Adultingproperly @adultingproperly - Tumblr Blog

frontmansdefender

I aspire to be as passionate about something as this guy and the orcas are passionate about hating the sunfish

In the sunfish’s defense!!!!!

crazy-brazilian

fandom-man

just-a-red-been-bread

All the Things She Said

thistlefig

I see a lot of people online saying that Orpheus (Hadestown specifically) looks back because he loves Eurydice so much, that there isn't a world in which he doesn't look back, because the kind of man who wouldn't look back is not the kind of man who would go after her in the first place, etc. It's inevitable because of the strength of his love. But I don't see that as being the whole picture. Textually, it is explicitly his doubt in himself, and in the narrative of his life, that makes him look back: "Doubt Comes In", and he wonders, who is he that Hades would let him win? Who is he that Eurydice would follow him through the dark? Orpheus used to have a very simple, naive view of the world and his place in it. He was single-minded. At the beginning he tells Eurydice he's the man who is going to marry her because...well, that's how the story should go, and he is a poet first and foremost. Then, when he meets Hades, he is confronted by what Eurydice did and what the world is really like. He is shattered by the realisation that Eurydice wasn't just a simple, "pure" victim, but that she signed her life away. He is beaten down and loses faith, he goes into "Is this how it is?" after he's literally already done the impossible by reaching Hadestown on foot. He should have proven his abilities to himself by this point, but things aren't going the way they are supposed to and he doesn't know who he is anymore. He isn't just a boy in love with a girl who sings a song to bring back spring: he's a boy who didn't look back when he should have the first time when she called his name; she's a girl who chose her immediate needs over his grand ideals. His faith in a world where they make it back together is broken. He looks back because he doesn't trust himself or the narrative that he's found himself in. It's even more heartbreaking to me, because the Orpheus he was at the beginning of the musical might not have looked back, but that version of Orpheus doesn't make it out of the Underworld.

And to top it all off, the version of Eurydice from the beginning of the musical, before love softened her hard edges and made her trust him, probably wouldn't have followed Orpheus out of Hadestown. Eurydice really does trust him to get her out, because she's looking for the Orpheus she used to know and she's seen the power of his song and worldview.

Am I rambling into the void or does this make sense to anyone else?

thememedaddy

yeuziu

"That is enough sharing for tonight, Barrett."

izloveshorses

'theatre is dying' okay but everyone is flocking to see a beautiful hit musical now that it's been released in the cinema, something more affordable and accessible to most people, and ticket sales in the west end in particular have spiked

'cinema is dying' okay but everyone is flocking to their local cinema to see a beautiful hit musical, and so many have shown up this weekend that licensers decided to extend its theatrical release for another week, a massive rarity in the current climate

maybe the answer to saving art is... seeing art?? and making art accessible??

pregnanthudsonwilliams

eight months later and i still can't fucking believe how good heated rivalry is. like it's just so good. it's crazy.

melobluelights

I really do love that Ilya was that mysterious ass coworker who doesn’t share anything about his personal life. He moved to Ottawa from one of the best teams in the league, he misses team events randomly despite being the captain, and doesn’t always travel with them (especially when they play in Montreal). His teammates just don’t question it and are like “yeah he’s a weird dude so whatever” lmao.

formulaonedirection

🥰 attitude problem 🥰

Bonus

thememedaddy

walliard

Posts I can't believe didn't originate on tumblr.

deermouth

i really really really really really like hadestown's repeated use of "eurydice was a hungry girl" because at first pass you might think oh, she's scrappy and street smart and her ambition is going to be the foil to orpheus's idealist romanticism. but nope! no she is literally hungry. she is starving. that is her motivator and everybody knows it. she loves, oh she does, but she can't be fucking blamed for fulfilling her physical needs first.

kindof-amess

Thinking about the Hadestown proshot and Orpheus being introduced wiping down a table with his back to the audience. Hermes has to call out to him again to get him to take his opening bow, and for the show to start, Orpheus has to turn around.