Helen Frankenthaler
Noah Kahan
Monterey Bay Aquarium
taylor price

shark vs the universe
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ojovivo
we're not kids anymore.
Stranger Things

tannertan36
Misplaced Lens Cap

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@theartofmadeline
Fai_Ryy
Show & Tell
2025 on Tumblr: Trends That Defined the Year
trying on a metaphor
I'd rather be in outer space 🛸

Love Begins
todays bird

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@adritatu
Helen Frankenthaler
In LA HOJARASCA, Elsa Leydier explores our paradoxical relationship with nature, caught between fascination and destruction. She works directly on tropical leaves (palm trees, banana plants, etc.), chosen for their strong symbolic weight in the Western imagination, coating them with paint. Once painted, the plants suffocate and become frozen, transitioning from living elements into fragile sculptures.
cigarettes by Irving Penn
Irving Penn
Henri Cartier-Bresson
John Divola - Dogs Chasing My Car in the Deserts
Hicham Benohoud’s new photobook “The Classroom” is a photographic ode to the relationship between power and pedagogy
In The Classroom, Benohoud’s evocative use of photography delves into his own experiences as a middle school teacher in Morocco. His frustration with the limited artistic resources and oppressive educational system of the time led him to experiment with photography as a pedagogical tool. He would create a makeshift darkroom in his classroom, encouraging his students to engage with photography in a way that transcended traditional boundaries of instruction. As he describes it, “I was introducing an element of escape—a way to both rebel and create—by blending imagination with the daily grind.”
Published by Loose Joints, in 2025
Winner of PhotoBook of the Year, Paris Photo–Aperture PhotoBook Awards 2025
Yuki Kumagai
Robert Frank
Bill Brandt: Beach Nudes
David Meskhi
Henry Head was a British neurologist who is well known for a self-experiment he conducted on his own left arm to study the sensory pathways and recovery after nerve injury.
Joseph Sterling: The Age of Adolescence
In Nikolai Bakharev’s Relation series, undressed holidaymakers reveal a longing for intimacy and togetherness, breaking free from the uniformity of Soviet life. His psychologically rich portraits reflect both the emotional vulnerability and identity crisis of a society in transition. In a country where nudity was censored for decades, Bakharev’s work stands as a quietly radical act within the realm of unofficial culture.
Alexandra Duprez
Bruce Weber - Bear Pond, 1990