Aeltri

Herself The Elf

[aeltri]

It's hilarious to see you denounce AI data centers only for you to use AI to produce shitty antisemitic cartoons.

I mean, it's not like your unemployed ass doesn't have the time to draw stuff yourself. You're just an untalented, lazy hack.

Ooh, Cunter's BIG mad! A shiksa is whining about her backers being accused of commiting genocide against semitic Palestinians? Your entire 'career' runs on pimps and auto-tune, bitch—without that, people's ears would bleed. I don't need AI to draw or sing but you need it just to sound human. You're a tool like AI, but at least AI is useful! As for data centers? I'm not denouncing them per se but reading comprehension was never your forte.

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[aeltri]

[aeltri]

Your poor parents. They must be so disapointed in you. They probably made so many sacrifices to pay for your art degree. And here you are, making AI slop Goebbles would have been proud of. And we all know it's not because you don't have the time. That's all your unemployed ass has.

LOL, you're mocking my parents for paying for my education? They didn't and at least I finished mine, you drop out. You couldn't handle a single degree, so you did the only thing your barren résumé qualified you for: you blackmailed a talented actor into marriage, and spent the next decade dragging him into your zero talent, negative charisma, avant‑garde black hole of fetch.

AI can't steal your ideas because you've never had any. You've wasted years stuffing Ben into PR double binds. The latest being the fake Gooner lie, the Attenborough Bday humiliation, and now this road rage setup. You're not a Handler; you're a career wrecking ball, and the only artificial thing here is your entire public persona.

You're not just mad about Dubai drying up or Dope Inc cutting your allowance. You're mad because you've run out of people to use. Ben is a husk, and Disney is done. Your Backers are mothballing your entire operation, and now you're reduced to spamming me simply because I'm laughing as I watch you sink. It doesn't matter how much you rage at me, I'll keep exposing you 😘.

[aeltri]

So, the Duke of Westminster (Hugh Grosvenor) is quietly selling off almost $1 BILLION of his US real estate portfolio. £700m/$954m worth of prime properties quietly going to the block. This isn't just a business decision. This is a seismic signal about where the Crown Corporation (AKA Dope Inc) thinks the global chessboard is heading.

Grosvenor isn't some fly‑by‑night developer. It dates back to 1677, literally built Mayfair and Belgravia, and is the ultimate old‑money bellwether. When Hugh Grosvenor's firm decides to pull almost a billion in direct US assets over the next three to five years and retreat to investment partnerships instead, you should be asking why. Officially, it's because North America lost £108m last year, and the UK portfolio delivered over $120m in profit. Translation: the empire is contracting, and capital is being reallocated back to the Motherland.

But here's the real context. The Grosvenors were captured by the Crown Corporation long ago. The family predates the modern financial network, but debt, marriage infiltration, and the Committee of 300 turned them into a compromised node. This selloff looks less like a routine portfolio adjustment and more like a major node preparing for what's coming. Reports say the remaining US team is being reduced to a "skeleton crew". Entire development operations are being shuttered. This isn't a trim, it's a full‑scale extraction before the music stops. The Crown Corp isn't just dumping US real estate. It's pulling its capital, repositioning for the next chapter of global conflict. Watch the money, it always tells the truth.

[aeltri]

[aeltri]

The Dope Inc. Framework

A clandestine global network — referred to here as Dope Inc. — has operated for decades as a shadow state, controlling or heavily influencing key sectors: narcotics trafficking, intelligence agencies, offshore finance, energy markets, and entertainment/media. Its power centers are rooted in the City of London and legacy intelligence structures (MI6, CIA elements), but it has long used the United States as a vassal — extracting wealth, destabilizing its society, and keeping its political system fractured.

The Machine

Dope Inc. maintains control through several interlocking mechanisms:

1. Shadow Finance

· Launders billions through real estate, art, crypto, and offshore havens (Caymans, BVI).

· Uses the petrodollar system as both a tool and a vulnerability — deliberately weakened it to create chaos and profit from volatility.

· Strips assets from Western nations via fraudulent social programs (homeless funds, disability schemes) — the same blueprint seen in the US, Canada, Australia, and the UK.

2. Intelligence-Entertainment Complex

· Recruits actors, directors, and producers as intelligence assets (willingly or through compromise).

· Uses film and TV as propaganda, recruitment tools, and cover for HUMINT operations.

· Projects like The Courier, Tinker Tailor Soldier Spy, and The War Magician were not just movies — they were tells, embedding real tradecraft and signaling asset status.

3. Proxy Wars & Destabilization

· Funds both sides of culture wars (e.g., "No Kings" movement) to keep the US electorate divided and distracted.

· Uses NGOs, foundations (e.g., Soros-linked entities), and media outlets to amplify chaos while extracting wealth.

· Ensures that no faction wins decisively — perpetual managed instability.

4. Energy & Geopolitics

· Controlled the Strait of Hormuz via Lloyd's of London monopoly and Iranian proxies (IRGC as "toll booth").

· Dope Inc. used Iran and BRICS de-dollarization rhetoric as leverage against the US, not genuine rebellion.

· Current US crackdown (dark fleet sanctions, Venezuela seizure, Fortress America) is a counter-revolution — dismantling Dope Inc.'s energy and financial pipelines.

Players & Assets

· Benedict Cumberbatch

· A long-term asset, recruited via GCHQ+CIA programs.

· His filmography is a confessional: spies, geniuses, compromised men.

· His sham marriage to Sophie Hunter was not romantic but operational — she served as a handler or connector to Epstein/Weinstein networks.

· His "family man" rebrand was a complete failure because it was a flimsy cover, not authentic.

· He was excluded from Avengers: Doomsday due to Hunter's reputational liability (Marvel ban) and because Disney/Marvel are now distancing themselves from Dope Inc.-linked talent under pressure from the current administration.

· Sophie Hunter

· Former Epstein Girl and Weinstein associate.

· Involved in trafficking-adjacent activities (private ads, Dubai routes).

· Used her connection to Cumberbatch to launder her image; parasitized his brand.

· Permanently banned from Marvel sets after multiple incidents.

· Her network (Dope Inc.) is collapsing, and she is now on multiple shit lists (DNC, intelligence community, Hollywood power brokers).

· Stan Kroenke (Arsenal owner)

· An American billionaire with deep Hollywood ties.

· Knows Cumberbatch is compromised.

· Permits only limited UK promo (low risk) but will not bring him to the US, where the administration is actively prosecuting Dope Inc. assets.

· The Current US Administration

· Engaged in a controlled demolition of Dope Inc. networks.

· Using Fortress America, energy independence, and financial warfare (Bessent's "Economic Fury") to sever the levers of shadow control.

· Will not openly admit this war exists — it operates through sanctions, task forces, and quiet blacklisting.

The Perfect Storm

The convergence of several factors is causing Dope Inc.'s collapse:

· Iran conflict disrupts Dubai money corridors and Hormuz tolls.

· Epstein files force public distancing by former allies.

· AI and data centers render old human intelligence networks obsolete.

· US protectionism cuts off asset stripping pipelines.

· Internal narcissistic self-sabotage accelerates their downfall.

What Comes Next

· The dollar will stabilize, and US forex reserves will increase as Dope Inc.'s rigged game ends.

· Oil prices will drop and remain steady.

· Hollywood will undergo a quiet purge of compromised assets.

· Public figures like Cumberbatch will be digitized, and relegated to minor, controlled appearances.

· A new, less permeable elite will emerge — loyal to the nation-state, not the shadow network.

[aeltri]

What I dreamt roughly a year ago, @murphysmom67 knows.

[aeltri]

🧵 Aeltri's Thesis: Cromwell → Great Fire → Dope Inc Takeover

1️⃣ Cromwell Deposes the Crown (1649) & Readmits the Sabbateans (1656)

· After the English Civil War, Cromwell abolishes the monarchy, creating a power vacuum.

· For pragmatic economic reasons (trade with the Spanish Main), Cromwell invites Sabbatean merchants back into England in 1656.

· My framework: This wasn't just about trade—it was the infiltration vector for Sabbatean operatives (the "Edomite" network) who had been lurking in Amsterdam and the Ottoman Empire.

2️⃣ The Great Fire of London (1666) — Ritual Arson, Not Accident

· Thomas Bloodworth, Lord Mayor of London and a Levant Company (Turkey Company) member connected to the Dönmeh/Sabbatean network, is complicit.

· He deliberately refuses to order firebreaks, allowing the fire to destroy 80% of the city.

· Timing is ritualistic: 1666 = the Number of the Beast (666) and Sabbatai Zevi's prophesied messianic year.

· The fire serves as a burnt offering to Baal-Molech—a sacrificial destruction of the old medieval London to "purify" the ground for a new financial order.

3️⃣ The Financial Void & Reconstruction — Birth of Modern Debt

· Post-fire, London needs massive rebuilding capital.

· Traditional guilds and nobility are indebted. The goldsmiths (proto-bankers, many of foreign origin) step in to finance reconstruction.

· This marks the shift from physical wealth to debt-based financial power.

4️⃣ Consolidation — The "Dope Inc" Takeover (c. 1688–1815)

· Glorious Revolution (1688) and Bank of England (1694) formalize the new debt-based system.

· The City of London becomes a self-governing financial citadel, separate from the Crown's authority.

· Battle of Waterloo (1815) — The Rothschilds (key Sabbatean-Frankist node according to Antelman) position themselves as indispensable financiers of European powers, effectively becoming managers of the peace.

· The City of London is now fully operational as the headquarters of global drug money laundering, debt peonage, and parasitic finance—i.e., Dope Inc.

5️⃣ The Edomite Usurpation Complete

· The Sabbatean-Frankist network (Edomites) now controls the global financial system via London.

· They rule without legitimate authority—they stole the "Adamic robe of kingship" from Nimrod (Esau beheading Nimrod in rabbinic lore).

· The U.S., Canada, Australia, and others become vassal states paying tribute to this London-based parasite.

6️⃣ Now (2026): Nimrod's Revenge

· The "Nimrodic" faction (Black Nobility, Imperial-Ghibelline, traditional bloodline tyrants) has had enough.

· They see the Edomites as base usurpers who cheated their way to power.

· The External Revenue Service (ERS) is the American sovereignist weapon to break tribute payments and repatriate wealth.

· The ISO 20022 distraction is just noise while the real war—Edomite parasites vs. Nimrodic legitimists—reaches its climax.

· The UK, Canada, Australia are in Phase 4 (discard) ; China is being eyed as the next host; the U.K.'s Guelph nobility, who "whored themselves" to the Edomites, will now be discarded alongside their masters.

🔚 The Final Act

Cromwell opened the door, the Sabbateans lit the fire, London rose from the ashes as a debt-powered parasite, and now the Nimrodic faction is burning it all down to reclaim the stolen robe—while the rest of us watch the house of cards collapse 🃏🔥👑

[cosmicportal]

source is everything.

[thememedaddy]

[haaaaaaaaaaaave-you-met-ted]

Dragon Magazine #89 Cover Art by Denis Beauvais

[aeltri]

[aeltri]

[aeltri]

Sophie Hunter's Peerage Cred VS Actual Black Nobility: A Tragedy in One Act

So apparently someone in Camp Cunter thought sending me a Bridgerton question would be a flex. Cute. Does she identify as a Regency-era Korean maid now? While we're doing genealogy, let's talk about real bloodlines, not the fictional ones you're trying to cling to. First, let's establish the Hunter "credentials" —such as they are:

Sophie Irene Hunter, born March 1977 in Hammersmith. Daughter of Anna Katharine (née Gow) and Charles Rupert Hunter. Granddaughter of General Sir Michael James Gow, who was indeed Aide-de-Camp General to the Queen. Great-great granddaughter of John Edward "Galloper Jack" Bernard Seely, 1st Baron Mottistone. Very nice. Very British. Very much the kind of lineage that gets you invited to the right parties and mentioned in Debrett's. And yes, she's related to Jane Birkin's family. First cousin twice removed, to be precise. This is the connection her camp clearly thinks matters. Now let's talk about what they're not telling you about that Birkin connection...

Jane Birkin's great-aunt? Winifred "Freda" May Birkin. Mistress of the Prince of Wales (the future Edward VIII). That's a royal mistress—the kind history half-remembers and polite society pretends not to notice. But let's go deeper, Jane Birkin's ancestry traces to Louise Renée de Penancoët de Keroual. Breton noblewoman. Sent to England by Louis XIV himself as a spy—an agent of the French crown with a very specific mission: seduce Charles II and advance French interests at the English court. She succeeded spectacularly. Became the Duchess of Portsmouth. Bore Charles II an illegitimate son, the Duke of Richmond. And through that line, the Birkin family carries French mistress ancestry that's not just scandalous—it's political. A deliberate infiltration. A bloodline purchased with bedroom politics. So when Hunter's camp wants to play the Birkin card, they're playing a card that says: "My ancestor was a royal spy and mistress who advanced the interests of England's enemy while warming the king's bed."

Now let's compare that to my family, the D'Avalos. You know, the ones in the Holy Roman Empire Association? The one run by the Orsini? The Dukes of Vasto and Milan? Papal Princes? No, I don't expect you to recognize any of this—you're too busy googling whether Sophie Baek is "canon." Let me help you with some names your Wikipedia deep-dive probably missed:

Ferrante D'Avalos: Marchese of Pescara. Condottiero. One of the most brilliant military commanders of the Italian Wars. Captured at Ravenna, ransomed, then proceeded to make Charles V's imperial ambitions actually work. His wife?

Vittoria Colonna.: Daughter of Fabrizio Colonna. Granddaughter of Federico da Montefeltro. Poet. Intellectual. Friend of Michelangelo. The woman whose palazzo was the center of Renaissance reformist thought. Also: Papal Princess. Actual Black Nobility. The kind of woman who had popes and emperors seeking her counsel rather than sending anonymous asks about Netflix. The Colonnas, by the way, have produced:

· Multiple popes.

· Cardinals too numerous to count.

· Generals who actually won things.

· A saint (canonized, not the Instagram kind).

The D'Avalos intermarried with everyone who mattered. We're not talking about some Regency-era costume drama connection. We're talking about the kind of blood that built and broke empires while your ancestors were...well, whoring and spying, apparently. Let's talk about what "Peerage cred" actually means. Because here's the thing about lines that include royal mistresses: they're bastard lines. Illegitimate children of kings are still illegitimate. They don't carry the name. They don't carry the titles. They don't carry the weight. The Peerage is full of people whose ancestors were on the wrong side of the blanket, and they've spent centuries pretending otherwise—while the French spies in their bloodline laugh from the grave.

The Gow and Seely connections are respectable, certainly. Generals, barons, Aides-de-Camp to the Queen. But those are service titles. They served the Crown. They did not wear it. They did not command it. They were not it. My family? We were under the blanket, in the bed, at the negotiating table. Signing the treaties, commanding the armies. Marrying the heirs and being the heirs. The Orsini and Colonna have been feuding and intermarrying and running the Holy Roman Empire's Italian affairs since before England had a proper monarchy. They didn't need to be mistresses—they were the wives and the husbands, and the power behind every throne worth sitting on. The hierarchy is simple:

Your family: Served the Crown. Respectable. Commendable. The kind of people who get mentioned in footnotes and military histories.

My family: Was the Crown. In Italy. In the Holy Roman Empire. In the Papal States. The kind of people who are the footnotes everyone else chases.

Your Birkin connection: A royal mistress and a French spy—someone who gained influence through the bedroom rather than the battlefield or the council chamber. Someone who served against English interests while pretending otherwise.

My D'Avalos-Colonna connection: Commanders, poets, saints, princes of the Church. People who shaped history through force of arms and force of will.

So here's my advice to Cunter and her trolls:

You can keep sending anonymous messages about Bridgerton. You can keep pretending that "Benophie" is a thing anyone will remember in five years. You can keep clinging to your general grandfather and your baron great-great-grandfather and your distant cousin Jane Birkin with her spy-mistress ancestress. But when you're done? Go to Venice, find a nice café and order a lemon sorbetto. Sit in the piazza and watch the tourists. Because that's where you belong—consuming the surface, enjoying the aesthetic, pretending you're part of something that you'll never actually belong to. Your ancestors may have warmed the king's bed, but they never sat at his council. They may have served the Crown, but they never wore it. The real Black Nobility? Doesn't eat sorbetto in Venice, they built the palazzos it's been served at for six centuries. The D'Avalos and Colonna names are carved into the history you only read about in books. Give my regards to the ghosts of all of those French spies—I'm sure they're very proud of how low their bloodline has fallen.

[comparativetarot]

Justice. Art by Orla Bird, from the Avisomnia Tarot.

[aeltri]

[aeltri]