why dont they pose him in hsr like they do in apho
also whos making him shave in the express?? he rebuilt his body up from 0 twice and deemed it important enough to include his stubble in that not even a full beard he just had to have that 3 days unshaven look with patchy stubble
Various lil shots of Dr Flug that I’ve been turning into gifs for a while now. He is my favorite little fictional man, and I have been spinning him around in my brain, like soup in a microwave <3
I’ve seen people express confusion and frustration over human Vox’s hair so I made this little study focusing on Vincent and 1950’s hair. It’s a bit of a rush job but I hope people find it helpful! In regard to where his parting is, they just cartoon it to be on whatever side is facing the audience.
I’ll put the text under the cut. Also here’s my obligatory “I’m not a professional historian”; some photos may not be from the 1950’s and this is all based on my observations and opinions. So take this study with a grain of salt.
Studies of human Vox’s hair. His general shape is square but his hair is actually very swoopy
Side partings, short sides and waves were the general trends of 1950’s men’s hairstyling. Actors and rebels could be more dramatic with their styling than the typical professional. I think these three (Gregory Peck, Errol Flynn and Laurence Olivier) have the most Vincent-like hair.
Hair studies of young weatherman Vincent. To me, young Vincent looks like he has more volume in his hair, like a pompadour or greaser haircut. The pompadour was popular with the young, the rebellious and the working class. Businessmen kept them short, but longer ones were favoured by performers and the young (like Vincent..?).
Let’s look at trend setting Elvis Presley. See how his hair is slicked back at the sides, has a soft side parting and is swept up over the head into a soft, voluminous pompadour.
Hair studies of older Vincent. With older, bedraggled Vincent, let’s keep looking at Elvis and the pompadour. I think the style is closer to the short sides and waves of Errol Flynn, but this is a good example of how these product-heavy 1950’s hairstyles fall apart. Note the hair being slicked back on the sides, the side part (on the far side of Elvis’ head) and the stiff, product heavy strands falling in front of his face.
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