"Piano Nights" published by Word Riot Word Riot published my short story "Piano Nights" in the May 2015 issue. You can read it online.
No title available
trying on a metaphor
ojovivo
"I'm Dorothy Gale from Kansas"
KIROKAZE
Mike Driver
Sade Olutola

if i look back, i am lost

oozey mess

Discoholic 🪩

Janaina Medeiros
Game of Thrones Daily
Monterey Bay Aquarium
let's talk about Bridgerton tea, my ask is open
Peter Solarz

@theartofmadeline
YOU ARE THE REASON
Stranger Things
d e v o n
dirt enthusiast
seen from T1
seen from South Korea
seen from Australia
seen from Uzbekistan

seen from Germany

seen from United States

seen from Germany
seen from Spain
seen from Japan

seen from United States
seen from United States
seen from Brazil

seen from South Korea
seen from Canada

seen from Russia

seen from Brazil

seen from Brazil
seen from Brazil
seen from Saudi Arabia

seen from United States
@aliciaontheweb
"Piano Nights" published by Word Riot Word Riot published my short story "Piano Nights" in the May 2015 issue. You can read it online.
My computer wasn't working yesterday. I was determined to write none the less and took pen to paper. Turned out to be one of my most productive days yet. Writing freehand is like painting or sketching, the lines lead into more lines. I never noticed how aggressive typing is.
Then I watched the Inarritu film Biutiful and balled my eyes out. Javier Bardem is a wonderful actor, but the little boy playing his character's son, Mateo, stole my heart. I think this movie is too sad to recommend. It's a dark, dark world, Mr. Inarritu.
I'm writing. And I'm not. I'm writing. Then I stop or hit a wall. The city is most disgusting to me after I've been away from it. The 90-plus degree weather isn't helping. Sometimes the sentences just flow right out of my fingertips. This week it's been mighty difficult to get out three pages. I'm thrilled about this new story, so why can't I get it on paper? First drafts are blank and empty and I'm having trouble with third person narration. I've always written in the third person, why am I feeling so compelled to switch to first? Fine. I'll write it in first person. How does the story get to decide this stuff? As writers, we really have no control over anything. We're just feeling around in the dark, walking in whichever path doesn't trip us. I'd love to find a new artist to revitalize my zapped brain cells. Any recommendations? Egon Schiele-esque? Or something bold and in your face and withdrawn and tempting. Maybe I'll go to the Whitney tomorrow.
This blog entry kind of makes no sense and I've changed it three times since the initial posting. This is the first post I've ever written about Analia, yet she's not mentioned until the end, and then the train of thought scurries away or ends abruptly or something. The point of this post was (and is) to acknowledge that I was nervous and then I was super happy and then I realized that I hadn't taken time this week to channel my dear friend. I normally think of her, in every situation, and remember her advice and her life choices.
It's out of place to have not thought of her this week. But I start out processing that with the wisdom of George Bailey.
We all know what happens to wide-eyed George Bailey. Oversized suitcase in hand, he ensures there’s enough surface area to emblazon it with tags from the faraway lands he would visit. As if he could leave behind Bedford Falls and its mundane, claustrophobic expectationlessness mentality. But he never gets on the train or the plane or the possibility express. His “dream” is merely a distraction from what’s really important in our lives: an honest job, a wife, some kids, debt, a broken staircase knob.
Then I compare myself to George (which I've been known to do every now and again in passing thoughts). I think my rambling below is something I would've talked to her about. I would've said it to her and she would've responded in some way.
I’ve always loved that movie, not because he saves the town (and the town saves him) and Zuzu knows an angel gets his wings, but because the lesson taught is that you can’t have both - domesticity and adventure - and that it’s really kind of adolescent and goofish to think of having it at all. George can’t actually lasso the moon. And me wanting to be a writer is like saying I’m whipping out a rope, targeting lunar pursuits.
I know if it were someone else no longer in my life who I feared was slipping from my thoughts, I would have definitely talked to her about it. I also know for sure she would have spun it in a way that comforted me, that let me see I wasn't forgetting that person. She would've offered a reasonable explanation.
She's usually with me. Always. In my head. Beside me. I often stop to breathe for her. She weaves her way into conversations like I can pick up the phone and call her. Like we all know her.
I almost began this paragraph with “When someone dies,” as if that’s the reality that plays through my head everyday, because it isn’t, because it’s not something I can process yet and I’ll tell myself the reason that I’m not thinking about her in this time of joy and satisfaction is because I don’t want to bother her with my happiness.
Always take your key to the bathroom. A first lesson learned on this first full day of my week-long stay at the Sarah Lawrence Summer Seminar. Other than locking myself out of my room this morning, all is going splendidly. I registered yesterday afternoon to find a private room of my own with A/C, and a bathroom I share with two floormates. A thunderstorm this morning broke the heat and I’m able to hear the birds a-chirp outside my window, though my morning run will have to wait for tomorrow.
I have a name tag...it's official.
Gets the job done.
What did we learn today?
Last night's dream: Mel Brooks asked me for my business card so he could give me writing advice and help me with industry connections. The email address on my cards was completely wrong. And every pen I used to write the correct one wouldn't work. Panic ensued.
I have always been a huge admirer of my own work. I'm one of the funniest and most entertaining writers I know. ― Mel Brooks
Fun NY (without a space spells funny)
My wonderfully sweet co-worker Amy is new to New York, and I can't stand the thought of her discovering the city as a drone following New York Magazine's idea of what ought to be trendy. I compiled this list for her so she could be a real NY'er in no time.
Great Deals
I joined Groupon and bought a 10 pack of yoga lessons for $20 and it happens to be in this gorgeous brownstone/townhouse(?) in Harlem. My new sanctuary, Urban Yoga Foundation is one of those places I love so much I don't want to tell anyone else about it. Forget you read this one.
Picnic
‘Tis the season for a picnic and there are much nicer spots in NYC than Central Park. You must plan a visit to the Cloisters and then picnic on the grounds surrounding the museum in Fort Tryon Park. Take the A train to 190th St. I know that sounds way uptown, but it’s safe and beautiful.
Cheap Eats
Food crawls are fun! I'm overdue for a good one with my pal Emily. I canceled on her last month when we were supposed to taste our way through Flushing a second time around. I hope she forgives me and we get our crawl on a bunch this summer.
Ghandi Café by West 4th St. My mom told me about this restaurant and I try to be hip and bring friends here, then I run into my parents and my friends have more fun with my mom and dad than with me. My favorite dish is the vegetarian platter that serves you a bunch of veggie curry options on one big, round platter. With yummy nan bread of course, which is hysterically referred to on the menu as “the fluffy one”!
Falafel in Williamsburg. Open all day and until the wee hours of the morning, and right at the top of the stairs from the Bedford stop on the L train, Oasis has yummy falafel sandwiches for under $5 and the platter version for under $10. After filling up on chickpeas and spicy yogurt sauce, you get to explore Williamsburg. My great grandfather left Naples, Italy and bought a house and an apartment building on North 8th Street in the early 1900's, right off Bedford Ave. In the house and adjacent apartment building, my great grandparents raised eleven kids (who then raised their own barrel-fulls of kids there), got arrested for bootlegging, made wine in the basement, and grew figs and tomatoes in the backyard. I lived in one of the apartments when I was a baby, and then again in that same apartment two years ago when my family put the property on the market.
So many other places have come and gone over the years. I can still smell the jerk chicken at a Caribbean restaurant in the west village where my parents used to take us. My brother always ordered the frog legs.
That place closed down over a decade ago, but I can ramble off a few of the eateries that remain, some cheap and some super expensive. Here’s a short list: Aquavit (best restaurant experience of my life and I'm not a foodie, not one bit); Heidelberg (last of the German spots in Yorkville; I grew up across the street); Koronet Pizza (ok, I haven't actually been here yet...but they cut the biggest slices around, so let's try it together soon), Flushing Food Mall (this is a link to NYMag....Lawd, I'm a hypocrite...anyhow, pulled noodle soup as if you were in China), Gigino At Wagner Park (Fantastic Battery Park City views); Polish food in Greenpoint or stay in Williamsburg and go to Kasia's. The BEST ice cream cookie sandwich of my life is from the CoolHaus truck.
Get out of NYC!!
Mega Bike Rides
June 16 to Montauk
July 27 in Western Mass
Take pics of your NY adventures. Blog about it.
Oh, John Cleese. From Fawlty to Wanda you've always been a joy to watch, and your words of wisdom inspire me still. I agree, a 22-inch waist would solve all of my creativity problems, and then some. ;-)
My summers used to be spent in the typical New York duality. Manhattan to Long Island's East End. As a child and teen, I'd languish for hours at the basketball courts, diners, and brownstone stoops of the Upper East and West sides with friends. From one island to the other, I'd lounge on the beaches of Shelter Island with my parents. On sunny days, we'd read by the shore and flop around on boogie boards until the sun abandoned us. Then we'd go back to the house, wash off the sand, and grill on the porch or dip lobster legs into plastic shot glasses of butter at Bob's restaurant. My washed hair drying over my bronzed shoulders.
All that's nostalgia, for now - until I have a family of my own and recreate the tradition. We sold the house on Shelter Island when I was in college. Although my heels continue to stomp upon the melting tar of the city streets, they rarely dive into the shores off Long Island anymore.
Thankfully, this summer will have an experience both familiar and new. I was accepted to the summer writing programs at Sarah Lawrence College and Stony Brook Southampton. What a lifesaver!! For a week in June, I'll be dorming up in Bronxville, workshopping my short fiction with Nelly Reifler at SLC. Although it's creepily picturesque there, I'll happily make do. For 5-10 days in July, I'll either workshop with Melissa Bank or Meg Wolitzer out in Southampton.
Going to Southampton feels like a triumphant return to the East End. The sweetest part is that I'm returning as an adult, on my own, instead of in the backseat of my parents' Cadillac, gripping a paper plate out in front of me, pretending it's a steering wheel and mimicking my dad's every turn.
seriously the best thing ever.
Long time, no blog. I didn't get into Hunter. That was the only school where I applied. I cried for a few days after Hunter's email came in. I told my boyfriend to break up with me - I'm his aging girlfriend who isn't talented enough to go to school. He bought me candy.
How is this not the sexiest thing you've ever heard? The heat grabs you at 0:47. This is how I get through a day of writing.
After Hours-Dizzy Gillespie,Sonny Rollins & Sonny Stitt-1957 (by Dustyologist)
When did life stop being fun? Stop being an adventure, rolling toward mysterious possibilities dreamed up in hopeful anticipation? At least music remains.
Quotes Are Medicine
"Writers are often ashamed at who they are and what they do. Other people are out there fighting wars and fixing cars and destroying our country with poisonous loans—and here we are, sitting around in our footy-pajamas, writing about vampires and unicorns, about broken hearts and shattered jaws. A lot of the time we won’t get much respect, but you know what? Fuck that. Take the respect. Writers and storytellers help make this world go around. We’re just as much a part of the societal ecosystem as anybody else. Craft counts. Art matters. Stories are important. Freeze-frame high-five. Now have a beer and a shot of whiskey and shove all your shame in a bag and burn it."
- Chuck Wendig, “25 Things Writers Should Stop Doing (Right Fucking Now)”
Thanks BFF!
Big Girl Meets Plotto Day 2
The first thing I learned back in college was that good writing requires drama and drama arises when want meets obstacle. Every audience, I was taught, enjoys witnessing a character in conflict. It's a pretty dark assessment of our human interests, albeit true, mostly.
I've known this trick of the trade for years, yet my stories continue to have an aversion to conflict. It doesn't feel real. Are all of our encounters a game of 'gimme!' versus 'no, you can't have that'? Only the interesting ones are, and entertainment needs to be interesting, supposedly. If life were easy for little miss character, then our reader would get bored, right?
Getting back to PLOTTO, Cook tells us the same thing; he calls it desire, which is awakened by purpose (ex. Character A wants something Character B has, and goes after it). Purpose pushes the character into action, and that action meets an obstacle, creating the situation. If we look at my Pitch for Big Girl, Laura doesn't have a substantial desire. Right now, I have Laura doing all the right things - education, work, socializing - yet her life is in the doldrums. She's shaken by her mom's retirement, and this scares her, but it doesn't give way to action or desire.
Laura is an archetypical woman in our current society. She wants love. To love someone, to love herself, to lover her work, lover her surroundings, and she wants all those to love her right back. She hasn't achieved any of this because she ignores her interests in favor of obsessing over societal judgement. The opinions of others are more important to Laura than doing what feels good.
Following PLOTTO's chart of clauses, stories should unfold along a path of Initial, Middle, and Final clauses. In this instance, Big Girl could go something like this: Laura is a Person of Ideals, living a lonely, cheerless life and seeking companionship, but she follows a wrong course through mistaken judgement. The final clause might be that she undertakes a role that leads straight to catastrophe. Or she reverses certain opinions when her fallacy is revealed. Or I'd rather not choose my ending right now. There's too much fun in watching where your characters take you to already know what will happen.
So that's how I'm going to start the story. I'll write up a beginning and possibly post it here.
I received a copy of Plotto from Tin House Books. I never win anything, but thanks to Twitter I am the proud owner of this coral-shaded "master book of all plots". Thanks, Tin House!
They sent a copy weeks ago and now I finally have the time and mental clarity to try out its plot-building techniques on a story that's been collecting dust on my hard drive.
Big Girl is a short story I started in August and it needs work. The narrator has no voice or personality; as my friend Chrissy would say, this narrator is about as fun as AIDs. So I've given myself a March 4th deadline to finish the next draft.
Over the following three weeks, I'll mine the methodology of Plotto for its shiny techniques on developing storyline. I'll share my experience here, applying pulp mastermind William Wallace Cook's tried and true formula of theme, conflict, and purpose. I'll also get some help from Carol Bly's The Passionate Accurate Story to fatten up my piece with value and purpose.
The Specs
Story Title: Big Girl
Current Page Count: 12
Protagonist: Laura. For now. I change characters' names frequently as a way to shake things up - a bit of advice from Bly.
The Pitch: Laura is a thirty-ish single woman living in a studio apartment on the Upper West Side. She's putting her NYU MBA to poor use selling plastic straws for a family-run company in the city. She talks to her mother nightly but their relationship is challenged when mom, Rachel (for now), suddenly retires, snatching away Laura's security blanket. Realizing that she's not living up to her personal expectations when it comes to love, health, and independence, Laura admits to Rachel that she's unhappy and scared that her mom can't bail her out. Will she figure out how to be a woman, a big girl, so to speak? Or will Laura sink deeper into a frivolous life of binge eating, dancing alone on Ladies' Night, and underachieving?
You, sit tight and stay tuned. I'll get to work.
We've heard it many times, but I'm not going to let you forget that a lot can change in a year. If you've recently started on a life change, whether it be motivated by educational, health, economic, or career interests, believe that in a year you'll be in a different place if you stay on track. What helps is checking in every so often to see how far you've come.
It was about one year ago that I started this journey. I'm on many journeys right now, that have kicked off at various points in my life, so to be more specific, December marks the anniversary of my commitment to writing.
Last year, I was laying in bed under a mound of quilts and sheets staring at my computer wishing for a change. The chilly temperature was unrelenting, I had recently moved to a new neighborhood, and the one person I knew in the nabe, my boyfriend, was out of state visiting family for the holidays. I begrudged him and others out of town and their escape from the dank city streets.
I did a Google search for writing groups in Washington Heights that night - I always turn to pen and paper and the like-minded when I'm pouting - and in .33 seconds I linked to Uptown Writers, a self-proclaimed hub for craft, community, and inspiration. Though workshops were not being offered until the new year, their annual Fall Reading reception was upcoming.
On December 10, 2010 I walked uptown alone unsure of who or what to expect. Through a soft flurry of snow, I got up to West 189th Street, to the rented church kitchen bustling with a crowd of thirty(ish) neighborhood folks, made up of professional and amateur writers and their friends and family. I took the outermost seat in an aisle of wobbly plastic chairs. Not too close to the front, not in the last row, either. Before the first speaker went up, a woman next to me introduced herself. Kate, a poet, who's worked in advertising for decades, lives nearby, and was about to read her observational poem concerning birds in a park. I was grateful to have met her, to have help blending in by having someone to talk to.
The night turned out to be well worth my time. I heard some really smart writing, met the instructors, enjoyed wine and cheese from the small yet popular spread. Within a week I signed up for a workshop.
A few months into the new year, I had finally decided to quit my full-time job and pursue my life as a writer without the excuses and distractions I had allowed to cloud my ambitions during the prior seven years. My life and career would only lend themselves to being a writer - whether it be freelance writing or teaching - rather than a blankety-blank who tries to find the time.
Two nights ago, December 9, 2011, the annual reading was once again. As I walked uptown, my mind was battling new anxieties. This time I was scheduled to read. It was my first time ever reading my original work in front of other writers. This year, no picturesque snowfall. I was hopped up on cold medicine, and was scribbling down red-inked edits to my piece up until the moment I entered the room. The rented church kitchen was airier, with a smaller crowd than last year, though many of whom I now knew personally. I re-introduced myself to Kate. Remember me, I asked while pouring wine and snapping off pieces of pretzel.
Eventually, my name was called. And I read. You'd be hard pressed to find a more supportive audience in New York City; mostly made up of my instructors, classmates, and a few bodies I hadn't met yet. I'll always remember when they laughed. No, not at me. With me, or rather with the characters in my short story at right when I hoped they would. For the next couple of months, I'll go over in my head all that was wrong with my delivery (the shaky voice, beet red cheeks, forgetting to check if my shirt wasn't riding up). That's okay. The act of getting up and putting my work out there is what really matters, and marks a defining moment along my path. A moment that I hope was the first of many more.
I got last year's Christmas wish this holiday season. Go get yours.
Be sure to celebrate your milestones, on whichever journey you may be traveling. I have to keep looking at my writing in the same way I look at running. Last year I was jogging two miles a few times per week. On Friday, I ran four and quarter. By next summer, I plan to run in the Queens Half Marathon. That means tripling my mileage. Keep at it. As long as you're improving and experimenting and showing up, time will be your friend.