
JVL
Keni

ellievsbear
almost home
sheepfilms

if i look back, i am lost
Three Goblin Art
Stranger Things

祝日 / Permanent Vacation
styofa doing anything
i don't do bad sauce passes
Mike Driver

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blake kathryn
2025 on Tumblr: Trends That Defined the Year

tannertan36
Peter Solarz
Cosmic Funnies
NASA
todays bird

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@alexafalcone
Vera Molnar [France] (b 1924) ~ ‘Carrés’, 1973. Computer printed pattern.
Nan Goldin, Clemens Under Water, Sag Harbor, NY, Made of Cibachrome print
@rikidwi_k
Laure Prouvost
Ian Taylor | @ian.explores
Robin Uthe | @robinxbenjamin
The ‘Lysippos’ Apoxyomenos - This well studied large-scale carving of a torso in black basalt after the Roman antique of ‘The Scraper’, depicted life-size, stands in contrapposto, his weight on his left leg, the right slightly advanced, with his left arm projecting forward, the overall figure with softly-modeled musculature. Where, the sculpture is commonly represented by the Pentelic marble copy, as it stands in the Museo Pio-Clementino in Rome, when it was discovered and then excavated in Trastevere, in the middle of the 19th century, plaster casts did soon found their way among academic collections. This sculpture, slightly larger than lifesize, is characteristic of the new canon of proportion pioneered by Lysippos, with a slightly smaller head (1:8 of the total height, rather than the 1:7 practiced ratio adopted by Polykleitos) and longer and thinner limbs. Black basalt is a very fine-grained igneous rock and is rarely used in sculpture due to its incredible hardness. The overall work appearance, with its hematite-like luster is divine, and magnificent; almost ‘magic’.