"That part of the body â not so much the buttocks, but the bottom of the spine â thatâs the most erotic part of anyoneâs body, man or woman" â Alexander McQueen
No title available
we're not kids anymore.

@theartofmadeline
art blog(derogatory)
đȘŒ

No title available

â
RMH
AnasAbdin
Mike Driver
Cosmic Funnies
Xuebing Du
Today's Document
Stranger Things

pixel skylines
"I'm Dorothy Gale from Kansas"
ojovivo
occasionally subtle
h
Game of Thrones Daily

seen from Netherlands

seen from South Korea

seen from Malaysia
seen from Australia
seen from TĂŒrkiye

seen from Taiwan

seen from Australia
seen from United States

seen from Malaysia
seen from Australia
seen from Malaysia

seen from Malaysia

seen from United States

seen from Singapore
seen from Malaysia

seen from Germany
seen from Philippines

seen from United States

seen from Poland

seen from France
@alaiamgia
"That part of the body â not so much the buttocks, but the bottom of the spine â thatâs the most erotic part of anyoneâs body, man or woman" â Alexander McQueen
Alexander McQueen signature style Bumster trousers from the 2000s, similar to those from the F/W 2000 collection. Worn with Gucci by Tom Ford Bra, 2001
McQueen's first collection, entitled "Taxi Driver" was presented on a clothes rail at the Ritz in 1993 â quite different from the large-scale productions McQueen would become known for later in his career. McQueen kickstarted a trend in the denim world, and the low-rise jean (although never as low as McQueen's original design) was a popular style throughout the 1990s and 2000s.
Martin Margiela Spring 2000, look 1.
This was the first of a pair of shows focused on overblown proportions applied to wardrobe staples like trenchcoats, menâs shirts, bombers, and slip dresses, all of which were enlarged by 148, 150, or 200 percent. But size wasnât Margielaâs only concern for Spring â00: Carefully placed price stickers and electronic security tags commented on the marketing and selling of fashion, as well. What the de-heeled shoes were meant to say is less clear. The collection was served up not on a runway but, commented The New York Times, âon round tabletops in a room that looked set up for a Rotarian dinner.â
Comme Des Garçons S/S 1997, look 13.
Maintaining the status quo has never interested Rei Kawakubo. She upset it with outsized clothes that shrouded the body when she made her Paris debut in 1981, and, more than a decade and a half later, she was pushing buttons again with a Spring 1997 collection titled Body Meets Dress, Dress Meets Body. Often referred to as the âlumps and bumpsâ show, it featured tubelike gingham dresses stuffed with lumpen filler that sculptedâsome said deformedâa new silhouette. âItâs our job to question convention,â the Japanese designer told Vogue. âIf we donât take risks, then who will?â
Atelier Van Lieshout, Blast Furnace Cabinet 2019
tumblr is overwhelming