for the Dell Yearling edition of Taran Wanderer, the fourth novel in Lloyd Alexander's excellent and award-winning series The Chronicles of Prydain.
This five-part series is always marketed to children and young adults, but it's on the same level as J.R.R. Tolkien's The Hobbit, just not so lore-heavy, so adults will love it too.
The series is based on Welsh mythology, and has plenty of great characters and battles. A particular favorite character of mine is Gurgi, the furry guy in the foreground, who is ALWAYS hungry and has a great love for "the crunchings and munchings."
Disney first acquired the rights to the books in 1973. It took them until 1985 to release The Black Cauldron, a dismal adaptation of the first two books. The animated film received very mixed reviews and was a commercial flop that almost ended Disney's animation department.
Unfortunately, Disney re-acquired the book rights in 2016, with the goal of producing live action film versions of the tales. Little to no progress has been made on that project in the last ten years as far as I know.
Frankly, the books lend themselves to being adapted into a television series of maybe six-to-ten episodes per season. That would give each story room to breathe. It would also allow the audience to grow with Taran, the main character. He starts out in the first novel, The Book of Three, as a young teen, and by the time the series ends in The High King he is a young man.
Ahhh to be a noble warrior prince, searching for an oracular pig with the help of an Assistant Pig-Keeper
It has been a joy to watch Taran grow from a boy with a crush to a young man in love
Especially when he flips the switch from denying his feelings to “fuck this, I am in love with her!”
Box design commissioned by the same client who got the bookmarks last year.
"Find room, or make room, that's flat!"