afleshfesten

Idiosyncrasie synthétique

[afleshfesten]

« Être de gauche c'est d'abord penser le monde, puis son pays, puis ses proches, puis soi ; être de droite c'est l'inverse. »

Gilles Deleuze

[miamaimania]

“The Naiads” (1881) ≋ Gioacchino Pagliei

[m--bloop]

“Quit trying to hold on so tight. I’m gone. Long gone.”

Twin Peaks: Fire Walk with Me dir. David Lynch (1992)

[afleshfesten]

Lynch

[mordmardok]

Pablo S. Herrero Variante del secreto Fumage y tinta china sobre papel 250 g 28 x 19 cm

[mordmardok]

poetofcinema

Masculine Feminine (1966) - Jean-Luc Godard A romance between young Parisians, shown through a series of vignettes.

[afleshfesten]

Nombril du monde…

[butmyloveyouhavewings]

[about-eli]

Lynch

[dreaminginthedeepsouth]

“Everyone discusses my art and pretends to understand, as if it were necessary to understand, when it is simply necessary to love.” ~ Claude Monet

[Ian Sanders]

[afleshfesten]

Idem pour les gens qu’on aime…

[patatoscope]

[headpainmigraine]

☝️☝️😩

[7pleiades7]

La Vérité (The Truth) (1870) by Jules Joseph Lefebvre (French, 1836 – 1911), oil on canvas, 264 cm × 112 cm (104 in × 44 in), Musée d’Orsay, Paris

[palomamia]

Niloufar Banisadr 

Lettre de Mado- Print on Plexiglass

[mordmardok]

Love left its proof where words could not. I kept acting calm, but my skin remembered. Some goodbyes stay warmer than the touch itself.

© Shiraku Tosai

[pmamtraveller]

Ana Jaren

[jinxproof]

Chloë Sevigny, 1995 | © David Perez

[afleshfesten]

A girl & a gun !

[les-larmes-d-eros]

Vitruvean woman, par PG Herbster. modèle Aim

[pmamtraveller]

Pandora (1896), by John William Waterhouse

[pmamtraveller]

A Forest by Gustav Klimt