One of my hottest transfeminist takes that I have is regarding drag and ballroom actually. Read the whole thing in depth instead of skimming it then getting mad at me.
I think that the US transfemme desire to disown drag/ballroom is a symptom of both white cultureâs destruction of ancestral ties and the importance of cultural continuity, and of the predominantly white ignorance of it as a gentrified Black art form similar to how whites treat other Black art. They want a destruction of it because they see the effects and results of the gentrified version and assume thatâs all there is/was.
In particular itâs frustrating because while some drag queens are cis, a lot are trans women, non-binary, or otherwise transmisogynized and drag/ballroom and the tipping culture associated with it existed in part because the transmisogynized are so fucking unemployable and it provided/s a method beyond mutual aid for the redistribution of money, through the labor of performance.
In relation to trans women, I view drag queens as a pathway to transness similar to crossdressers, femboys, (unfortunately) sissies, and similar - where although the perception of them currently may cause harm to the perception of trans women at large due to the ways they compromise with predominantly white cishetero society to allow transfemmes to explore their gender, they are, in fact, still functionally people within the spectrum of transfemininity even if they havenât fully accepted their gender expansiveness for themselves. Harm they cause to the perception of transfemmes does not lessen them from that societal assignment, any less than we can say Caitlyn Jenner, Blair White, or Kelly Cadigan are less trans women because of the harm theyâve done to the perception of trans women. They are all, in effect, varying levels of transmisogynized whether they realize it or not.
When I was in DC I knew a lot of drag kings/queens and literally 95% of them are trans and either came to drag/ballroom as a way to explore their gender through art and/or make money bc poor, or started it and it was a gateway to unlocking their gender. Not counting the cis performers elevated by stuff like RuPaul, who is explicitly transphobic, I think I can count on my hands how many cis performers Iâve met. Hell, even with RuPaul shit a number of drag artists who have been on his shows later come out as trans (such as Bosco, who I literally grew up with), in part because they suppressed their transness publicly to maintain their career until they reached a point the blowback of coming out wound impact them less. Pulling a F1NNSTER to keep cash flowing for survival, if you will.
Iunno like. The earliest Balls we have records of were literally 1880-90s, predominantly Black (the oldest drag/ballroom performer we have records of was a Black trans woman from DC), and was one of the only safe places for trans people to exist as themselves. So I find the idea of writing it off due to a much more recent gentrification and commercialization of it as ignorant as how people often treat other demonizes or commercialized Black art.
âI just donât like the spectacle it makes of transness and harm it causes-â
Baby all Blackness is spectacle to crackers and An Amount of modern drag is white people doing minstrelsy of all Black women - not in the sense of gender at all but in the sense of race.
Like. A lot of Black culture in the US specifically is Big and Loud *because* of the repression of it weâve faced and the force towards respectability politics, which has echoed to queer culture because queer culture in the US is made vast majority from Black culture. Our existence is a spectacle so why not make a show out of why they hate us and try to erase us so that they canât get rid of even more.
Hating âthe spectacleâ of an actual performance art form is solidly rooted in white supremacy and white cultural notions of propriety/respectability. Many aspects of âspectacleâ seen in drag are directly taken from Ballroom or adapted from it/vogueing.
In summary: traditions are meant to change with situational, cultural, and environmental need but still be sustained as part of a culture. Gentrification is a poison to this that makes it harder for those the culture belongs to to practice it as it should. White ancestral shame is a poison that makes them think they should nuke everything historic/cultural that makes them uncomfortable regardless of whether itâs theirs or whether itâs something they stole and gentrified. Also yeag like,,, itâs a job/gig income predominantly for societal âundesirablesâ to make money when theyâre under/unemployed due to marginalization. And itâs also been gentrified to *gestures at RuPaul, et al.*
No matter what you think about drag or ballroom, poor predominantly racialized trans folks still gon be doing it because it is part of our culture no matter what tv shows and big names and people who have only seen those do to it, and itâs always going to be seen as one of the âdisreputableâ pathways to transness that makes other trans people look down on them because of the complicated ties to transmisogyny, because until someone publicly says the words âIm also a trans womanâ, WE also view them as a personification of what we fear the world sees us asâa man in a dressârather than an egg finding their way to gender in a way we deem unacceptable because it doesnât align with how we think it âshouldâ be done.
And I think thatâs on us honestly, not on them. If we say it can take as long or as quickly and as easily or messily for someone to sort out their gender as needed, this also has to be extended to the transmisogynized we view as âdisreputableâ regardless of if/when they reach a conclusion we deem acceptable or whether they die in the shell, never able to remove their masks fully.
Aight yall gon head and eviscerate me now
theartofmadeline
areudirty
blakekathryn
