[d-untrait]

Ronan Bouroullec

[annarozaa]

[four-evasions]

alice notley, via

[ladyburde]

Miriam Austin

[performance-sofa-deactivated201]

laura letinsky

UNTITLED #11 (Hardly More Than Ever series)

1997

[abstrakshun]

Junko Oki (Japanese, b.1963)

more on abstrakshun

[elodieunderglass]

on the validity of recognizing emotions

[four-evasions]

[x]

[arpeggia]

Paolo Fusco - Fiori 24h

Artist’s statement:

“Hardly anything is open 24h in Rome: a few bars, a few stores, self service gas stations and flower kiosks, a lot of flower kiosks. You can find them everywhere in the city and they never close. They never close. Their presence has always fascinated me, they seem like sentinels in the quiet roman night, small lighthouses populated by half-asleep immigrant workers. The photos were taken while wondering through the city in search of these islands of light and flowers.”

[s-h-o-w-a]

Hans Silvester

Homme lisant un livre entoure de cerfs Sika dans le parc de Nara, Japon

[taishou-kun]

Hans Silvester

Man reading a book around shika deer in Nara Park, Japan - 1960s

[goodmemory-deactivated20240521]

Sheila Hicks (1934), USA: Linen Letter to Malevitch, 1975;

[arterialtrees]

Cole Swensen

[eviecahir]

Two Studies of plants on the balcony - One on wooden board, the other on thick paper. 

[christowski]

Biomimetics.

Left: Pilea peperomioides — via morganetenoux (instagram). Right — Collection of satellite dishes (unknown source)

[onethru8]

Almost done here✂️

[madamerenoir]

Hyun-sook Song

[thunderstruck9]

Maysey Craddock (American, b. 1971), the blue of remembered shores, 2017. Gouache and thread on found paper, 25 x 20 in.