aeieie

[yesoknvm]

http://eslim.tictail.com/product/augmented-feelings-recording-1

[aeieie3]

UP TO YOU by Kansai Yamamoto Jacket

[aeieie3]

AESTHETIC TERRORISTS STATEMENTS:

NO. 1 ESTABLISH THE NAME AESTHETIC TERRORISTS

NO. 2 BAN BANALITY

NO. 3 RETHINK BEAUTY

NO. 4 AESTHETIC TERRORISTS UNITE!

NO. 5 HATE COPYCATS

NO. 6 CHERISH CREATIVITY

NO. 7  AESTHETICTERRORIGINALS RULE!

NO. 8 BAN FASHIONAZIS

NO. 9 AESTHETICTERRORTIME!

NO. 10 YOU’RE NOT ALONE!

[aeieie3]

AN OFFENSIVE ART MAY AROUSE ANXIETY ABOUT THE RITUAL CODE; THE OFFENDER ALLAYS THIS ANXIETY BY SHOWING BOTH THE CODE AND HE AS AN UPHOLDER OF IT ARE STILL IN WORKING ORDER.

[aeieie3]

IT IS NEITHER THE TRADITIONS NOR THE UNWRITTEN LAWS OF FASHION THAT DETERMINE WHAT HAPPENS, BUT THE DESIGNER HIMSELF. 

[aeieie3]

BLACK SISSI, DIRK VAN SAENE 1998-9

[aeieie3]

THEIR FAILING EFFORTS OFTEN PRODUCE QUITE HYPERREALISTIC IMAGES...IT’S THE TENSION BETWEEN THESE IMPERFECT ATTEMPTS TO CREATE A CERTAIN IMAGE AND THAT WHICH IS CONSIDERED SOCIALLY ACCEPTABLE 

[aeieie3]

JOEY ON MY ROOF, NYC 1991

THE OTHER SIDE, NAN GOLDIN (1993)

[aeieie3]

THIS IS A BOOK ABOUT BEAUTY. AND ABOUT MY LOVE FOR MY FRIENDS.

I NEVER SAW THEM AS MEN DRESSING AS WOMEN, BUT AS SOMETHING ENTIRELY DIFFERENT - A THIRD GENDER THAT MADE MORE SENSE THAN EITHER OF THE OTHER TWO...SINCE MY EARLY TEENS, I’D LIVED BY AN OSCAR WILDE SAYING, THAT YOU ARE WHO YOU PRETEND TO BE.

[yesoknvm]

[aeieie3]

RON ATHEY LIFE JACKET

[yesoknvm]

SPELLS FOR MODERN ROMANCE

[aeieie3]

There’s a nostalgia-driven underground market for hip-hop’s favorite Girbaud jeans

Independent tailors are breathing new life into the early aughts' most recognizable denim.

[aeieie3]

BLUE MIGHT BE THE WARMEST COLOUR BUT WHEN I SEE YOU I SEE PURPLE

[aeieie3]

 1998/99 W&LT KISS THE FUTURE! BLAZER

[aeieie3]

W&LT KISS THE FUTURE! T-SHIRT

[dekonstruktivisme]

[vikispleen]

Shinichiro Arakawa autumn / winter 1999-00

For the collections of this Japanese designer, native of a silk-producing region, the presentation is as important as the content. More “happening” than fashion show, each one illustrates a theme reflected in the choice of venue.  Shinichiro Arakawa likes to use public places as a way of symbolising the anchoring of the garment in contemporary society. His summer 1998 collection, which was made possible by an ANDAM fellowship awarded in 1997, illustrates the theme of the chrysalis with layers of flowing, transparent materials. Expressing a daring metaphor comparing the businessman to a silkworm in metamorphosis, Arakawa showed this line on a runway built in the heart of the Shinjuku business district. 

[antojos-raros]

Shinichiro Arakawa 

Dress presented in a frame AW 1999/2000