â random hot things guys do that i think are levi-coded part l
minors dni contains sfw & nsfw
⌠when he unbuttons the top of his shirt and rolls up his sleeves to clean. jaw set, brows slightly furrowed in focus. he wipes sweat from his temple with the back of his hand, and the veins in his forearms flex when he wrings out the cloth. he catches you staring and pauses, just briefly, giving you a pointed look that makes your stomach flip and those tiny butterflies flutter.
⌠when heâs fucking you slow, one hand gripping the innermost part of your thigh to keep your legs spread while the other is pressed flat against the mattress. you can hear the faint rasp of his breath, the soft drag of it near your ear before he exhales your name in a breathy, groaned curse. and when your pussy clenches just right, he grits his teeth and mutters something low, like heâs trying not to lose it completely.
⌠when you wake up before him and roll over, only to find him already watching you with heavy-lidded eyes. his hand comes up to your waist, rough hands coming around to press against the skin of your stomach. he drags you closer without a word, tucking your head under his chin and closing his eyes again.
⌠when he lifts you onto the counter without asking just grabs you by the waist mid-kiss and sets you down like you weigh nothing. then stands between your legs, hands on either side of your body. he dips his head to trail hot open-mouthed kisses down your neck.
⌠when youâre straddling him on the couch and his hands are secured firmly on your waist. his lips moving against yours in a way that almost seems hungry. he pulls back just enough to look at you and mutters âtch⊠clingy,âbut his grip doesnât loosen. he doesnât let you go
⌠when he cuts a guy off mid-sentence for looking at you too long. he doesnât yell, doesnât make a scene, just gives a low âwatch your eyesâin a tone flat enough to turn the air cold. and the whole room quiets.
⌠when youâve gotten dressed in a hurry and he silently fixes the collar of your uniform/shirt. he doesnât break eye contact at first, his fingers linger for a half a second to long and he subtly looks from your eyes, to your lips and back in a way that makes it so you canât breathe.
⌠when heâs balls deep inside you, one hand holding your wrists above your head. he rolls his hips in just the right way. slow enough that you feel every ridge of his shaft. your voice breaks, body trembling beneath him. a whimpering mess. he mutters âtch, youâre so loud.â but he doesnât stop. if anything, he fucks you harder.
⌠when he checks your gear before a mission. he doesnât ask. just steps behind you and starts tightening the straps on your harness with precise movements. his fingers brush your ribs as he adjusts the buckles, than tug once to make sure theyâre secure. âtoo loose,â he mutters. and when heâs done, he steps away without looking at you. like it didnât make your heart drop to your stomach.
After a night of floating over storm-soaked Derry and tucking frightened kids into bed, you finally meet the clown in the drain who decides the townâs new magical nanny is going to be his favorite game.
1. The Nanny Bird
The first thing you learn about Derry is that the town hates silence.
Even at closing time, when Alâs Diner is wiped clean and the neon sign buzzes itself hoarse, thereâs still the hum of something. The fridge. The radio in the back that never quite turns off. Old pipes muttering to themselves like theyâre remembering things better forgotten.
And under all that, if youâre quietâif you listenâyou can hear it.
The town breathing.
You stand at the front window with a dish towel in your hands, watching the rain smear Main Street into streaks of silver. Itâs late, close to midnight, and the world outside has gone that particular kind of dark that belongs only to small towns and bad dreams.
Your umbrella leans against the doorframe beside you. Black handle, polished wood worn smooth by someone elseâs hands long before it ever fit yours. The parrotâs head at the top has one glass eye slightly cloudy, the way old peopleâs eyes get. It sees more than it lets on.
Your carpetbag sits on a nearby booth, looking far too small for the amount of babysitting supplies youâve pulled out of it over the years.
âYou gonna head out, doll?â
Alâs voice drags you from the window. Heâs wiping his hands on his apron, gray hair sticking up from the humidity in tufts that make him look more like a tired rooster than a man.
âYeah,â you say, folding the towel. âMrs. Mackie wants me over. Kids wonât sleep again.â
He snorts. âWhen do they ever? You walkinâ?â
You glance outside again. The rainâs picked up, falling in sheets. Main Street is empty in that suspicious way, like itâs not really empty at allâjust holding its breath.
âIâll be fine,â you say lightly. âStorm canât do much if I ask nicely.â
Al squints at you. He doesnât know what he knows about you. Thatâs part of the trick. Grown-ups see what they want to see. Itâs always been that way.
Your grandmother used to say it with a smile and a crisp, unyielding tone: Adults are willfully blind. Use that. But donât you ever forget whatâs really there.
You grab your umbrella and carpetbag on your way out. The bell above the door gives a weary jangle as you step into the rain.
The first drops hit the umbrella before youâve even fully opened it, pattering against the black canopy in a rhythm that makes something old and deep in your chest hum back.
âUp we go,â you murmur.
You donât leap. That would be too dramatic for Derry, Maine. You simplyâŠstep.
The wind takes the hint.
It catches the umbrella, a strong, sudden gust that shouldnât exist on a night like this, and lifts. The pavement drops away in a blur of wet asphalt and puddles reflecting neon. Your feet leave the ground, shoes dangling inches, then a foot, then several above the sidewalk as the town shrinks into a miniature of itself.
Derry would call it a draft. A trick of the storm. Thatâs how it survivesâby explaining away the impossible until it chokes on its own lies.
You float along the street, skirt fluttering around your knees, fingers wrapped tight around the umbrellaâs handle. The rain seems to bend around you, slipping off some invisible curve, barely misting your cheeks.
Below, the town slides past: the hardware store, closed and dark; the drugstore with its flickering sign; the movie theater advertising a double feature youâd meant to see and never got around to.
Something red moves in the corner of your eye.
For a second, your heart stutters. Balloon, your thoughts whisper, and thereâs a jump in your pulse that feels like the beginning of a song you donât want to hear.
You look down.
Nothing. Just the watery shine of car hoods and streetlamps smudged by weather.
You shake it off and let the umbrella tilt you around the corner, toward the neighborhood where the Mackies live. Houses cluster close together there, porches sagging from years of snow and rain, lights glowing in a few windows like islands in a dark sea.
You land on the sidewalk as lightly as if youâd stepped off a bus, heels clicking once against the wet concrete. The wind dies the moment your feet touch the ground.
You close the umbrella. No one looks out. No one ever does.
Mrs. Mackieâs house smells like casserole, cigarette smoke, and the vague, chalk-dust scent of fear. The kind of fear people donât name because that would make it real.
âThank you for coming, dear,â she fusses, slipping on her coat. âTheyâve just beenâŠwell, you know how children are. Imagination.â
You do know how children are. You also know when itâs not imagination.
âIâll have them in bed by the time you get back,â you promise.
She squeezes your arm, eyes lingering on your umbrella. âI donât know how you do it. They listen to you.â
You smile. âAll it takes is the right tone.â
Your grandmother Mary had said the same thing once, standing in front of a London nursery with soot in her hair and magic in her pockets. The world is wild underneath their beds, darling. You tame it with voice, not volume.
The Mackie kidsâTommy and Juneâare waiting in the living room. Cartoons murmur from the television, but neither of them are watching. June is chewing her thumbnail down to nothing. Tommy keeps glancing at the dark hallway like heâs expecting something to come out of it.
âHey,â you say, setting your carpetbag down. âWhatâs all this, then?â
Juneâs lip trembles. âHe was at the drain again.â
You go still.
Your voice stays light. âWho?â
Tommy shoots his sister a warning look. She stares at you, eyes too big, too old. âThe clown.â
There it is. The word that has been turning up more and more in Derry lately. Scribbled on school notebooks, whispered at the diner booths, floating down Main Street like a bad joke no one remembers telling.
Clown.
âItâs just been a long day,â you say, kneeling so youâre eye-level. âStorms make shadows, you know that. They stretch everything out, make it look wrong. Shadows canât hurt you, darling.â
June leans in, whispers: âHe smiled.â
You feel the hairs on the back of your neck rise.
Of all the things you inherited from your grandmotherâthe umbrella, the bag, the way the world shifts subtly when you snap your fingersâthat sense of wrongness is the one you trust the most.
Shadows flick and moan outside as the wind throws rain at the windows. The town is louder tonight. Restless.
âAll right,â you say briskly. âBedtime.â
Predictably, there are protests. But youâve dealt with far worse than two stubborn children. You use the voiceâthat firm, precisely measured tone that brooks no argument. It slides through the air like a command sewn with invisible thread, and the world tugs obediently.
Teeth get brushed without a fuss. Pajamas are put on. You smooth the blankets over bony shoulders and tuck Juneâs stuffed rabbit under her arm.
When you hum, very softly, the light in the hallway steadies. The creak in the floorboard quiets. The draft under the door seals away with a soft, invisible click.
Small things. Subtle things. The kind of things that make a room feel safe.
âThatâs magic,â your grandmother had said once, snapping an umbrella shut against a clear sky. Not fireworks. Not spectacle. Safety. The world behaving when it wants to misbehave.
You kiss Juneâs forehead. âSweet dreams.â
Tommy catches your wrist when you straighten. âYouâll stay?â
You look at him. At the child who has seen something he wasnât supposed to see. Derry is full of kids like that.
âIâm not going anywhere,â you say. âIf any nasty old clowns show up, theyâll have to go through me, wonât they?â
Tommy manages a tiny, brave smile. âYouâre not scared.â
You lie without hesitation. âNot even a little.â
The rain eases close to one in the morning. With the children asleep, the house settles into the uneasy quiet of a place thatâs trying not to listen to its own walls.
You make tea in the kitchen. The kettle had been empty; you filled it from the tap and gave it a little nudge with your fingers. Steam curls from the spout almost instantly, no flame needed. The water roils, obedient to your will and nothing else.
You pour, you sip, you try not to think about storm drains and smiles.
Outside, the street is slick and black, streetlamps casting halos in the damp air. The drains hum faintly, water whispering down into dark places.
You tell yourself youâre just checking on the weather when you open the front door.
The night that meets you is cooler, cleaner. The rain has washed Derryâs face, but not its eyes. The town watches you as you step onto the porch.
You shouldnât wander. Youâre supposed to stay inside, keep watch like all good caretakers do.
But the humming under your skin has been building since you left the diner, a strange pressure that feels like being drawn to the edge of a very high roof and wantingâjust for a secondâto see what would happen if you leaned too far.
Your umbrella opens with a soft whump of fabric.
You donât call the wind this time. You just walk.
Itâs quieter now. Not silentâDerry could never be thatâbut quiet enough that you can hear your own footsteps and the drip of water from softened gutters.
You pass one storm drain.
Another.
The third one waits at the corner, right where the curb dips. Water glugs into it, carrying leaves and cigarette butts and the small, soggy debris of human life.
You feel him before you see him.
A pressure against your mind, like someone leaning over your shoulder and breathing in. A cold fingertip running down your spine from the inside.
âNow thatâs interesting,â a voice purrs.
You donât jump. You were raised better than that.
You turn your head very slowly.
Heâs standing beside the drain, half in shadow, half in the jaundiced glow of the streetlamp. White greasepaint, red lines curling up the planes of his face like someone carved a smile into him and then changed their mind halfway through. Yellow eyes that arenât quite human and not nearly clown enough.
You knew heâd look wrong. You werenât prepared for how old he feels.
âYouâre out late,â you say, because manners matter, even here.
His smile widens, stretching without moving his lips. Itâs an unsettling thing, like the world around his mouth had decided to smile independently.
âSo are you, little nanny bird.â His gaze drifts over the umbrella, the bag, the hem of your rain-speckled skirt. âFloating down the streets like you own them. Thatâs rude. This is my town.â
You tighten your grip on the umbrella. âYouâve been upsetting my children.â
He giggles.
Itâs a high, bright sound that goes on too long, like a balloon squealing as it leaks.
âYour children,â he repeats, delighted. âOh, I like that. You think theyâre yours. Iâve tasted this town since it was just mud and screaming. Long before you and your little rain tricks.â
Youâve faced monsters before. Not like this, not this, but shadows under beds and things in closets, nightmares you could draw a curtain over with a firm voice and a snapped command.
He is not a nightmare. Nightmares end when you wake up.
âYou scared June Mackie,â you say evenly. âSheâs six.â
âThat oneâs mind is very soft,â he sighs, almost indulgent. âLike marshmallow.â His gaze sharpens. âShe smells of you now. Youâve wrapped her up in your tidiness. It spoils the flavor.â
Your heart pounds, once, hard.
He can smell you on them. Thatâs not good. Thatâs not good at all.
Your grandmother had warned you about that too, in the kind of voice she only used once in her life. There are things that do not like order. Things older than me and my umbrella. If you ever feel one look at you and see youâŠ
âWhat do you want?â you ask.
His eyes gleam.
âCurious bird,â he says. âYouâre not from here. Not really. You smell like chimney smoke and soot and nursery rhymesâŠfrom somewhere else. Somewhere other.â His tongue darts out, pink and quick, as if tasting the air between you. âYou donât belong in this little rotten place, and yetâŠâ He tilts his head. âHere you are. Singing your soft songs. Stroking their pretty little heads. Spoiling my feast.â
âYouâre not going to touch them,â you say quietly.
There is a momentâa real, solid momentâwhere the air presses down on you so hard your knees threaten to buckle.
His smile disappears. Not softens, not fades. Just gone. Whatâs left behind is something vast and empty and hungry peering out of a painted face.
âAnd what,â he says, voice flat, âis stopping me?â
Fear curls in your stomach, sharp and cold.
You lift your chin anyway. âI am.â
He moves.
One second heâs by the drain; the next heâs in front of you, so close you can see the tiny cracks in his white makeup, the way the red on his nose has been painted over and over again like someone trying too hard.
His gloved hand closes over the umbrellaâs handle, right above yours.
Heat and ice lance through you at once. Not physical temperatureâsomething else. Two forces rubbing against each other, the friction lighting sparks.
âYou donât smell like fear,â he murmurs, leaning in, nose nearly brushing yours. âYou have it. Oh, you have it in such delicious layers. Old fears. New ones. Afraid of falling. Afraid of failing. Afraid of being the last one holding the line when everything else breaks.â His eyes flare, bright as lamp light underwater. âBut itâs not on the surface. You keep it tucked away. Buttoned up. That isâŠannoying.â
Your voice feels like itâs coming from far away. âIâm very practiced at being inconvenient.â
Something like laughter huffs out of him.
âI could peel you,â he says conversationally. âStrip all that neatness off. See what screams underneath.â
The wind gusts. The umbrella strains between your hands and his.
You think of your grandmother, standing on a gray London street with her own monster looming over her. Youâd never seen it, but youâd seen the way her jaw set when she said, We do not run from the dark, darling. We teach it manners.
So you smile.
Itâs small and sharp and not entirely human.
âYou could,â you agree. âBut then who would keep your food so tender and frightened for you? You startle them too early, they harden. They stop believing. Stop being sweet.â You tilt your head, mirroring his earlier gesture. âYouâve been here a long time. You know how this works. Something like you doesnât survive without a littleâŠhelp.â
His eyes narrow.
For a moment, everything holds its breathâDerry, the drain, the sky.
Then he throws his head back and howls with laughter.
The sound tears through the street, echoes off houses, rattles the glass in nearby windows. Somewhere, a dog starts barking frantically.
âOh, nanny bird,â he cackles. âOh, clever little thing you are.â His hand relaxes on the umbrella handle, fingers stroking the worn wood as if itâs a living creature heâs trying to charm. âYou think you can negotiate with me?â
âI think you donât want to break your toys,â you say. âNot all at once.â
He leans in again, nose wrinkling, eyes searching your face like heâs determined to find the seam that will make you come apart.
âYouâre interesting,â he says finally, almost grudging. âItâs been a long time since something new crawled into my web.â His voice drops, thick as tar. âYou stay, nanny. You stay in my little town, with your umbrella and your songs and your soft hands. You keep them scared for me. Tender. IâllâŠconsider taking my time.â
âAnd if I donât?â you ask.
His smile comes back, slow and wide.
âThen Iâll eat you first.â
The words slide inside you like a blade made of ice and honey.
Your heart is hammering so hard you can taste metal, but your voice remains steady. âNot very polite.â
He tuts. âIâm not Mary,â he says, mocking. âI donât do polite.â
Your fingers spasm on the handle. âYou know her.â
âEveryone knows her,â he croons. âLittle storm in a skirt, skipping across the world, tidying up. She smelled like thunder. You smell like herâŠafter the lightningâs gone.â His eyes gleam, cruel and curious. âDid she tell you about me?â
âShe told me there are things under the world that you donât feed,â you say. âYou starve them.â
He grins, delighted. âOh, I like her. Pity sheâs not here.â His tongue flickers again. âBut you are. And weâre going to have such fun, you and I.â
He lets go of the umbrella.
You stumble back a step as the pressure snaps, dizzy like youâve just been underwater too long and come up too fast.
When you blink, heâs gone.
Only the drain remains, water whispering down into the dark.
A single red balloon bobs up from its throat.
It rises sluggishly, string trailing, latex gleaming wetly in the streetlamp glow. It shouldnât be able to float; it looks heavy, weighted with something that isnât air.
You stare at it.
The balloon drifts toward you. Slow. Patient.
You donât move until it bumps against your umbrella with a soft, rubbery squeak.
âAbsolutely not,â you say.
You twirl the umbrella.
The motion is practiced, precise. The world around its spinning canopy blurs. The rain hesitates. The balloonâs reflection stretches like taffy in a puddle at your feet.
With a quiet pop that doesnât sound entirely like bursting rubber, the balloon vanishesâno shreds, no trace. Just the faint smell of metal and carnival dust.
The street exhales.
You take a breath that feels like a first after drowning.
Then you turn on your heel and walk back to the Mackie house, umbrella folded neatly at your side, knees shaking under your skirt.
Later, when Mrs. Mackie has returned and pressed a few rumpled bills into your hand with grateful eyes; when youâve floated yourself home on a wind that tastes faintly of sewer rust and old laughter; when youâve climbed the narrow stairs to your cramped little apartment above the dinerâyou put your carpetbag on the kitchen table and just look at it.
The bag looks back. Somehow.
You unclasp it.
The mouth opens wider than its frame should allow. Inside: the familiar jumble of impossible space. Tea tins that never empty. A folded coat that once belonged to your grandmother and still smells like her perfume. A snow globe with no snow, only swirling smoke.
And, sitting right on top of everything like it belongs there, is a paper boat.
You stare at it for a long moment.
The paper is damp but not ruined, edges curled as if itâs been floating for a while. Along the side, in shaky, childish letters, a name is written.
You donât read it.
You donât have to. You know what name it would be. Names echo in Derry. They never really leave.
Your fingers hover above it, trembling.
In the end, you donât throw it away.
You pick it up carefully and set it on your kitchen windowsill, where the rain-streaked glass turns the town outside into a blurred painting of itself.
The boat sits there, a tiny white shape against the dark.
In its folded creases, you can almost feel him. Watching. Waiting. Amused.
âFine,â you say softly, to the town, to the drain, to the thing that wears a clownâs face and calls you nanny bird. âWeâll play.â
Outside, somewhere in the deep, wet bones of Derry, something laughs.
You straighten your shoulders, close the bag, and hang your umbrella by the door.
Tomorrow, there will be children to wake and feed and ferry to school. There will be shifts at the diner and gossip to overhear and shadows to tidy away. There will be storm drains on every corner.
And somewhere beneath it allâa monster with yellow eyes and a hunger older than your grandmotherâs songs.
A moonbow, also known as a lunar rainbow or white rainbow, is a rainbow created by moonlight rather than sunlight. It's formed when light from the moon refracts and reflects off water droplets, like those in rain or mist, creating a visible arc of light in the sky. Moonbows are generally fainter and less colorful than regular rainbows, and they are much rarer due to the need for specific conditions like a full or near-full moon, clear skies, and dark skies.
men who love to love you intimately, balancing the sheer force of their strength with tenderness. men who rub your ankles as he presses you further down on the mattress. men who kiss your knuckles gently, one by one, and your wrist tooâloving the feel of your pulse, relishing the fact that you exist, that youâre really here, that you exist in this moment with himâbefore intertwining his fingers with yours, holding them over your head as he leans in for a deep open mouthed kiss.