Writing a Coherent Novel Among Blue Flowers
Is it possible to write a coherent novel when the primary research source, that I’ve become so deeply embroiled in, is anything but coherent? And how was that for a non-coherent sentence? The witchcraft confessions of Isobel Gowdie are extraordinary. And strange. And mixed up in many ways, so it seems to me. Here’s a quote from Confession 2, not translated by me, slightly translated by Robert…
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