Origami Around
Andulka
TVSTRANGERTHINGS
pixel skylines
Stranger Things
Monterey Bay Aquarium
Cosimo Galluzzi
I'd rather be in outer space 🛸
noise dept.
art blog(derogatory)
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Three Goblin Art
taylor price
Misplaced Lens Cap
Show & Tell
One Nice Bug Per Day
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blake kathryn
hello vonnie
Claire Keane
seen from Malaysia
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seen from United Kingdom
seen from Malaysia
seen from Singapore
seen from Norway
seen from Netherlands
seen from United States
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@agatheringofbees
you can click on this button once daily to help palestine and support other causes in the middle east for free. it takes literally 5 seconds and could help save lives so please take the time to click and share this link.
#oh it raises money thru ad revenue and ur click confirms the value to advertisers. neat
me after a minor inconvenience: i hope i get hit by a [remembers i’m anti car-centric infrastructure] pedestrian
no one says big mood anymore. no one even says mood. no one says anything. all thats left is a dry wind, that scours my face until i bleed
Could you imagine making your own movie, making like 20 million dollars, and then going “awesome, now to install a DVD duplicating machine in my house and personally burn copies by hand like a medieval monk preserving sacred texts”
Like I need people to understand the mental image here of a multimillionaire internet creator personally overseeing DVD production in his own house like he’s running an underground bootleg operation out of a basement in 2007.
It’s weirdly charming because there’s something very “old internet” about it, this energy of “I made a thing, and now I will physically hand it to people myself like an artisan at a craft fair.”
The man really said: “The future of cinema is me standing next to a humming disc burner at 2am”
And like... I can't help but believe he's onto something
i miss you
throughout the late 2000s and early 2010s, our generation was inundated with aave. it eclipsed lolcat as the "funny way to talk." ain't nobody got time fo dat turns into dat boi o shit waddup. this is blatantly not an "aracial" or "gen z" way to talk. it IS black english. not to mention the amount of black reaction images!!
WHY, specifically, is it black peoples' facial expressions that are seen as just so comical or exaggerated? analyze the history of this nation's comedy and tell me why you might be predisposed to thinking of black peoples' faces as just, "more emotive" or exaggeratedly funny than a white or nonblack person's
and throughout those years, 00s-10s, many black bloggers -- victims of the mass staff-led purge (under the cover of them being 'russian' while reichblr still exists) -- they DID tell us it was a problem, DID try to educate people who freak out at the insinuation of 'being racist,' DID argue, DID point out the duplicity and the appropriation and the gross equivalence of african american slang with unintelligence, goofiness, etc. and they were ignored, abused, cancelled, chased off, until being eventually mass deleted by our racist transmisogynistic staff.
we didn't do enough, and the generation after us gen z "kids" didn't stop the trend. using the '-ahh' suffix. rizz. no cap. ate. delulu. it's giving. it's serving. crash out. lock in. aura. tea. main character. bruh. slay. real. keep it 100.
all of the following images are or were popular reaction images! what do they all have in common?
it feels like the effort to categorize slang as AAVE and not 'gen z' or 'gen alpha' slang has really petered out. it feels like we stopped talking about digital blackface in an era where the administration is posting ai-generated videos of black women who speak and act like exaggerated stereotypes and it frustrates me because we all have a responsibility to understand our generation's role in normalizing this type of racist shit for kids today. this needs to be addressed!
Listen, fellow trans women, I love you all, but if you think that trans men or transmascs are an oppressor class you need to log the fuck off because you are being brainpoisoned by discourse-mongers. That is a legitimately rocks for brains take
There is a HUUUUUGE gap between "transfems experience a unique intersection of oppressions which are not experienced by transmascs", which is true, "some passing trans men benefit from male privilege", which is true, "trans people are not immune to transphobic rhetoric and this can sometimes take the form of transmascs engaging in transmisogyny", which is true, and "transmascs should be treated as equivalent to cis men because trans men are men and therefore as men they are a danger to trans women" like do you see where the gigantic leap of logic comes in here?
There is something personally offensive to me about accounts that go out of their way to post about transmascs being dangerous or untrustworthy or transmisogynistic when the primary danger to trans women right now is the goddamn United States government. Like we've got people in the white house who would outlaw all HRT if given the opportunity and you're gonna post about trans men?? I don't even mean this in a "we have bigger fish to fry" sort of way I mean this is the sense that building solidarity is one of the most important things you can do when faced with a hostile government and society. It's not just that the claims being made are bullshit and transphobic it's that the whole thing feels actively self-destructive toward creating any kind of community that's of any use to anyone
There’s no mobility aids in the game so I just gave him a pet cane
silly art student sylveon
How to Finish
I drew this poster for Jon Acuff and his FINISH book tour. Big thanks to Jon for this collaboration, his book has some great ideas about how to complete creative and life goals.
Love this, but reblogging it specifically for “Get rid of secret rules.” That’s one of the most amazing illustrations—and points—I’ve ever seen.
so important especially for perfectionists who procrastinate and never finish, or even start because they set such high standards for themselves.
Common Words & Phrases from AAVE
Gullah & Early AAVE
Gumbo – From Bantu kingombo (okra), brought by enslaved Africans and became the name of the Creole stew thickened with okra.
Goober – From Kikongo nguba, the Bantu word for peanut that entered American English via enslaved Africans.
Yam – From West African languages (e.g., Wolof nyami, "to eat"), brought over during the slave trade and adopted into Southern cuisine.
Banjo – From a Bantu root (mbanza), the instrument was crafted by enslaved Africans based on West African string instruments.
Bogus – Likely from Hausa boko-boko (deceitful, fraudulent), entering American English through African American speech in the 19th century.
Juke (box/joint) – From Gullah juke (rowdy, disorderly), derived from Wolof dzug (to live wickedly), later attached to roadside bars.
Tote (to carry) – From West African languages (e.g., Kikongo tota, "to pick up"), recorded in Gullah before spreading to mainstream English.
Dig (to understand) – From Wolof degg (to understand), popularized by jazz musicians in the 1930s after entering English through AAVE.
Jazz – Possibly from West African or Creole slang for energy/sex, first documented in AAVE in Chicago around 1912.
Okay (OK) – Though its origin is debated, strong evidence traces it to West African languages (e.g., Wolof waw kay) via enslaved Gullah speakers.
Hip/Hep – From Wolof hipi (to open one's eyes, to be aware), entering jazz slang in the early 1900s before going mainstream.
Hepcat – A compound of "hep" + "cat" (jazz slang for a person), literally meaning "one who has his eyes open" in West African-influenced jazz culture.
Jazz, Blues & 1940s–60s Era
Cool (as in fashionable/calm) – Originated in jazz circles, likely from saxophonist Lester Young, and entered mainstream via West African aesthetic concepts of composure.
Cat – A jazz-era term for a skilled musician or cool person, derived from West African-influenced jive talk.
Crib – Jazz slang for a house or apartment, popularized in the 1940s before becoming mainstream in the 1990s.
Hokum – AAVE slang for nonsense or BS, used in blues and jazz before being adopted more widely.
Diss – Short for "disrespect," coined in AAVE and popularized through hip-hop in the 1980s and 1990s.
Bad (meaning good) – From AAVE, where inversion of meaning creates emphasis (something so "bad" it's actually good), used since early jazz era.
Jive – AAVE slang for deceptive talk or a style of jazz dancing, used by Cab Calloway in his 1930s Hepster Dictionary.
1970s–90s (Hip-Hop & Pre-Internet Era)
Homeboy/Homegirl – AAVE for a close friend from one's neighborhood, popularized in hip-hop and later shortened to "homes" in casual speech.
Dope (meaning great) – Shifted from "stupid" in standard English to "excellent" in AAVE during the 1980s hip-hop era.
Props – Short for "proper respects" in AAVE, used in hip-hop to acknowledge skill or achievement before entering mainstream slang.
Word (as in "I agree") – AAVE interjection ("Word!" or "Word is bond") meaning "I'm telling the truth," derived from Nation of Islam teachings.
Phat (meaning cool/great) – AAVE acronym believed to stand for "Pretty Hot And Tempting," though likely an invented backronym; popularized in 90s hip-hop.
The Bomb – AAVE phrase for something excellent or top-quality, widely used in hip-hop lyrics before mainstream adoption.
Def – AAVE slang for "excellent," popularized by Run-DMC's "King of Rock" and 80s hip-hop culture.
Fresh – AAVE for stylish or excellent, used in early hip-hop and 80s pop culture before spreading globally.
Wack – AAVE for "bad, inferior, uncool," popularized in hip-hop and later mainstream youth speech as the opposite of "cool."
Hella – AAVE intensifier meaning "very" or "a lot of," originating in Oakland/Bay Area AAVE in the 1970s-80s.
Cap / No Cap – AAVE meaning "lie" and "no lie," popularized by Bay Area rap in the 2010s, derived from "capping" (exaggerating).
1990s–2000s (Internet Adoption & Ballroom Culture)
Slay – From AAVE and Black ballroom culture (Paris is Burning, 1990), meaning to do something extremely well, now mainstream via social media.
Spill the Tea – From AAVE (originally "spill the T," with "T" meaning truth), popularized by drag culture and Black queer communities.
Shade (as in insult) – From Black ballroom culture (documented in Paris is Burning), meaning a subtle insult, now used broadly in pop culture.
Reading (as in insulting) – From ballroom culture ("reading" someone), meaning to publicly insult with wit, immortalized in Paris is Burning.
Kiki – AAVE from ballroom culture meaning a casual gathering for gossip or chatting, later mainstreamed through pop music (e.g., Kesha).
Fierce – AAVE and ballroom term meaning exceptionally good or intense, applied to fashion, performance, or attitude.
Woke – From AAVE meaning socially and politically aware, first used in 1940s Black activism before resurging with Black Lives Matter.
Shook – AAVE meaning startled or upset, used in 1990s New York hip-hop (e.g., Mobb Deep) before mainstream adoption in the 2010s.
On Fleek – AAVE phrase meaning perfectly executed, coined in a 2014 Vine by Peaches Monroee, one of the last pre-AI viral AAVE innovations.
Finna – From AAVE contraction of "fixing to" (preparing to), documented in Southern AAVE for decades before wider use and dictionary recognition.
Chile – A phonetic spelling of "child" in Southern AAVE, used as a term of endearment or exclamation since at least the 1970s (The Wiz, 1978).
2010s–Present (Social Media & Gen Z Slang Pipeline)
Lit – AAVE meaning exciting or excellent (originally "intoxicated" or "on fire"), popularized in hip-hop before becoming a Gen Z staple.
Bae – AAVE term of endearment meaning "before anyone else" or just a shortened form of "babe/baby," mainstreamed in the 2010s.
Ratchet – AAVE originally meaning a rowdy, aggressive woman (from "wretched"), later used to describe anything wild or out of control.
Turnt – AAVE meaning excited or intoxicated, from "turned up" in hip-hop lyrics, mainstreamed in early 2010s party slang.
Clap Back – AAVE for a sharp, witty comeback or retaliation, popularized in hip-hop (e.g., Ja Rule's 2003 song "Clap Back") before internet slang.
Bussin' – AAVE meaning delicious or excellent, applied to food or anything great, popularized on TikTok in the 2020s.
Sus – AAVE shortening of "suspicious" or "shady," used for decades before Among Us made it a global meme in 2020.
Snatched – AAVE originally describing flawless hair/makeup or a tight waist, now used to praise anything perfectly executed.
Periodt – AAVE emphatic form of "period" (meaning "end of discussion"), with a hard "t" for emphasis, popularized on Black Twitter before global use.
Bonus: My personal favorite AAVE term that I see used online religiously is receipts! AAVE meaning the proof shown to back up an accustation
collection of chromogenic prints belonging to an unnamed gay couple in the 1970s (via)
Trying to torture my nemesis to death but it is rapidly becoming apparent that my bumbling yet perverted assistant has once again somehow mixed up the labels on my two identical vats of bubbling green acid, one of which only dissolves clothing.
Frankly beginning to wonder why we even have these.
what happened to "cool as fuck grandma" as a character trope. i miss "cool as fuck grandma"
all i need is a sweet treat. and six thousand dollars
