Me, pretending be a normal, non-obsessive Star Wars fan: yes I liked the Ahsoka end credit sequence the Normal Amount
Also me, to anyone that will listen: note the use of the taiko drums to bring us back to Ahsoka's samurai/Japanese aesthetic as opposed to the Mandalorian's cowboy/Western aesthetic; the presence of non-Jedi force-users such as loth-wolves and purrgils suggesting Ahsoka's continued journey engaging with the Force beyond the Jedi-Sith binary; the weaving in of historical Star Wars soundtrack motifs such as Where the Sun Sails and the Moon Walks and Burying the Dead; and the exquisite timing & placement of actors' names within the sequence e.g. Natasha Liu Bordizzo when Sabine's theme from Rebels begins to play, David Tennant in the visually busiest and connected section of the star map indicating Huyang's long life and extensive connections, and Eman Esfandi at the visually most lonely part of the star map as the journey line heads into isolation. Also note the intensification of the taiko drums during Sabine's theme, an intriguing juxtaposition of the "Jedi" (/samurai) identity and "Mandalorian" (/cowboy) identity, linking both identities with Sabine, and linking Sabine and Ahsoka in the audience's mind. In this essay I will-
