Landsknecht costume by Hafty Dla Szlachty.
Claire Keane
ojovivo
RMH
DEAR READER
KIROKAZE
cherry valley forever
Show & Tell
Misplaced Lens Cap
Sweet Seals For You, Always
he wasn't even looking at me and he found me

Andulka

❣ Chile in a Photography ❣
Three Goblin Art

Origami Around
Sade Olutola

Janaina Medeiros
we're not kids anymore.
No title available

#extradirty

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@aisle17
Landsknecht costume by Hafty Dla Szlachty.
… all the tentacles complete — but no, the front one is not right! Some surgery required. Out comes the hacksaw, but only to the wire armature so the arm can be shaped into the correct curves. Then like Dr. Frankenstein I fasten it back together with staples and recover with more resin putty.
And now is time to sand …
and sand and sand and sand until it is time for the little sucker cups … M2, M2.5, M3, M4, M5, M6, M8, M10, M12 white nylon washers
I pulled out my collection of plastic seals and off we went for days of cupping —15 days spent modeling the contours of each of the 663 suction cups
The Blessed Virgin had to be sanded very delicately to give it back some of its immaculateness.
The happiness of some is the dust of others.
Take advantage of this white octopus, it seems that it is very rare to come across one. Shortly after I did my little experiments with paintings —
A few days to finish the color, but because it will have to go through a few coats of a special glossy glossy varnish, which makes the viscosity so good… mmm yum. Given the size of the room I could not apply it in one go. The drying takes between 24 and 48 hours, so it will probably take me a week to complete the application of this varnish-resin.
If your head is spinning too much, don’t look at this indecent image.
Soasig Chamaillard (French, b.1977)
Notre dame du poulpe (Our Lady of the Octopus) - recovery statue with illegible signature, aluminum wire frame, plaster strip, polystyrene, resin (epoxy putty), plumbing seals (plastic washers), acrylic paint, resin varnish - 47 cm high x 70 cm wide - 12 kg - work-in-progress March 20 to May 31, 2015
“I grew up in a Christian Western society. My perspective on life has been a result of my environment and background. The playful interaction of society’s many icons, physical transformations, and the resulting improbable combinations, have culminated in my vision of a woman’s role and place in our society. This inner questioning of a woman’s role, has led me to use one of the most sacred icons in my work, namely, the Virgin Mary. Initially, I begin with damaged statues, either donated or discovered in garage sales, which I then restore and transform. I surely do not mean to shock those who believe but rather to move those who see.” — Soasig Chamaillard
http://www.soasig-chamaillard.com/sculpture-sainte-vierge
https://www.instagram.com/soasigchamaillard/
http://chamailleries.blogspot.com/
https://www.facebook.com/chamaillard.soasig
THE MAKING OF CALIMARY
I might like herons
1 am thinking abt the triassic cuddle once again and getting sad. The Thrinaxodon was in a torpor and wouldn’t have woken up before it drowned in the rain. The Broomistega was badly injured and dying. Neither of them ever actually knew each other but their last moments are curled up together and immortalized in stone Hggggm
The fossilised burrow they were found in cant be opened or it will ruin the bones so scientists can only X-ray scan it for images. They literally cannot be separated without destroying their remains they will sleep in there forever together ( <——-is so normal abt this)
Historically, many American states considered the rights of private property owners to extend “up to Heaven and down to Hell”, a state of affairs which posed a navigational hazard to American vampires. Those who were wont to fly by night in the form of a bat found themselves obliged to weave through a dense thicket of privately owned airspaces, with dire consequences for miscalculation.
With the advent of commercial aviation, however, the Federal Aviation Administration (FAA) was granted control over passage through American airspace which supersedes the properly rights statutes of the individual states. This created a loophole which vampires could exploit, albeit at a peculiar cost: in order to fall under the FAA’s jurisdiction, vampires are obliged to register themselves as ultralight aircraft and submit flight plans for their nightly excursions.
Today, FAA is heavily infiltrated by vampire thralls tasked with ensuring their masters’ registrations and associated flight plans are properly filed and approved without coming to the public’s attention, a position of both considerable influence and considerable risk.
(The plight of Canadian vampires, meanwhile, is more straightforward. Strictly speaking, all Canadian airspace is the private property of the Queen of England, so the freedom to fly by night hinges upon having received the Queen’s personal invitation. The ability to obtain this invitation remains one of the primary drivers of class stratification in Canadian vampire society.)
‘Harpy’, Art by Erin Kelso
wife material
Know what I’m salty about?
In all my art classes, I was never taught HOW to use the various tools of art.
Like yes, form, and shape and space and color theory and figure drawing is important, but so is KNOWING what different tools do.
I’m 29 and I JUST learned this past month that India Ink is fucking waterproof when it dries. Why is this important? Because I can line something in India Ink and then go over it with watercolors. And that has CHANGED the ENTIRE way I art and the ease I can create with.
tldr: Art Teachers: teach your students what different tools do. PLEASE.
WAIT INDIA INK JS WATERPROOF ONCE IT DRIES????? THE ENTIRE REASON IVE AVOIDED MARKERS MY ENTIRE LIFE IS BECAUSE JNK BLEEDS AND YOURE TELLING ME INDIA INK IS
F U C K I N G W A T E R P R O O F
oh man your teachers did not do there jobs!
-Yo painters, use pencil if u must underdraw beneath an oil painting, the lead is archival but ideally you should be doing underdrawings in a muted earth tones (siennas, umbers, ochres or earth green) with some titanium white added to it. (The white nearly matches the canvas and earth tones naturally blend with all colors on top unless u do super thin glaze washes).
-Trying to make a natural looking warm black? Don’t use black straight from tube, Mix alizarin crimson and viridan. add raw umber to adjust for light depth.
-If your into mixed media ALWAYS use acrylic first and oil on top (the gesso on primed canvas is acrylic based and oil sits on top of it great). NEVER put acrylic paint on top of oil, the acrylic will crackle/decompose and fall apart/off the canvas.
-India ink is permanent and if your using ink from a jar it should say it’s permanence. professional art grade pens usually have there permanace listed either on the pen or the companies website.
-Red cinnabar is poisonous, DO NOT EAT IT, no matter how much like fruit loops it smells.
-Translucent and transparent are NOT the same. translucent is *shiny* and a cloudier color, ideal for mixing usually ordor making vibrant colors like for eyes, cars, etc. Transparent is matte and usually a 50% transparency from an opaque color.
-ALWAYS DO A TEST SWATCH OF ANY NEW MATERIAL.
-any paint made with “true alizarin crimson” “red lake” and “chrome yellow” pigment is a fugitive paint. Fugitive means the pigment fades dramatically and disappears over time, (usually 5 to 15 years) lots of van goghs paintings have this problem. be very careful with these pigments. Alizarin crimson especially smells extremely sweet and like fruit loops or fruit loops, don’t eat it.
-gauche is a mix of watercolor and ink, proceed with caution as this material can be an asshole.
-Watercolor can be made darker/thicker by letting it dry slightly in cake form or in liquid form and can be dry brushed if u get the timing down.
-Paint liquid rubber or lay down thin pieces of painters tape on edges in watercolor paintings to Prevent bleeding between lines if u need super sharp edges.
-always tape down the entire paper edges when u paint with watercolor to a board to prevent the paper from curling as it dries.
-add salt directly into wet watercolor paintings to absorb pigment and make shit look like space.
-Always paint in well ventilated areas and avoid getting lots of paint on your hands. lots of paint is made with heavy metals and can cause cancer.
-natural materials aren’t always safe, especially
-Ones u collect yourself, do your research before grinding, burning, sanding these things especially indoors.
-use NATURAL bristles on your brushes with oil paint and SYNTHETIC bristles on your brushes for acrylic and watercolor. synthetic bristles literally break off into oil paint and stick into your painting, and natural bristles can’t handle the weight of acrylic paint and rip into 15 directions. Use hard boar bristle for the underdrawing/underpainting of an oil painting as it will force the paint into the canvas pours more effectively cause it’s stronger, use softer bristles for outer layers of oil painting and blending, boar will pierce outer layers and is to hard for anything but the first layer. can’t tell what u have? clean it up and brush it on your face, softer it is the better it is as doing outer layers of color.
-if you have a decent painters’ tape, you can prewet your watercolor paper, tape it to a surface & weight it down with some books to press it flat while it’s wet and help keep it from buckling later once dry, this is especially useful because for some reason, watercolor block is half again as expensive or more than a comparable sized pad or large sheets to cut down, even by the same brand
-natural sable is good for watercolor if you can afford it, i have two smaller brushes i shelled out for to try it, and while i probably didn’t treat the finer point one right, the other one is a miracle i’ve had for nearly 20 years.
-chinese calligraphy brush sets are fantastic for large work and washes and way, way cheaper most times than standard brushes, and it doesn’t seem to matter how cheap they are, either. they may shed a little, but they do a really good job holding and distributing water.
Rb for any art students
I love how more than one tip was “do not eat art supplies”
Reblogging (again, I think) as I’m one of those people who could go into a good art supply shop and effortlessly drop a couple grand* on art supplies even though I might never use them. 😄
*if I had a couple grand.
Mass Effect shitposts feat. my Shepard pt 3
Part 1
Part 2
OBSESSED with this figure from Immunology
It’s not the gynaecology department if residents aren’t using ring pessaries as pen holders
Annie Stegg
“X bodily fluid is just filtered blood!” buddy I hate to break it to you but ALL of the fluids in your body are filtered blood. Your circulatory system is how water gets around your body. It all comes out of the blood (or lymph, which is just filtered blood).
“Okay but why is it always so chemically roundabout and unnecessarily complicated” well buddy, that’s because your blood is imitation seawater. See? It’s very simple.
Blood is what now?
It’s imitation seawater what part is confusing
#are you telling me#humans are just sentient aquariums?
Buddy if anything is living in your blood (except for more parts of you) in detectable amounts then you have a serious microbial infection and need to go to the hospital.
Humans are seawater wastelands kept sterile of all but human cells, with microbial mats coating their surfaces.
Thank you that’s…very disturbing
It’s not my fault you’re human.
Ok but “It’s not my fault you’re human.” Is the best comeback ever.
You can use it against anyone except children that you biologically helped to create.
#/blood is imitation seawater/ is the part that’s confusing
Picture this: you are a Thing That Lives In The Ocean. Some kind of small multicellular animal a long time ago, before proper circulatory systems existed. “Wow,” you think, metaphorically, “it sure is difficult to diffuse chemicals across my whole body. Kinda puts a hard limit on the size and distance of what specialised organs I can have. Good thing I have all this water around me that’s the same salinity as my cells (they have to be that way so I don’t explode or shrivel up) so I can diffuse and filter chemicals with that.”
“Wait a minute,” you say a couple of generations later, because you’re not actually a small animal but an evolutionary process personified and simplified to the point of dangerous inaccuracy for the purposes of a Tumblr post, “instead of losing all these important chemicals to the water around me, how about I put it in tubes? I can keep MY water separate from the rest of the world’s water! Anything I want to keep goes in my water! Anything I don’t, I dump back into the outside water! I’m a genius! An unthinking natural trial-and-error process that’s a GENIUS!”
“Wow,” you think a great many generations later, “being able to have such control over such high concentrations of important chemicals is so great. Look how big I’m getting. I even have a special pump to move my seawater around, and these cool filter systems to keep the chemicals in it right, and that control and chemical concentration has let me grow so many energy-intensive, highly specialised organs! Being big is so hard. I need special cells just to carry my oxygen around now, to make sure my enormous, constantly-operating body has enough of it.”
At this point you are embodying a fish, and eventually, fish start straying into water with different pressures and salinity levels. (I mean, they do that since befor ehty’er fish, but… look, I’m trying to keep things simple here.) “What the FUCK,” you think. “My inside water is at a different salinity and pressure to the outside water?? How am I supposed to deal with that? I can’t have freshwater inside my seawater tubes! My cells have a set salinity and they would explode! I need to start beefing up my regulatory and filter systems so that my inside seawater STAYS SEAWATER OF THE CORRECT SALINITY even if the outside water is different! Fortunately, adding salt to my seawater is a lot easier than removing it, and I want to be saltier than this weird outside water.” At this point you beef up your liver and urinary systems to compensate for different salinities. (Note: the majority of fish, freshwater and saltwater, have a fairly narrow band of salinities they can live in. Every fish doesn’t get to deal with every level of salinity; they are evolved to regulate within specific bands.)
You also, at some point, go out on land. This is new and weird because you have to carry all of your water inside. “It’s a good thing I turned myself into a giant bag of seawater,” you think. “If I wasn’t carrying my seawater inside, how would I transport all these important chemicals between my organs and the environment?” As you specialise to live entirely outside of the water, you realise (once again) that it’s a lot easier to add salt to water than to remove it in great quantities. Drinking seawater in large amounts becomes toxic; your body isn’t specialised for removing that amount of salt. Instead, you drink freshwater, and add salts to that. The majority of your organs are, at this point, specialised for moving your seawater around, protecting it, adding stuff to it, or taking stuff out. You have turned yourself into an intelligent bag for carrying and regulating a small amount of imitation seawater, and its salinity (and your commitment to maintaining that salinity) is based entirely on the seawater that some early animals started to build tubes around a long time ago.
And that’s what a human is!
Well, there’s another few steps, of course.
Because at some point, operating along lines of logic that worked out perfectly so far, you did decide to be a mammal.
A mammal is a machine for adapting to Circumstances. A mammal is a tremendously resilient all-terrain life-support system, with built-in heating, cooling, respiration, and incubators for reproduction. Mammals internalise everything (grudges, eggs) and furthermore are excessively, flamboyantly wet internally. Sure, everyone’s a bag of chemicals; but mammals slosh. Mammals took the concept of an internal ocean and took it in an unnecessarily splashy direction, added aftermarket mods and a climate-control system,
and just to show off, you leaned across the metaphorical gambling table and said: “my internal ocean is so good-“
“Bullshit,” said the shark, keeping it salty (ha)
“My internal ocean is so brilliantly resilient, more so than any of YOURS,” you said, holding their attention with a digit held aloft, “that for my next trick, I shall artistically recreate the ballad of evolution as a performance. I shall craft a complex chemical ballet depicting the origin of multicellular life - using some of my own material, of course-”
“Oh, ANYONE can lay an egg,” yodel the fish, and the ray adds: “ontogeny does NOT recapitulate phylogeny!!”
And you’re like, “yeah no, it’s an artistic rendition, not a literal thing. Basically I’m going to take some cells and brew them up-“
“Like an egg.”
“Like an egg. An egg but internally.”
“Yeah,” said the viviparous reptile, “yeah, like, that can work really well. I’ve always said it’s the highest test of one’s chemical know-how. It’s a lot of work. And forget about support from your family - forget about support from your PHYLUM - all you get is criticism.”
“I’m gonna do it on purpose forever,” you said. “The highest chemical, thermoregulatory, immunological, everything-logical challenge. It’s gonna be my thing.”
“I’m with you,” said a viviparous fish, stoutly. “Representation.”
You kindly don’t point out, once again, that you’re planning to do this outside the ocean, in a range of temperatures; carrying the dividing cells in a perfect 37.5• solution of saline broth in all terrains, breathing oxygen in a complicated matter, you know, bit more difficult; but you need your allies.
“It’s solid,” says the coelacanth.
“But is it metal?” says the deep-vent organism.
“Oh, it’s metal. I will feed the young,” you say, magnificently, “on an echo of the mother ocean. The first rich feast of cellular matter, the first hunt for sustenance, the first bite they sip of our liquid planet-”
Everyone waits.
“Will be a blood byproduct. My own blood byproduct.”
Everyone looks uncomfortable.
“But,” a hagfish says carefully, “don’t you outdoorsy guys still need your blood?”
You cough and explain that if you stay wet enough internally and hydrate frequently, you should be able to produce enough blood byproduct to sustain your hellish new invention until they can eat your peers.
The outrage that follows includes questions like “is this some furry shit?” And: “milk has WATER in it?”
And you won the bet. “My inner ocean is such a perfect homage to the primordial soup that I can personally cook up an entire live hairy mammal in it. And then generate excess blood byproduct from my body and give it to the small mammal until it gets big.”
That is an absolutely bonkers pitch, by the way, and everyone thought you were a showoff, even before the opposable thumbs. When the winter came, and the winter of winters, and the rain was acid and the air was poison on the tender shells of their eggs and choked the children in the shells; when the plants turned to poison, and the ocean turned against you all; when the climate changed, and the world’s children fell to shadow; your internal ocean was it that held true. A bet laid against the changing fates, a bet laid by a small beast against climate and geography and the forces of outer space, that you won. The dinosaurs fell and the pterosaurs fell and the marine reptiles dwindled, and you, furthest-child, least-looked-for, long-range-spaceship, held hope internally at 37.5 degrees. Which is another thing that humans do, sometimes.
A new COVID-19 vaccine, developed by researchers from the Texas Children’s Hospital and Baylor College of Medicine, is being offered patent-free to vaccine manufacturers across the world. Human trials have shown the vaccine to be safe and effective, with India already authorizing its use as…
A new COVID-19 vaccine, developed by researchers from the Texas Children’s Hospital and Baylor College of Medicine, is being offered patent-free to vaccine manufacturers across the world. Human trials have shown the vaccine to be safe and effective, with India already authorizing its use as production ramps up to over 100 million doses per month. The vaccine has been named Corbevax and it is based on a traditional protein-based technology that has been safely used for decades. Like other COVID-19 vaccines, Corbevax focuses on the coronavirus spike protein, but instead of using mRNA to direct our cells to produce those spike proteins internally it delivers lab-grown spike proteins to the body. The researchers took the gene that codes for the spike protein and engineered yeast to produce it. These proteins are collected, purified, and combined with an adjuvant to enhance immune responses. This exact method has been used to produce the hepatitis B vaccine for years. “Protein-based vaccines have been widely used to prevent many other diseases, have proven safety records, and use economies of scale to achieve low-cost scalability across the world,” says Maria Elena Bottazzi, one of the lead researchers on the project.
I never thought the words “Way to go, Texas” would be words I said in 2022 but, here we are.
This vaccine uses older technology, so it’s not great at preventing transmission. However, it’s still VERY effective at keeping people from getting dangerously sick, the primary concern at this point in the pandemic.
The incredible thing is that their research was not funded/supported by government vaccine grants or a medical corporation’s lab. The vaccine was instead developed through the “investments” (with no returns) of almost exclusively Texas-based private companies and people, including (according to various reports) the Austin-based company Tito’s Vodka and Texas grocery chain HEB.
A bunch of TEXANS really just said “yeah I feel like life-saving, pandemic-ending vaccines should not be patented” and developed a patent-free vaccine.
Is this what da Vinci looks like
It is.
okay, let me start out by saying that the whole shooting fireballs from your hands thing is awesome as hell. thanks for showing it to me. but, just so you know, this is way outside of my specialty as a gastroenterologist. if you want to make your fireballs stronger, you should schedule an appointment with a rheumatologist.
rheumatologists specialize in inflammation
question to fellow stem friends: how do you keep going even when so much of what you have to learn isn't immediately gratifying or fun? I'm sitting here trying to learn about the minutiae of digestion, which is cool objectively and on a macro scale, but like... this is so hard and only bc I'm not immediately entertained. And also like all of mcat chemistry....
Like, of course I want to be a doctor, but also like.... the krebs cycle........
Send help 😩
Mostly by turning it into a game in some way, like making a quiz out of the material and organising a quiz night with some classmates
I also like being That Bitch who knows all the obscure details everyone else has forgotten, because that way you can easily build a reputation for being terrifyingly smart
I, uh, don’t? I only try to focus on what is relevant for me to know in my daily work, because that way my ADHD actually helps me sit and read after work for three hours while my husband is wondering when the fuck we were going to sit down to have dinner.
I wasn’t a very good student. I’m a much better professional. It took a lot of effort for me to squeeze through, and it was worth it.
I tend to find that it helps to force myself to draw/diagram topics that I find particularly dry or nitpicky- I don't think I've ever tried to learn renal physiology without drawing out all the tubes and labeling what goes in and out where.
I think having to actively organize the information is really useful for thoughtfully engaging with it, and trying to produce a concrete product at the end makes it harder to give up/get distracted halfway through.
Good luck!